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Church cantata by Johann Sebastian Bach
Weinen, Klagen, Sorgen, Zagen (Weeping, lamenting, worrying, fearing), BWV 12, is a church cantata by Johann Sebastian Bach. He composed it in Weimar
Weinen, Klagen, Sorgen, Zagen, BWV 12
Weinen,_Klagen,_Sorgen,_Zagen,_BWV_12
Composition by Johann Sebastian Bach
somber tonality, which is similar to that of Bach's cantata Weinen, Klagen, Sorgen, Zagen, BWV 12, (Weeping, Lamenting, Worrying, Fearing). The prelude is
Prelude and Fugue in F minor, BWV 857
Prelude_and_Fugue_in_F_minor,_BWV_857
Structure of the movements in Bach's Mass in B minor
based on the first section of the first choral movement of Weinen, Klagen, Sorgen, Zagen, BWV 12. Bach transposed the music from F minor to E minor, changed
Mass_in_B_minor_structure
1641 Lutheran hymn in German
cantata for Easter Christ lag in Todes Banden, BWV 4, and notably in Weinen, Klagen, Sorgen, Zagen, BWV 12, which was a model for the Crucifixus of his
Jesu, der du meine Seele, BWV 78
Jesu,_der_du_meine_Seele,_BWV_78
German alto singer
the Bach cantatas such as Christ lag in Todes Banden, BWV 4, Weinen, Klagen, Sorgen, Zagen, BWV 12 and Actus tragicus, also recitals of Lieder. A member
Elisabeth_Popien
Cantata by Johann Sebastian Bach
first in Weimar in 1714, Weinen, Klagen, Sorgen, Zagen, BWV 12, then in Leipzig in 1725, Ihr werdet weinen und heulen, BWV 103. The unknown poet chose
Wir müssen durch viel Trübsal, BWV 146
Wir_müssen_durch_viel_Trübsal,_BWV_146
Church cantata by Johann Sebastian Bach
16:16–23). For this occasion Bach had already composed in 1714 Weinen, Klagen, Sorgen, Zagen, BWV 12, which he used later as the basis for the movement Crucifixus
Ihr werdet weinen und heulen, BWV 103
Ihr_werdet_weinen_und_heulen,_BWV_103
Christian symbol
[citation needed] Lutheran composer J.S. Bach's cantata Weinen, Klagen, Sorgen, Zagen, BWV 12 (1714) contains an aria "Kreuz und Krone sind verbunden
Cross_and_Crown
Church cantata by Johann Sebastian Bach
The work is opened by a Sinfonia similar to the cantata Weinen, Klagen, Sorgen, Zagen, BWV 12, possibly the slow movement of a concerto for oboe and violin
Ich hatte viel Bekümmernis, BWV 21
Ich_hatte_viel_Bekümmernis,_BWV_21
German lutenist and conductor
Bach cantatas, Weinen, Klagen, Sorgen, Zagen, BWV 12, the Actus Tragicus, Der Herr denket an uns, BWV 196, and Christ lag in Todesbanden, BWV 4, with singers
Konrad_Junghänel
Hungarian composer and pianist (1811–1886)
section of the second movement chorus from Bach's cantata Weinen, Klagen, Sorgen, Zagen, BWV 12 (which Bach later reworked as the Crucifixus in the Mass
Franz_Liszt
Church cantata by Johann Sebastian Bach
Widerstehe doch der Sünde, BWV 54 has also been proposed as the first. In any event, BWV 182 preceded Weinen, Klagen, Sorgen, Zagen, BWV 12. Bach composed the
Himmelskönig, sei willkommen, BWV 182
Himmelskönig,_sei_willkommen,_BWV_182
1731 church cantata by Johann Sebastian Bach
Another is the early Weinen, Klagen, Sorgen, Zagen, BWV 12. The music is an arrangement of the prelude from Bach's Partita for violin, BWV 1006, which Bach
Wir danken dir, Gott, wir danken dir, BWV 29
Wir_danken_dir,_Gott,_wir_danken_dir,_BWV_29
English baritone
his recordings are Weinen, Klagen, Sorgen, Zagen, BWV 12, Ihr werdet weinen und heulen, BWV 103, and Wir müssen durch viel Trübsal, BWV 146. He has also
Julian_Clarkson
Type of 17th- or 18th-century orchestral piece
term, when in reference to opera, meant "overture". Sinfonia in D major, BWV 1045 is considered to belong to a lost cantata, because its manuscript indicates
Sinfonia
1749 mass by Johann Sebastian Bach
the first section of the first chorus of the 1714 cantata Weinen, Klagen, Sorgen, Zagen, BWV 12. Et resurrexit Five-part chorus (Soprano I & II, Alto, Tenor
Mass_in_B_minor
Solo church cantata by J. S. Bach
after Trinity as the fifth cantata of the series, following Weinen, Klagen, Sorgen, Zagen, BWV 12. The prescribed readings for the Sunday were from the First
Mein Herze schwimmt im Blut, BWV 199
Mein_Herze_schwimmt_im_Blut,_BWV_199
Church cantata by Johann Sebastian Bach
coloraturas. The closing hymn is the same as the one of Weinen, Klagen, Sorgen, Zagen, BWV 12, of 1714, but for no apparent reason without the obbligato
Lobe den Herrn, meine Seele, BWV 69a
Lobe_den_Herrn,_meine_Seele,_BWV_69a
Church cantata by Johann Sebastian Bach
four years, including works such as Weinen, Klagen, Sorgen, Zagen, BWV 12, and Nun komm, der Heiden Heiland, BWV 61. Bach composed the cantata for the
Die Himmel erzählen die Ehre Gottes, BWV 76
Die_Himmel_erzählen_die_Ehre_Gottes,_BWV_76
German conductor
Donnerwort, BWV 20, Weinen, Klagen, Sorgen, Zagen, BWV 12, Wahrlich, wahrlich, ich sage euch, BWV 86, and Herr Gott, dich loben alle wir, BWV 130. A reviewer
Enoch_zu_Guttenberg
Church cantata by Johann Sebastian Bach
for four years, including works such as Weinen, Klagen, Sorgen, Zagen, BWV 12, and Erschallet, ihr Lieder, BWV 172. Bach composed the cantata for the First
Die Elenden sollen essen, BWV 75
Die_Elenden_sollen_essen,_BWV_75
Church cantata by Johann Sebastian Bach
based on an ostinato continuo, comparable to the opening of Weinen, Klagen, Sorgen, Zagen, BWV 12. First the violin, then the tenor perform an expressive
Mein liebster Jesus ist verloren, BWV 154
Mein_liebster_Jesus_ist_verloren,_BWV_154
Cantatas by Johann Sebastian Bach
cantate Weinen, Klagen, Sorgen, Zagen, BWV 12 restaged in a version with a slightly modified instrumentation Cantate, 7 May 1724: Wo gehest du hin? BWV 166
Bach's_first_cantata_cycle
Catalogue of J.S. Bach's compositions
BWV 11 – Lobet Gott in seinen Reichen (oratorio) BWV 12 – Weinen, Klagen, Sorgen, Zagen (cantata) BWV 13 – Meine Seufzer, meine Tränen (cantata) BWV 14
Bach-Werke-Verzeichnis
cantata (Bach) § Easter III): Weinen, Klagen, Sorgen, Zagen, BWV 12 (22 April 1714; 30 April 1724) Ihr werdet weinen und heulen, BWV 103 (22 April 1725; repeat
List of church cantatas by liturgical occasion
List_of_church_cantatas_by_liturgical_occasion
1653 hymn composed by Johann Crüger with lyrics by Johann Franck
aria of his cantata Weinen, Klagen, Sorgen, Zagen, BWV 12 (1714). He closed Sehet, welch eine Liebe hat uns der Vater erzeiget, BWV 64, a Christmas cantata
Jesu,_meine_Freude
BWV 1017, the same music mentioned above from Weinen, Klagen, Sorgen, Zagen, BWV 12, the Introduction and Fugue from Ich hatte viel Bekümmernis, BWV 21
List of transcriptions of compositions by Johann Sebastian Bach
List_of_transcriptions_of_compositions_by_Johann_Sebastian_Bach
German composer (1685–1750)
Himmelskönig, sei willkommen, BWV 182, for Palm Sunday, which coincided with the Annunciation that year; Weinen, Klagen, Sorgen, Zagen, BWV 12, for Jubilate Sunday;
Johann_Sebastian_Bach
16:16–22). Weinen, Klagen, Sorgen, Zagen, BWV 12, April 22, 1714 Ihr werdet weinen und heulen, BWV 103, April 22, 1725 Wir müssen durch viel Trübsal, BWV 146
Fourth_Sunday_of_Easter
German lawyer, scientist, and poet (1659–1725)
willkommen, BWV 182, 25 March 1714 Weinen, Klagen, Sorgen, Zagen, BWV 12, 22 April 1714 Erschallet, ihr Lieder, erklinget, ihr Saiten! BWV 172, 20 May
Salomon_Franck
Franz Liszt: Variations on a Theme from Weinen, Klagen, Sorgen, Zagen (BWV 12), S.180 (piano; 1862), based on BWV 12 David Matthews: Variations on Bach's
List of variations on a theme by another composer
List_of_variations_on_a_theme_by_another_composer
1714-17 cantatas by Johann Sebastian Bach
Sunday after Easter): Weinen, Klagen, Sorgen, Zagen, BWV 12 (22 April 1714) Pentecost: Erschallet, ihr Lieder, erklinget, ihr Saiten! BWV 172 (Weimar version
Weimar_cantata_(Bach)
the cantata number which equals the number in the Bach-Werke-Verzeichnis (BWV), by title, by occasion during the liturgical year, the year of composition
List_of_Bach_cantatas
inserted: "BWV 11/249b→" meaning "BWV 11, inserted after BWV 249b" (4th chapter). Similarly, BWV 1083/243a→ meant BWV 1083, inserted after BWV 243a (3rd
List of compositions by Johann Sebastian Bach
List_of_compositions_by_Johann_Sebastian_Bach
179 A198 Weinen, Klagen, Sorgen, Zagen pf F minor 1859 Piano, original prelude based on a theme from the Weinen, Klagen, Sorgen, Zagen, BWV 12 by Johann
List of compositions by Franz Liszt
List_of_compositions_by_Franz_Liszt
Cantatas by Johann Sebastian Bach
Schnee vom Himmel fällt, BWV 18? * 63? 1714: Himmelskönig, sei willkommen, BWV 182 * Weinen, Klagen, Sorgen, Zagen, BWV 12 * 172 * 21 * 54 * 199 * 61
Bach_cantata
German musicologist
Kunst und Wissenschaft im Zeitalter Johann Sebastian Bachs Weinen, Klagen, Sorgen, Zagen, BWV 12; Kantate zum Sonntag Jubilate für Soli (ATB), Chor (SATB)
Ulrich_Leisinger
Type of melody or melodic fragment
minor, Crucifixus, also BWV 12, "Weinen, Klagen, Sorgen, Zagen" J. S. Bach, BWV 78: "Jesu, der du meine Seele" J. S. Bach, BWV 150: "Nach Dir, Herr, verlanget
Chromatic_fourth
Choir in Washington, D.C., U.S.
and the music is modeled after Bach's redemptive “Weinen, Klagen, Sorgen, Zagen” cantata (BWV 12). Nearly 40 Chorus members appear through green-screen
The_Washington_Chorus
Bassline ostinato
bass in Bach's Crucifixus from the Mass in B minor, based on the first choral movement of his 1714 cantata Weinen, Klagen, Sorgen, Zagen, BWV 12 Play
Lament_bass
Bach Weinen, Klagen, Sorgen, Zagen, BWV 12 (movement 2 would later form the Crucifixus movement of his Mass in B minor) Widerstehe doch der Sünde, BWV 54
1714_in_music
1714 church cantata by J.S. Bach
sei willkommen, BWV 182, for Palm Sunday, which coincided with the Annunciation that year, and Weinen, Klagen, Sorgen, Zagen, BWV 12 for Jubilate Sunday
Erschallet, ihr Lieder, erklinget, ihr Saiten! BWV 172
Erschallet,_ihr_Lieder,_erklinget,_ihr_Saiten!_BWV_172
155/3: Franz Schubert S.156/10: Ferdinand Huber S.156/11: Ernest Knop S. 156/12, 156a/1: Ferdinand Huber S.156a/3: Ernest Knop S.159: Guillaume-Louis Cottrau
Transcriptions_by_Franz_Liszt
17th-century German Christian hymn by Samuel Rodigast
Variations on a theme of J. S. Bach, S180 for piano based on Weinen, Klagen, Sorgen, Zagen, BWV 12, with its closing chorale on "Was Gott tut, das ist wohlgetan"
Was Gott tut, das ist wohlgetan
Was_Gott_tut,_das_ist_wohlgetan
Church cantata for Trinity Sunday by Johann Sebastian Bach
O heilges Geist- und Wasserbad (O holy bath of Spirit and water), BWV 165, is a church cantata by Johann Sebastian Bach. He composed it in Weimar for
O heilges Geist- und Wasserbad, BWV 165
O_heilges_Geist-_und_Wasserbad,_BWV_165
Slovak classical mezzo-soprano
cantatas for a complete liturgical year, including the early Weinen, Klagen, Sorgen, Zagen, BWV 12, written in Weimar in 1714, recorded in 2009 together with
Petra_Noskaiová
1723 church cantata by Johann Sebastian Bach
sei willkommen, BWV 182, for Palm Sunday, Weinen, Klagen, Sorgen, Zagen, BWV 12 for Jubilate Sunday, and Erschallet, ihr Lieder, BWV 172, for Pentecost
Jesus nahm zu sich die Zwölfe, BWV 22
Jesus_nahm_zu_sich_die_Zwölfe,_BWV_22
German organist, conductor and music educator
Variationen über den basso continuo des 1. Satzes der Kantate Weinen, Klagen, Sorgen, Zagen und des Crucifixus aus der h-moll Messe von Johann Sebastian
Karl_Hochreither
Cantata composed by Johann Sebastian Bach
the numbered cycles: Weinen, Klagen, Sorgen, Zagen, BWV 12 (22 April 1714, Weimar) 1 – First year in Leipzig, 30 April 1724: BWV 12 restaged in a version
Church_cantata_(Bach)
Hungarian-British pianist (1893–1973)
York Town Hall concert, with works by: Liszt (Variations on 'Weinen, Klagen, Sorgen, Zagen', S. 180; and excerpts from Weihnachtsbaum, S. 186), and Bartók
Ilona_Kabos
on B-A-C-H Évocation à la Chapelle Sixtine Variations über Weinen, Klagen, Sorgen, Zagen (organ arr. of piano piece) William Lloyd Webber (1914–1982)
List of compositions for organ
List_of_compositions_for_organ
German classical pianist (born 1989)
Franz Liszt's Variationen über »Weinen, Klagen, Sorgen, Zagen« nach Johann Sebastian Bach (variations on Bach's cantata BWV 12) at a university concert in
Valentina_Babor
Early music choir (founded 1964)
for Ascension Day: BWV 43, BWV 128, BWV 37, BWV 11 — 2000 — Archiv Produktion 463 583-2 Whitsun Cantatas: BWV 172, BWV 59, BWV 74, BWV 34 — 2000 — Archiv
Monteverdi_Choir
American musician (1935–2019)
No. 12, by Bach, arr. by Sigurd Raschèr, Chappell (©1938); OCLC 1881486, 33309682 "Weinen" "Klagen" "Sorgen" "Zagen" Orchestral Suite No. 3, BWV 1068
Frederick_Hemke
2009 box set by Vladimir Horowitz
previously unissued recitals: March 5, 1951, at Carnegie Hall; and November 12, 1967, at Whitman Auditorium, Brooklyn College. The recordings from 1959 onward
Vladimir Horowitz – The Complete Original Jacket Collection
Vladimir_Horowitz_–_The_Complete_Original_Jacket_Collection
Retrieved 2010-02-12. "Horowitz plays Clementi". Allmusic. Retrieved 2010-02-12. "Horowitz plays Scriabin". Allmusic. Retrieved 2010-02-12. "Horowitz Plays
Vladimir_Horowitz_discography
WEINEN KLAGEN-SORGEN-ZAGEN-BWV-12
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WEINEN KLAGEN-SORGEN-ZAGEN-BWV-12
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