Search references for GYMEL. Phrases containing GYMEL
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In medieval and early Renaissance English polyphonic music, gymel (also gimel or gemell) is the technique of temporarily dividing up one voice part, usually
Gymel
Period of English history from the 5th–15th centuries
occasions and to accompany theatrical works. Singing techniques called gymel were introduced in England in the 13th century, accompanied by instruments
England_in_the_Middle_Ages
occasions and to accompany theatrical works. Singing techniques called gymel were introduced in England in the thirteenth century, accompanied by instruments
England in the Late Middle Ages
England_in_the_Late_Middle_Ages
Topics referred to by the same term
the Zionist paramilitary organization Haganah in 1946, before Plan Dalet Gymel, the technique of temporarily dividing up one voice part, usually an upper
Gimel_(disambiguation)
Musical artist
Phillips and Steve Smith. The label is named after the compositional technique gymel. In accordance with Phillips, The word Gimell comes from the Latin word
The_Tallis_Scholars
chant – Monophonic liturgical music used in the Roman Catholic liturgy. Gymel – Form of English origin where a single voice part splits into two equal
List of classical music genres
List_of_classical_music_genres
Grupo de los cuatro Grupo renovación Guidonian hand Guitar Guitar solo Gymel Hagiopolitan Octoechos Half diminished scale Half note Half-time (music)
Index_of_music_articles
French pianist and composer
Fugace, Rondo-musette, Choral profane, Impatiences, Errances, Divagations, Gymel, Ariette, Enharmonies, Romance du gai savoir, Strépitoso, Envolées, Traduit
Louis-Noël_Belaubre
British composer and teacher (1933-2020)
Poems of Wallace Stevens IV, Op. 38, MS, vla, pno, 1992 Gymel A, Op. 39a, fl, cl, 1993 Gymel B, Op. 39b, clarinet, cello, 1995 Remembering the butterfly
Justin_Connolly
influencing settings for masses, hymns and Magnificats. Singing techniques called gymel, a technique of temporarily dividing up one voice part, usually an upper
Music_in_Medieval_England
Medieval school of music composition
The movement in parallel thirds, later, when it came into use, called gymel, is so unlikely, because it was not regarded by contemporary cantors in
Saint_Martial_school
Argentinian musician (born 1943)
24 part 4+5 (book + CD) Harrison Variations (2002, CD EMF Media, EM 153) Gymel Electroacoustic music (2003) Taléas for Paezold recorders and electroacoustics
Horacio_Vaggione
Spanish composer (1931–2006)
Chamber music 1972 Opus 098 Cuatro piezas for dos violas, Op. 98 [Fabordón - Gymel - Discantus - Organum] 1972 Opus 095 Espoir, Op. 95 for mezzo-soprano and
Román_Alís
English composer (c. 1529–1591)
of triple time, the solo sections are enlarged in scope, climaxing in a "gymel" (derived from the Latin for twin) where two equal treble voices soar above
William_Mundy_(composer)
Record label
recording of Josquin des Prez. The label was named after the technique “gymel”, a corruption of the Latin word “gimellus”, meaning a twin, which was found
Gimell_Records
English composer of liturgical music
nostri 6vv Domine quis habitabit I, II, III Exaudiat te Dominus 5vv with gymels Fantasias III & IV In Nomine V a 5 Justus es, Domine Lamentations 5vv Lamentations
Robert_White_(composer)
Humlet for viola solo (1908); Editions Schott Foweles in the Frith, 2-Part Gymel for tenor and baritone, or tenor and viola (1910s); Bardic Edition The Sussex
List of compositions for viola: F to H
List_of_compositions_for_viola:_F_to_H
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