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POLYTONALITY

  • Polytonality
  • Simultaneous use of multiple musical keys

    Polytonality (also polyharmony) is the musical use of more than one key simultaneously. Bitonality is the use of only two different keys at the same time

    Polytonality

    Polytonality

  • Chamber music
  • Form of classical music composed for a small group of instruments

    only new experiment in tonality. Darius Milhaud developed the use of polytonality, that is, music where different instruments play in different keys at

    Chamber music

    Chamber music

    Chamber_music

  • Modal jazz
  • Sub-genre of jazz

    each implying a polytonality (D major 7 over C major 7: CEGBDF#AC#) with the improvisation based on alternating Lydian-ish polytonality and an altered

    Modal jazz

    Modal_jazz

  • Darius Milhaud
  • French composer, conductor and teacher (1892–1974)

    are influenced by jazz and Brazilian music and make extensive use of polytonality. Milhaud is considered one of the key modernist composers. He taught

    Darius Milhaud

    Darius Milhaud

    Darius_Milhaud

  • Outside (jazz)
  • Improvisational approach

    side-stepping or side-slipping, superimposition of Coltrane changes, and polytonality. The term outside is commonly used by jazz musicians playing in a post-bop

    Outside (jazz)

    Outside (jazz)

    Outside_(jazz)

  • Jazz
  • Music genre

    polyrhythmic accompaniment," the composition combined Afro-Cuban rhythm with polytonality and preceded further use of modality and avant-garde harmony in Latin

    Jazz

    Jazz

  • List of polytonal pieces
  • List of pieces using polytonality and/or bitonality. Samuel Barber Symphony No. 2 (1944)[citation needed] Béla Bartók Mikrokosmos Volume 5 number 125:

    List of polytonal pieces

    List of polytonal pieces

    List_of_polytonal_pieces

  • Un Poco Loco
  • 1951 single by Bud Powell

    chords to imply a polytonality (D major 7 over C major 7: CEGBDF#AC#) with the improvisation based on an alternating polytonality and an altered dominant

    Un Poco Loco

    Un_Poco_Loco

  • Added tone chord
  • Chord made of a tertian triad and a miscellaneous fourth note

    used. An added tone such as fourth voiced below the root may suggest polytonality. The practice of adding tones may have led to superimposing chords and

    Added tone chord

    Added_tone_chord

  • A Musical Joke
  • 1787 composition by W. A. Mozart

    movement. The piece is notable for one of the earliest known uses of polytonality (although not the earliest, having been predated by Heinrich Ignaz Franz

    A Musical Joke

    A Musical Joke

    A_Musical_Joke

  • Trout Mask Replica
  • 1969 studio album by Captain Beefheart and His Magic Band

    rock. Its unconventional musical style, which includes polyrhythm and polytonality, has given the album a reputation as one of the most challenging recordings

    Trout Mask Replica

    Trout_Mask_Replica

  • Charles Ives
  • American modernist composer (1874–1954)

    systematic program of experimental music, with musical techniques including polytonality, polyrhythm, tone clusters, aleatory elements, and quarter tones. The

    Charles Ives

    Charles Ives

    Charles_Ives

  • Yoshihisa Hirano
  • Japanese composer (born 1971)

    atonal music. He employs techniques such as polyrhythm, tone clusters, polytonality, brass glissandi and polymodal chromaticism to create unique musical

    Yoshihisa Hirano

    Yoshihisa_Hirano

  • E.T. the Extra-Terrestrial
  • 1982 film by Steven Spielberg

    his use of polytonality, which refers to the sound of two different keys played simultaneously. The Lydian mode can also be used in a polytonal way. Williams

    E.T. the Extra-Terrestrial

    E.T._the_Extra-Terrestrial

  • Brouillards
  • Piano piece by Claude Debussy

    most harmonically complex of the entire series of preludes, hinting at polytonality. The left hand mainly employs the C diatonic collection, modulating shortly

    Brouillards

    Brouillards

  • Battalia à 10
  • 1673 composition by Heinrich Ignaz Franz Biber

    composer Heinrich Ignaz Franz Biber. The work is known for its early use of polytonality and non-conventional techniques. Written in 1673, Battalia is scored

    Battalia à 10

    Battalia à 10

    Battalia_à_10

  • Polymodal
  • Topics referred to by the same term

    Polymodality, multiple stimulus modalities (e.g. free nerve endings) Polytonality, multiple musical modes Multimodal (disambiguation) This disambiguation

    Polymodal

    Polymodal

  • Modulation (music)
  • Change from one tonality to another

    to a polytonality, often by beginning with a duplicated tonic chord and modulating the chords in contrary motion until the desired polytonality is reached

    Modulation (music)

    Modulation (music)

    Modulation_(music)

  • Petrushka chord
  • Polytonal device in the works of Igor Stravinsky

    The Petrushka chord is a recurring polytonal device featured in Igor Stravinsky's 1911 ballet Petrushka, as well as in later compositions. It consists

    Petrushka chord

    Petrushka_chord

  • Saudades do Brasil
  • 1920 suite for piano (later arranged for orchestra) by Darius Milhaud

    suite for orchestra (op. 67b). The work is well known for its use of polytonality, though sections may also be considered extended tonality or, "harmonic

    Saudades do Brasil

    Saudades_do_Brasil

  • Christophe Colomb
  • Opera by Darius Milhaud

    resources for its staging. As in many of his other works, Milhaud employs polytonality in parts of the score. The opera tells the life of Christopher Columbus

    Christophe Colomb

    Christophe Colomb

    Christophe_Colomb

  • Camille Saint-Saëns
  • French composer (1835–1921)

    neoclassicism of Les Six was equally uncompromising: of Darius Milhaud's polytonal symphonic suite Protée (1919) he commented, "fortunately, there are still

    Camille Saint-Saëns

    Camille Saint-Saëns

    Camille_Saint-Saëns

  • Igor Stravinsky
  • Russian composer (1882–1971)

    premiere due to its avant-garde nature. He had begun to experiment with polytonality in The Firebird and Petrushka, but for The Rite of Spring, he "pushed

    Igor Stravinsky

    Igor Stravinsky

    Igor_Stravinsky

  • Pet Sounds
  • 1966 studio album by the Beach Boys

    chords, rather than horizontal classical structures, and often engaged in polytonality through stacking different chords across bass and treble clefs. Four

    Pet Sounds

    Pet Sounds

    Pet_Sounds

  • Ernest Fanelli
  • French composer (1860–1917)

    music ahead of its time, such as unique harmonies, extended chords, and polytonality. Fanelli was born in Paris to Italian parents and started studying music

    Ernest Fanelli

    Ernest Fanelli

    Ernest_Fanelli

  • Scaramouche (Milhaud)
  • 1937 musical suite by Darius Milhaud

    movements being of a distinct character. Milhaud's characteristic use of polytonality can be heard throughout the piece. Scaramouche, which originally composed

    Scaramouche (Milhaud)

    Scaramouche (Milhaud)

    Scaramouche_(Milhaud)

  • Philip Glass
  • American composer (born 1937)

    extension out of a triadic harmonic language", an experiment with the polytonality of his teachers Persichetti and Milhaud, a musical technique which Glass

    Philip Glass

    Philip Glass

    Philip_Glass

  • Piano Concerto No. 1 (Rautavaara)
  • 1969 musical work

    Concerto No. 1, Op. 45, in 1969. The piece contains many innovative uses of polytonality, cluster chords and extended uses of form. It was during this time that

    Piano Concerto No. 1 (Rautavaara)

    Piano Concerto No. 1 (Rautavaara)

    Piano_Concerto_No._1_(Rautavaara)

  • Dane Rudhyar
  • American astrologer (1895–1985)

    Métachorie by the New York Metropolitan Opera. This was one of the first polytonal pieces of music performed in the United States. He also met Sasaki Roshi

    Dane Rudhyar

    Dane Rudhyar

    Dane_Rudhyar

  • Salome (opera)
  • Opera by Richard Strauss

    chromaticism, a wide range of keys, unusual modulations, tonal ambiguity, and polytonality. Some of the major characters have keys associated with them, such as

    Salome (opera)

    Salome (opera)

    Salome_(opera)

  • Hans Winterberg
  • Czech-German composer

    something remembering a bit similar features in Alban Berg's music. Polytonality in harmony is another side of his stylistic language. Winterberg largely

    Hans Winterberg

    Hans Winterberg

    Hans_Winterberg

  • Ambiguity
  • Type of uncertainty of meaning where several interpretations are possible

    simultaneously in different ways are ambiguous. Examples being some polytonality, polymeter, other ambiguous meters or rhythms, and ambiguous phrasing

    Ambiguity

    Ambiguity

    Ambiguity

  • Pierre Boulez
  • French composer and conductor (1925–2016)

    French salon music of the time—whole-tone scales, pentatonic scales and polytonality". As a student at the Conservatoire Boulez composed a series of pieces

    Pierre Boulez

    Pierre Boulez

    Pierre_Boulez

  • List of compositions by Benjamin Britten
  • (1955) for James Blades Fanfare for St Edmundsbury, short antiphonal and polytonal piece for three trumpets (1959) Nocturnal after John Dowland, Op. 70,

    List of compositions by Benjamin Britten

    List of compositions by Benjamin Britten

    List_of_compositions_by_Benjamin_Britten

  • God Save the King
  • National anthem of the United Kingdom

    Variations on "America" for organ in 1891 at age seventeen. It included a polytonal section in three simultaneous keys, though this was omitted from performances

    God Save the King

    God Save the King

    God_Save_the_King

  • Polychord
  • Type of musical chord

    is notated as ⁠F/C⁠. The use of polychords may suggest bitonality or polytonality. Harmonic parallelism may suggest bichords. Examples may be found in

    Polychord

    Polychord

  • Gustav Holst
  • English composer (1874–1934)

    signatures, rising and falling scales, ostinato, bitonality and occasional polytonality—set him apart from other English composers. Vaughan Williams remarked

    Gustav Holst

    Gustav Holst

    Gustav_Holst

  • Otto Olsson
  • Swedish organist and classical music composer

    of Gregorian chant in his Gregorianska melodier. At times he explored polytonality in his output, an advancement not found in other Swedish compositions

    Otto Olsson

    Otto Olsson

    Otto_Olsson

  • Jude Gold
  • American guitarist

    Just Outside of Normal (Guitar) "Extreme Sweeping: Jean Marc Belkadi's Polytonal Plectrum Pyrotechnics". Guitar Player, pp. 144–145. "Jude Gold (Credits)"

    Jude Gold

    Jude Gold

    Jude_Gold

  • Vocalises (Ivanovs)
  • 1982 choral composition by Jānis Ivanovs

    that had hitherto been discouraged in the Soviet Union. These included polytonality and dodecaphony, which can be heard in his Ninth through Thirteenth symphonies

    Vocalises (Ivanovs)

    Vocalises (Ivanovs)

    Vocalises_(Ivanovs)

  • Symphony No. 2 (Glass)
  • 1994 symphony composed by Philip Glass

    interlock in a polytonal fashion. Glass has commented on his use of polytonality in the work: "The great experiments of polytonality carried out in the

    Symphony No. 2 (Glass)

    Symphony No. 2 (Glass)

    Symphony_No._2_(Glass)

  • Sergei Prokofiev
  • Russian composer and pianist (1891–1953)

    with Sarcasms for piano, Op. 17 (1912), which makes extensive use of polytonality. He composed his first two piano concertos around then, the latter of

    Sergei Prokofiev

    Sergei Prokofiev

    Sergei_Prokofiev

  • List of piano composers
  • barbaro, Sz. 49, BB 63 Folksong-influenced, Centric, Modal, Polymodal/Polytonal Arnold Bax 1883 1953 English Piano Sonata No. 1 (1910, 1917–1920) Piano

    List of piano composers

    List_of_piano_composers

  • Key signature
  • Set of musical alterations

    indicated at the beginning of the music, e.g., "timpani in D–A"). In polytonal music, where different parts are actually in different keys sounding together

    Key signature

    Key_signature

  • Gene Gutchë
  • German composer

    time. While much of his work is neo-Romantic, he also experimented with polytonality, serialism, and microtones. Gutchë also published two books, Music of

    Gene Gutchë

    Gene_Gutchë

  • Triple metre
  • Musical metre of three beats

    Cliff "Brubeck's Trademark Style: Odd Time Signatures, Polyrhythms and Polytonality" Archived 2017-05-19 at the Wayback Machine PBS:Rediscovering Dave Brubeck

    Triple metre

    Triple_metre

  • The Rite of Spring
  • 1913 ballet by Igor Stravinsky

    masterpiece that had created "the decade of the displaced accent and the polytonal chord". Copland adopted Stravinsky's technique of composing in small sections

    The Rite of Spring

    The Rite of Spring

    The_Rite_of_Spring

  • Arthur Farwell
  • American composer (1872–1952)

    Farwell produced some of his most individual works - including a series of polytonal studies for piano, several concise instrumental sonatas, numerous effective

    Arthur Farwell

    Arthur Farwell

    Arthur_Farwell

  • Paul Desmond
  • American jazz saxophonist and composer (1924–1977)

    juxtaposition of his airy style over Brubeck's sometimes relatively heavy, polytonal piano work. Desmond's improvisation is praised for its logical structure

    Paul Desmond

    Paul Desmond

    Paul_Desmond

  • Azure (song)
  • 1937 song by Duke Ellington and Irving Mills

    Mills. The composition is an example of Ellington's early use of bi- and polytonality, and some parts of it are almost atonal in nature. Ella Fitzgerald -

    Azure (song)

    Azure_(song)

  • Little Symphony No. 6 (Milhaud)
  • 1923 composition by Darius Milhaud

    Symphony No. 6 runs for about six to seven minutes and has a polytonal blues sound. Polytonality is something Milhaud is well known for. This piece has some

    Little Symphony No. 6 (Milhaud)

    Little Symphony No. 6 (Milhaud)

    Little_Symphony_No._6_(Milhaud)

  • Index of music articles
  • Polychord Polyphonic Era Polyphony Polyrhythm Polystylism Polytempo Polytonality Pop music Popular music Portamento Portato Positive organ Postminimalism

    Index of music articles

    Index_of_music_articles

  • Meet the Mets
  • 1963 single by Steve Goodman

    audience. The harmony is traditional; no influences of atonality or polytonality can be found. In fact, it's sort of un-tonal.” "Meet the Mets" was not

    Meet the Mets

    Meet_the_Mets

  • Marlos Nobre
  • Brazilian composer (1939–2024)

    style featured a mixture of classical compositional techniques such as polytonality, atonality and serialism combined with stylistic and conceptual influences

    Marlos Nobre

    Marlos Nobre

    Marlos_Nobre

  • R. Murray Schafer
  • Canadian composer (1933–2021)

    score printed in Musicworks 25, Summer 1983 Also a work for piano solo, Polytonality (1954, Ber 1974), and several works in all categories, that were withdrawn

    R. Murray Schafer

    R. Murray Schafer

    R._Murray_Schafer

  • The Vanishing Bridegroom
  • Opera by Judith Weir

    Flanigan as the Bride/Wife/Mother. The compositional style is primarily polytonal and polyrhythmic, with elements of minimalism and atonality. Woodwinds

    The Vanishing Bridegroom

    The_Vanishing_Bridegroom

  • In the Beginning (Copland)
  • 1947 choral work by Aaron Copland

    work is evocative of the Hebrew davening and shows the influence of polytonality with references to jazz and blues. In the Beginning was composed for

    In the Beginning (Copland)

    In the Beginning (Copland)

    In_the_Beginning_(Copland)

  • Modernism (music)
  • Changes in musical form during the early 20th century

    foundations of tonal language, searching for new models in atonalism, polytonalism or other forms of altered tonality", which took place around the turn

    Modernism (music)

    Modernism (music)

    Modernism_(music)

  • List of 20th-century classical composers
  • Heures persanes eclectic, atonality, twelve-tone technique, serialism, polytonality, quartal and quintal harmony Ferdinand Küchler 1867 1937 German Margaret

    List of 20th-century classical composers

    List_of_20th-century_classical_composers

  • Bob Brookmeyer
  • American jazz musician, arranger, and composer (1929–2011)

    row is used to generate melodies and harmonies. "The Big Time", where polytonality is used to develop melodies used earlier on in the composition. Bob Brookmeyer

    Bob Brookmeyer

    Bob Brookmeyer

    Bob_Brookmeyer

  • Pandiatonicism
  • Musical technique

    Neotonality New Complexity New Objectivity Noise Pandiatonicism Polyrhythms Polytonality Post-romanticism Process Quartal and quintal harmony Serialism Sound

    Pandiatonicism

    Pandiatonicism

    Pandiatonicism

  • Max Miller (jazz musician)
  • American jazz pianist and vibraphone player

    Many of his compositions use extended chord harmonies, polyphony, and polytonality and were influenced by Stravinsky, Bartók, and Hindemith. Miller was

    Max Miller (jazz musician)

    Max Miller (jazz musician)

    Max_Miller_(jazz_musician)

  • Modern Yesterdays
  • 2020 studio album by Kaki King

    percussive reverb, etc. -- as she moves through intricate, driving, polytonal melodies articulated in several musical languages simultaneously". All

    Modern Yesterdays

    Modern_Yesterdays

  • Études (Debussy)
  • 1916 solo studies for piano by Claude Debussy

    tonality": From a dual musicological and philosophical perspective, this polytonality "poetically expresses the coexistence and copresence of all creatures

    Études (Debussy)

    Études (Debussy)

    Études_(Debussy)

  • Conjunto 9
  • Argentine tango ensemble

    techniques of contemporary music composition, such as polyrhythm and polytonality. Within a year of its formation the Conjunto 9 had run into financial

    Conjunto 9

    Conjunto_9

  • Harmolodics
  • Musical philosophy

    on the superimposition of the same or similar phrases, thus creating polytonality and heterophony. Coleman had been preparing a book called The Harmolodic

    Harmolodics

    Harmolodics

  • D*Note
  • and Keith Jarrett. Classical influences include Maurice Ravel, whose polytonalities can be heard in D*Note's use of Lydian modes (what are known in the

    D*Note

    D*Note

  • Fuzuli Cantata
  • 1959 cantata by Jahangir Jahangirov

    encountered. The tonality of this section is in B minor, and the principle of polytonality is also present. After a short agogic pause, the male chorus and the

    Fuzuli Cantata

    Fuzuli_Cantata

  • Rodolfo Halffter
  • Spanish composer

    Domenico Scarlatti's in its neoclassicism and to Falla's in its mild polytonality. Like others in his milieu, Halffter chose to leave Francoist Spain at

    Rodolfo Halffter

    Rodolfo Halffter

    Rodolfo_Halffter

  • Sarcasms (Prokofiev)
  • Composition for piano by Sergei Prokofiev

    percussive and pungent. One of the most notable movements is No. III, where polytonality plays a big role: the right hand plays in F♯ minor while the left hand

    Sarcasms (Prokofiev)

    Sarcasms (Prokofiev)

    Sarcasms_(Prokofiev)

  • Emerson Whithorne
  • American classical pianist and composer

    piano suite New York Days and Nights (1922), in which the elements of polytonality show him evolving towards a more modernist style. It was performed at

    Emerson Whithorne

    Emerson Whithorne

    Emerson_Whithorne

  • Symphony No. 1 (Brian)
  • Symphony composed by Havergal Brian

    Spem in alium all the way through to twentieth century tone clusters, polytonality and the use of percussion and brass in a Varèse-like outburst of extreme

    Symphony No. 1 (Brian)

    Symphony No. 1 (Brian)

    Symphony_No._1_(Brian)

  • Jean Perrin (composer)
  • Swiss composer and pianist

    pianist. He composed in a neo-classical style, sometimes approaching polytonality, and his music shows the influence of Stravinsky and Poulenc. He began

    Jean Perrin (composer)

    Jean_Perrin_(composer)

  • Wild Men's Dance
  • 1913 composition by Leo Ornstein

    Neotonality New Complexity New Objectivity Noise Pandiatonicism Polyrhythms Polytonality Post-romanticism Process Quartal and quintal harmony Serialism Sound

    Wild Men's Dance

    Wild Men's Dance

    Wild_Men's_Dance

  • America's Choice
  • 1975 studio album by Hot Tuna

    "Pure, unadulterated sounds with amplified additives and the necessary polytonal ingredients to handle heavy loads." On another side of the box is a "warning"

    America's Choice

    America's_Choice

  • List of experimental musicians
  • Ives – quarter tones, tone clusters, aleatoric music, polyrhythm and polytonality Don Joyce – sound collage iwrestledabearonce JPEGMAFIA – experimental

    List of experimental musicians

    List_of_experimental_musicians

  • Anton Reicha
  • Czech-born French composer (1770–1836)

    advocated in the most radical of his music and writings, such as polyrhythm, polytonality and microtonal music, were accepted or employed by other nineteenth-century

    Anton Reicha

    Anton Reicha

    Anton_Reicha

  • Don Davis (composer)
  • American composer and orchestrator

    atonality and avant garde style of composition, with influences from polytonal minimalist works by John Adams and cluster-like as well as aleatoric techniques

    Don Davis (composer)

    Don Davis (composer)

    Don_Davis_(composer)

  • Adam Neely
  • American YouTuber and musician (born 1988)

    1 2019 two microtonal lo-fi jams Christmas Microtonal Lo-Fi Hip Hop EP 2020 polytonal lo-fi A Very 15/16 Christmas 2025 The Way Under (with Lau Noah)

    Adam Neely

    Adam Neely

    Adam_Neely

  • Woody Shaw
  • American jazz trumpeter, composer, bandleader, and educator (1945–1989)

    In both his improvisations and his compositions, Shaw frequently used polytonality, the combination of two or more tonalities or keys (i.e., multiple chords

    Woody Shaw

    Woody Shaw

    Woody_Shaw

  • Toccata for Two Pianos
  • Piano composition by Germaine Tailleferre

    a slower passage using irregular time signatures and "Stravinskian" polytonality, the initial material is presented in a fugato, which brings the work

    Toccata for Two Pianos

    Toccata_for_Two_Pianos

  • Terzetto for flute, oboe and viola
  • completed a much smaller-scale work, the Terzetto. An experiment in polytonality, it was not an easy work to compose, Holst being worried whether in performance

    Terzetto for flute, oboe and viola

    Terzetto for flute, oboe and viola

    Terzetto_for_flute,_oboe_and_viola

  • Tom Zé
  • Brazilian singer-songwriter

    has been praised by avant-garde composers for his use of dissonance, polytonality, and unusual time signatures. Because of the experimental nature of many

    Tom Zé

    Tom Zé

    Tom_Zé

  • Ruth White (composer)
  • American composer (1925-2013)

    all experiments in traditional media from impressionism to atonality, polytonality and the like, were closed paths – that 'this' medium, with its fundamental

    Ruth White (composer)

    Ruth_White_(composer)

  • Rudolf Brucci
  • Croatian composer

    conventional, but he attempted to incorporate new ideas, such as bitonality, polytonality, and atonality. On occasion he employed serial techniques, but never

    Rudolf Brucci

    Rudolf_Brucci

  • John Vincent (composer)
  • American composer, conductor and music educator

    he calls 'paratonality': the predominance of a diatonic element in a polytonal or atonal passage. Vincent wrote numerous orchestral works, chamber music

    John Vincent (composer)

    John Vincent (composer)

    John_Vincent_(composer)

  • Franz Schreker
  • Austrian composer (1878–1934)

    language, which, although broadly tonal, is inflected with chromatic and polytonal passages. Schreker also took musical inspiration from his close friend

    Franz Schreker

    Franz Schreker

    Franz_Schreker

  • Variations on a Theme by Paganini (Lutosławski)
  • 1941 composition by Witold Lutosławski

    some of the techniques that were popular at the time of its completion: polytonality, parallel fifths, and tritones. These techniques are even present in

    Variations on a Theme by Paganini (Lutosławski)

    Variations on a Theme by Paganini (Lutosławski)

    Variations_on_a_Theme_by_Paganini_(Lutosławski)

  • Heinrich Ignaz Franz Biber
  • Czech-Austrian composer and violinist (1644–1704)

    programmatic "battle" piece which anticipates such latter-day techniques as polytonality and col legno playing, and the Sonata representativa, another typical

    Heinrich Ignaz Franz Biber

    Heinrich Ignaz Franz Biber

    Heinrich_Ignaz_Franz_Biber

  • Symphony No. 2 (Barber)
  • throughout to create a greater sense of energy. His use of ostinatos, polytonality, dissonance, and angular lines create a work that can be described as

    Symphony No. 2 (Barber)

    Symphony No. 2 (Barber)

    Symphony_No._2_(Barber)

  • Xavier Montsalvatge
  • Spanish composer and music critic (1912–2002)

    crucial change in his style, which soon became characterized by free polytonality (Partida, 1958). The final phase of Montsalvatge's work revealed the

    Xavier Montsalvatge

    Xavier Montsalvatge

    Xavier_Montsalvatge

  • Shall We Dance (1937 film)
  • 1937 film by Mark Sandrich

    19th century, but with obvious swing and jazz influences, as well as polytonalism. While Astaire made further attempts—notably in Ziegfeld Follies (1944/46)

    Shall We Dance (1937 film)

    Shall We Dance (1937 film)

    Shall_We_Dance_(1937_film)

  • An Alpine Symphony
  • 1915 symphonic poem by Richard Strauss

    sections of the piece. This passage is a rare instance of Strauss's use of polytonality, as the shifting harmony in the middle part of the mountain theme (which

    An Alpine Symphony

    An_Alpine_Symphony

  • Tonality
  • Harmonic structure with a central pitch

    Harry Partch' Otonality and utonality Peter Westergaard's tonal theory Polytonality Tonality diamond Schenkerian analysis "Tonal music is music that is unified

    Tonality

    Tonality

  • List of compositions by George Gershwin
  • of the overtures for Gershwin's broadway shows, several sections are polytonal/atonal March from Strike Up the Band (1927) is a very popular musical

    List of compositions by George Gershwin

    List of compositions by George Gershwin

    List_of_compositions_by_George_Gershwin

  • Countdown—Time in Outer Space
  • 1962 studio album by Dave Brubeck Quartet

    series of concept albums studying the exploration of unusual meters and polytonality within a jazz context. Recorded between May 3, 1961 and February 12,

    Countdown—Time in Outer Space

    Countdown—Time_in_Outer_Space

  • Sonata for Two Pianos (Tailleferre)
  • 1974 work by Germaine Tailleferre

    ballet La Nouvelle Cythère and a final brilliant allegro which uses polytonality to create a playful atmosphere which ends abruptly. The work was probably

    Sonata for Two Pianos (Tailleferre)

    Sonata_for_Two_Pianos_(Tailleferre)

  • Octatonic scale
  • Musical scale

    keyboardists of the 21st century. The Petrushka chord is a recurring polytonal device used in Igor Stravinsky's ballet Petrushka and in later music.

    Octatonic scale

    Octatonic_scale

  • Lennie Tristano
  • American jazz pianist and composer (1919–1978)

    almost even quavers provided with subtle rhythmic deviations and abrasive polytonal effects. He was particularly adept in his use of different levels of double

    Lennie Tristano

    Lennie Tristano

    Lennie_Tristano

  • Bluebeard's Castle
  • 1918 opera by Béla Bartók

    in the castle. Overall the music is not atonal, although it is often polytonal, with more than one key center operating simultaneously (e.g. the leadup

    Bluebeard's Castle

    Bluebeard's Castle

    Bluebeard's_Castle

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