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Italian stage director of opera (1884–1960)
Armando Agnini (July 11, 1884 – March 27, 1960) was a successful Italian stage director of opera. Born in Naples, Italy, he went to the United States as
Armando_Agnini
American impresario and stage director (1924-2005)
from 1948 to 1950. In 1948, his friend Mario Lanza introduced him to Armando Agnini, principal stage director of the Opera in New Orleans. Cosenza also
Arthur_Cosenza
American tenor and actor (1921–1959)
Orleans Opera Association conducted by Walter Herbert with stage director Armando Agnini. Reviewing the opening-night performance in the St. Louis News (April
Mario_Lanza
Spanish operatic soprano and pedagogue
return to the Met in 1924-25, for The Barber of Seville (directed by Armando Agnini), Rigoletto (conducted by Tullio Serafin), and Lucia di Lammermoor (with
Elvira_de_Hidalgo
Opera house in San Francisco, California, United States
and Alfredo Gandolfi as Baron Scarpia. The production was staged by Armando Agnini and the music forces were led by conductor Gaetano Merola. The San Francisco
War_Memorial_Opera_House
Italian and American soprano (1909–1994)
Aida again (1955), and Il trovatore (with Leonard Warren, directed by Armando Agnini, 1958). She was also often heard in Philadelphia (from 1946 to 1959)
Herva_Nelli
November 2018 Louise Wohlafka 213 soprano 18 January 1978 17 April 1987 Armando Agnini 212 opera director 20 January 1919 14 April 1934 Auguste Vianesi 212
List of performers at the Metropolitan Opera
List_of_performers_at_the_Metropolitan_Opera
American baritone
Giacomo Puccini's Tosca, conducted by Renato Cellini and directed by Armando Agnini. The very next year, he first appeared with the New York City Opera
Chester_Ludgin
American opera singer and philanthropist
first opera singer to be honored by the organization. On the advice of Armando Agnini, she adopted her mother's maiden name (Piazza) professionally. Piazza
Marguerite_Piazza
German-born American conductor (1910-1996)
performances of more than fifty operas, including Die Fledermaus (directed by Armando Agnini, 1955), Les contes d'Hoffmann, Il tabarro, Susannah (with Phyllis Curtin
Knud_Andersson
Italian conductor (1912–1967)
Opera Association, where he debuted with Puccini's La bohème (staged by Armando Agnini). While there, he founded the Experimental Opera Theatre of America
Renato_Cellini
American tenor (1932–2005)
Orleans Opera Association), conducted by Renato Cellini and directed by Armando Agnini. In 1960 he made his debut with the Philadelphia Grand Opera Company
Enrico_Di_Giuseppe
American conductor and impresario of German birth
Lieutenant Pinkerton in Madama Butterfly; under Herbert's baton and Armando Agnini's stage direction. (It was announced in May 1948 that Lanza had accepted
Walter_Herbert_(conductor)
Catholic diocese in Italy
Bishop Ambrogio Spinola repaired and enlarged the building. Bishop Francesco Agnini (1837–1853) erected the chapel and donated his library of 2,000 volumes
Diocese of La Spezia-Sarzana-Brugnato
Diocese_of_La_Spezia-Sarzana-Brugnato
ARMANDO AGNINI
ARMANDO AGNINI
Boy/Male
British, Indian, Romanian
Form of Arman or Harmanas
Boy/Male
German American French Polish
Army man; soldier. Famous Bearer: romantic actor Armand Assante.
Boy/Male
German American Italian
Army man; soldier. Famous Bearer: romantic actor Armand Assante.
Boy/Male
German
Army man; soldier. Famous Bearer: romantic actor Armand Assante.
Girl/Female
Australian, French, Portuguese, Spanish
Army Man; Feminine of Armando
Boy/Male
American, Australian, Chinese, French, German, Latin, Portuguese, Spanish, Swiss, Teutonic
Of the Army; French Form of Herman; Army Man; Soft Air; Gentle Breeze; Similar to Herman; Form of Armand
Male
Spanish
Spanish form of German Harmand, ARMANDO means "bold/hardy man."
Male
French
Old French form of German Harmand, ARMAND means "bold/hardy man."
Boy/Male
German
Army man; soldier. Famous Bearer: romantic actor Armand Assante.
Male
Italian
Italian and Spanish form of Roman Latin Amandus, AMANDO means "lovable."
Male
Italian
Italian form of Latin Orlandus, ORLANDO means "famous land."Â
Male
Spanish
Spanish form of Latin Arnoldus, ARNALDO means "eagle power."
Boy/Male
Shakespearean
Love's Labours Lost' Don Adriano De Armado, fantastical Spaniard.
Male
Italian
Italian form of German Hermann, ERMANNO means "army man."
Male
French
 Variant spelling of Old French Armand, ARMAN means "bold/hardy man." Compare with another form of Arman.
Boy/Male
German Russian
Army man; soldier. Famous Bearer: romantic actor Armand Assante.
Female
English
English literary name, created by playwright Colley Cibber in the 17th century, derived from Latin amanda, AMANDA means "lovable."
Girl/Female
Spanish
Feminine of Armando.
Boy/Male
German Italian
Army man; soldier. Famous Bearer: romantic actor Armand Assante.
Male
German
Variant spelling of German Harman, HARMAND means "bold/hardy man."
ARMANDO AGNINI
ARMANDO AGNINI
ARMANDO AGNINI
ARMANDO AGNINI
ARMANDO AGNINI
ARMANDO AGNINI
ARMANDO AGNINI
v. t.
A fleet of armed ships; a squadron. Specifically, the Spanish fleet which was sent to assail England, a. d. 1558.
n.
A contrivance for causing a current of air to impinge on the flame of the Argand lamp; -- called also oxygenator.
pl.
of Arango
n.
Armada.
a. & adv.
Alt. of Parlante
n.
A monk belonging to a branch of the Cistercian Order, which was established by Armand de Rance in 1660 at the monastery of La Trappe in Normandy. Extreme austerity characterizes their discipline. They were introduced permanently into the United States in 1848, and have monasteries in Iowa and Kentucky.
n.
A bead of rough carnelian. Arangoes were formerly imported from Bombay for use in the African slave trade.
a.
In a melodious, flowing style; in a singing style, as opposed to bravura, recitativo, or parlando.
n.
The period at which any definite event occurred, or person lived; age; period; era; as, the Spanish Armada was destroyed in the time of Queen Elizabeth; -- often in the plural; as, ancient times; modern times.
a.
Same as Tremando.
n.
A canelike grass of southern Europe (Arundo Donax), used for fishing rods, etc.
a.
Trembling; -- used as a direction to perform a passage with a general shaking of the whole chord.