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Fairlight II may refer to Fairlight II (video game), a computer game released by The Edge in 1986 Fairlight CMI Series II, a synthesizer This disambiguation
Fairlight_II
Digital audio workstation
The Fairlight CMI (short for Computer Musical Instrument) is a digital synthesizer, music sampler, and digital audio workstation (DAW) introduced in 1979
Fairlight_CMI
Topics referred to by the same term
published by The Edge Fairlight II (video game), the 1986 sequel also known as "Fairlight II: A Trail of Darkness" Fairlight (ferry), a Sydney to Manly
Fairlight
Australian digital audio company
Fairlight CMI, one of the earliest digital audio workstations (DAWs) to integrate a digital audio sampler. Subsequent models, including the Series II
Fairlight_(company)
1986 video game
Fairlight II: A Trail of Darkness is an isometric 3D action-adventure game released by The Edge in 1986 for the ZX Spectrum. It is the sequel to Fairlight
Fairlight_II_(video_game)
1985 video game
towards the game, including enemy sprites and the title screen. A sequel, Fairlight II, was released in 1986. The player controls an adventurer named Isvar
Fairlight_(video_game)
Manly ferries in Sydney, Australia
pioneering digital synthesiser, was named for the Fairlight II, which was itself named after Fairlight, a suburb of Sydney. Wikimedia Commons has media
Sydney_hydrofoils
American video game developer and publisher
"follow-up" to Yie Ar Kung Fu), and Fairlight II was released to critical acclaim. It was later revealed that Fairlight II had been released without Bo Jangeborg's
Edge_Games
Swedish computer programmer
programs for the ZX Spectrum, the best known being the game Fairlight (1985), its sequel Fairlight II (1986), and the graphic tool The Artist. He also wrote
Bo_Jangeborg
Suburb of Sydney, New South Wales, Australia
Fairlight is a suburb of northern Sydney, in the state of New South Wales, Australia. Fairlight is located 13 kilometres (8.1 miles) north-east of the
Fairlight,_New_South_Wales
Cloud gaming service
Antstream Arcade. A homebrew title. An MSX2 title. Both Game Over and Game Over II were separated into two parts. There are 338 ZX Spectrum titles available
Antstream_Arcade
German composer and producer (1952–2001)
computers with MIDI cards to control a system that grew to include a Fairlight II and Moog 3C modular system. With the Yamaha DMP-7 digital mixer, Thumann
Harry_Thumann
American musician and composer
soundtrack recording for Rocky IV, one of the first to exploit the Fairlight CMI and Synclavier II's computer's sequencing capabilities. After majoring in percussion
Vince_DiCola
Series of digital sampling synthesizers
comparison to the Fairlight CMI Series II, the most basic model of which was priced at $30,000 upon its initial release. The Emulator II offers a unique
E-mu_Emulator
MicroProse F-16 Combat Pilot 1989 Digital Integration Ltd. Fairlight 1986 The Edge Software Fairlight II 1986 The Edge Software The Famous Five (video game)
List_of_Amstrad_CPC_games
American actress and singer (born 1979)
included an appearance with jazz great Herbie Hancock, who demonstrated his Fairlight CMI synthesizer using a sample of Ali's voice. She also appeared in two
Tatyana_Ali
Device that records and plays back samples
keyboard and 128 kB of memory. E-mu Emulator II (1984) was designed to bridge the gap between the Fairlight CMI and Synclavier and the Ensoniq Mirage. It
Sampler_(musical_instrument)
II Chess Deadline Distractions (On the Run, 2112AD & NEXOR) Double T Patience Dual, The Dungeon Adventure Elektra Glide Enchanter Fairlight Fairlight
List_of_Amstrad_PCW_games
1987 single by Baltimora
musical equipment, arranger, writer Gaetano Leandro – synthesizers (Fairlight II, Prophet V, Xpander Obereim Ppg Synth) Giorgio Cocilovo – electric, shadow
Key_Key_Karimba
Ferry company of Australia
into an amusement pier (Manly Fun Pier), and the HNLMS K XII, a World War II-era submarine, previously operated by the Royal Netherlands Navy, and set
Port Jackson and Manly Steamship Company
Port_Jackson_and_Manly_Steamship_Company
beach 31 tons 20.7 m 72 Hydrofoil More images... Fairlight (II) 1966 Hydrofoil on Manly service Fairlight, a harbourside northern Sydney suburb and beach
List of Sydney Harbour ferries
List_of_Sydney_Harbour_ferries
Early digital synthesizer
at times in this market with high-end production systems such as the Fairlight CMI. When the company launched and evolved its technology, there were
Synclavier
British electronic musician
albums. When the Fairlight CMI Series II came out in 1982, Jeczalik got access to "Page R", the built-in sequencer for the Fairlight. While working on
J._J._Jeczalik
Polyphonic synthesizer
samplers available were the E-mu Emulator II (MSRP $8,000 to $10,000) and the large Fairlight CMI Series II system (approximately $28,000 for a basic
Ensoniq_Mirage
1988 studio album by Mark Mothersbaugh
arranged, programmed and performed by Mothersbaugh himself mostly using the Fairlight CMI and was engineered and mixed by former Devo keyboardist and guitarist
Muzik for Insomniaks, Volume 1 and Volume 2
Muzik_for_Insomniaks,_Volume_1_and_Volume_2
American sound designer
Knight - Synthesizer [Fairlight CMI], Sequence Programming So Happy (1989) - Eddie Murphy - Synthesizers [Fairlight CMI, Emulator II] Good to Be Back (1989)
Ren_Klyce
1985 single by Jane Siberry
"Map of the World (Part II)" is a song by the Canadian singer-songwriter Jane Siberry. It is the second single released in support of her third album The
Map_of_the_World_(Part_II)
1984 studio album by Devo
extensive use of digital equipment such as the Fairlight CMI, as well as the LinnDrum, Emulator and the Synclavier II. Mark Mothersbaugh enjoyed the process of
Shout_(Devo_album)
Synthesizer that uses digital signal processing to make sounds
commercial digital synthesizers were the Fairlight CMI, introduced in 1979, and the New England Digital Synclavier II, introduced in 1979 as an upgrade to
Digital_synthesizer
1987 studio album by Fleetwood Mac
album's vocal harmonies through extensive overdubbing and also utilised the Fairlight CMI for additional sonic textures. Although the record took eighteen months
Tango_in_the_Night
French singer (1952–1986)
l'amour. He innovated again using his Fairlight and it was his first album released on CD.[dubious – discuss] The Fairlight allowed Balavoine to insert a lot
Daniel_Balavoine
1984 studio album by Jean-Michel Jarre
singing and speech in 25 different languages recorded and edited in the Fairlight CMI digital sampling synthesizer. The album spawned two singles: the title
Zoolook
English singer-songwriter (born 1958)
first album to feature synthesisers and drum machines, in particular the Fairlight CMI. She was introduced to the technology while providing backing vocals
Kate_Bush
1988 studio album by Herbie Hancock
Residue" (Hancock) - 6:01 Musicians Herbie Hancock – piano, Fairlight CMI Series I & II, Roland Super Jupiter, Rhodes Chroma, Macintosh Plus, Yamaha
Perfect_Machine
German film composer (born 1957)
him to score Rain Man. In the score, Zimmer uses synthesizers, mostly a Fairlight CMI, mixed with steel drums. Zimmer explained that "It was a road movie
Hans_Zimmer
English musician (born 1953)
expert in the use of digital synthesizers and sequencers (notably the Fairlight CMI) which began to dominate the sound of his recordings: from the late
Mike_Oldfield
1987 studio album by Prince
on the album came from the Linn LM-1 drum machine, and Prince used the Fairlight CMI synthesizer to replace other instruments. Four songs contain higher-pitched
Sign_o'_the_Times
AppleWin 1.29.13.0 May 31, 2020 Apple II, Apple II+, Apple IIe Windows GPL Catakig 2.00b4 October 28, 2006 Apple II, Apple II+, Apple IIe, Apple IIc macOS Open
List of computer system emulators
List_of_computer_system_emulators
of exceptional interest. Grade II* buildings are particularly important buildings of more than special interest. Grade II buildings are of special interest
Listed buildings in Rother district, East Sussex
Listed_buildings_in_Rother_district,_East_Sussex
M1 Bestselling synthesizer in history 1990 Korg Wavestation 1979 Fairlight Fairlight CMI 1971 ARP ARP 2600 1972 ARP ARP Odyssey First duophonic synthesizer
List_of_synthesizers
1984 studio album by Heaven 17
the end of 1982. Although digital sample-based instruments such as the Fairlight CMI and the LinnDrum drum machine were still responsible for most of the
How_Men_Are
1987 war film by Stanley Kubrick
issue of Keyboard, the film was scored mostly with a Series III edition Fairlight CMI synthesizer and a Synclavier. For the period music, Kubrick reviewed
Full_Metal_Jacket
1985 studio album by Stephanie Mills
Salamone – Fairlight programming (1), drum programming (1) George Duke – clavinet (2), Rhodes (2), Yamaha DX7 (2, 6), Memorymoog (2, 6), Synclavier II (2, 6
Stephanie_Mills_(album)
1976 studio album by Jean-Michel Jarre
Disques Dreyfus/Epic. 1997. 487375 2. "Interview with Michel Geiss (I)". Fairlight Jarre. 25 March 2014. Archived from the original on 10 August 2022. Retrieved
Oxygène
2023 video game
the 1980s, including La Abadía del Crimen, Get Dexter, Knight Lore, and Fairlight, as part of their level design for Chants. They worked on Chants of Sennaar
Chants_of_Sennaar
1988 film by Hayao Miyazaki
compeling". He hired an orchestra for the soundtrack and primarily used a Fairlight instrument. The soundtrack for My Neighbor Totoro was first released in
My_Neighbor_Totoro
Chalk headland in East Sussex, England
Head off Plymouth, off Portsmouth the Wight; We sailed by Beachy, by Fairlight and Dover, And then we bore up for the South Foreland light. The ashes
Beachy_Head
1987 studio album by Dalbello
Hammond B-3 organ, bass, drums, backing vocals Scott Humphrey — keyboards, Fairlight CMI, bass, drums, PPG Wave/HDD Lou Pomanti — keyboards Ron Cahute — accordion
She_(Dalbello_album)
respond to their recent scene ban, that was probably pushed by Fairlight". defacto2. "Fairlight reneges their ban on Vitality". defacto2. "Dragon.Age.Origins
List_of_warez_groups
1986 greatest hits album by The Police
attempt to re-record some of their previous hits. Copeland opted to use his Fairlight CMI to program the drum tracks but Sting pushed to use the drums on his
Every Breath You Take: The Singles
Every_Breath_You_Take:_The_Singles
1987 studio album by Triumph
Synclavier II, Fairlight CMI Series III programming Gil Moore – drums, percussion, vocals Mike Levine – bass guitar, keyboards, synthesizers, Emulator II J. D
Surveillance_(Triumph_album)
American musician (born 1950)
toured briefly with an orchestra in support of the album, and used a Fairlight CMI sampler onstage. In this year Wonder also wrote and produced the dance
Stevie_Wonder
1989 single by Bobby Brown
Babyface – keyboards, backing vocals Kayo – synthesized bass Donald Parks – Fairlight programming Daryl Simmons, Melvin Edmonds, Kevon Edmonds, Keith Mitchell
On_Our_Own_(Bobby_Brown_song)
1989 soundtrack album by Peter Gabriel
various sound sources to create these chords, including a Prophet-5, Fairlight CMI, a Vox bass guitar, Fender Stratocaster, and Gabriel's voice. I would
Passion_(Peter_Gabriel_album)
French musician (born 1948)
album sold 200,000 units in France alone. The album uses sounds from the Fairlight CMI, a new instrument of which Jarre was a pioneer. Its digital technology
Jean-Michel_Jarre
English musician and producer (born 1949)
drums. He spent £18,000 on a Fairlight CMI, an early digital synthesiser, one of four in the UK at the time. The Fairlight was one of the first digital
Trevor_Horn
American pop rock duo (1970–2022)
time (most notably the Synclavier II, one of the first computerized synthesizer workstations, as well as the Fairlight CMI). Noted remix and hip-hop icon
Hall_&_Oates
Greek composer and musician (1943–2022)
upgraded to the Mk. II version of the Roland VP-330 VocoderPlus. Vangelis disliked programming-oriented sampling devices like the Fairlight CMI (considering
Vangelis
Device for composing electronic music
cards developed, and new input technologies added. By 1982, the Fairlight CMI Series II represented another advance as it now offered more RAM-based sample
Music_workstation
Music genre that uses electronic instruments
first polyphonic digital sampling synthesizer was the Australian-produced Fairlight CMI, first available in 1979. These early sampling synthesizers used wavetable
Electronic_music
Electronic musical instrument
1970s and were widely used in 1980s music. Sampling, introduced with the Fairlight synthesizer in 1979, influenced genres such as electronic and hip hop
Synthesizer
English cliff shore
Head off Plymouth, off Portsmouth the Wight; We sailed by Beachy, by Fairlight and Dover, And then we bore up for the South Foreland light. The song
White_Cliffs_of_Dover
Device or software that records, edits or plays back musical notes
.. "Fairlight – The Whole Story". Audio Media. No. January 1996. Archived from the original on 2017-05-04. Fairlight launched the CMI Series II in 1982
Music_sequencer
British avant-garde synth-pop group
technological impetus for the Art of Noise was the advent of the Fairlight CMI sampler. With the Fairlight, short digital sound recordings called samples could be
Art_of_Noise
1985 studio album by ABC
ABC Martin Fry – lead and backing vocals Mark White – E-mu Emulator II, Fairlight CMI programming Fiona Russell Powell (a.k.a. Eden) – vocals, record
How_to_Be_a_..._Zillionaire!
Modification of software, often to use it for free
A well-known example of a loader is a trainer used to cheat in games. Fairlight pointed out in one of their .nfo files that these types of cracks are
Software_cracking
early work on the show, he prominently used both the Memorymoog and the Fairlight CMI IIx, as well as later including the Yamaha DX-7 and the Roland Jupiter-8
List_of_Miami_Vice_episodes
English musician (born 1950)
studio parked at his home, Ashcombe House, in Somerset. Gabriel used a Fairlight CMI digital sampling synthesiser and incorporated electronic instrumentation
Peter_Gabriel
1985 single by ABC
backing vocals Mark White - E-mu Emulator II, Fairlight CMI programming Additional Musicians Gary Moberley - Fairlight CMI programming Don Snow - piano, Oberheim
Be_Near_Me
1982 single by ABC
TR-808 programming, Roland MC-4 Microcomposer sequencer J. J. Jeczalik – Fairlight CMI programming John Thirkell – trumpet, flugelhorn Karen Clayton – spoken
Poison_Arrow
1981 single by Stevie Wonder
Diamond Jubilee of Elizabeth II. Stevie Wonder – piano, Fender Rhodes, vocoder, drums, Bass Melodian Synthesizer, Fairlight Synthesizer Background Vocals:
Happy Birthday (Stevie Wonder song)
Happy_Birthday_(Stevie_Wonder_song)
1985 song by Dalbello
Chart cover by American hard rock band Heart, released as "Black on Black II" (with updated lyrics and additional songwriting credits from Ann and Nancy
Black_on_Black_(song)
Subgenre of role-playing and action video games
Shine of Darkness (1985) also featured a morality system. Eurogamer cites Fairlight (1985) as an early action RPG. An important influence on the action RPG
Action_role-playing_game
of the principal importers of music equipment from E-Mu, Ensoniq, and Fairlight in Europe. Felix Visser, the founder of Synton began the company in 1973
Synton_Fenix
Line of home computers from Atari Corporation
Aitken, and Waterman. English synth-pop duo Pet Shop Boys replaced their Fairlight CMI with an Atari ST, with their programmer Pete Gleadall saying, "[Atari
Atari_ST
British singer-songwriter and producer (born 1957)
Beck during this time. Then, on the fringes of session work, he did the Fairlight CMI programming for Scritti Politti's song "Small Talk" from their second
Simon_Climie
1984 sampler by Kurzweil Music Systems
Emulator and E-mu Emulator II; Fairlight Corporation's Fairlight CMI; and New England Digital's Synclavier I and Synclavier II. Morgan, Christopher (June
Kurzweil_K250
1985 studio album by Yello
mostly written and created using the equipment he already owned, a Fairlight CMI Series II sampler along with an ARP Odyssey synthesizer, the Linn LM-1 and
Stella_(album)
1985 single by Jane Siberry
guitar, guitar synthesizer John Switzer – bass, production Rob Yale – Fairlight CMI, keyboards Production and additional personnel John Naslen – production
One_More_Colour
1985 single by Freddie Mercury
Cress – drums Stephan Wissnet – bass guitar, Fairlight CMI Reinhold Mack – Fairlight CMI, Synclavier II Queen version Freddie Mercury – lead and backing
I_Was_Born_to_Love_You_(song)
1982 studio album by ABC
engineered by Gary Langan, it features programming of the recently developed Fairlight CMI by J. J. Jeczalik. Horn says that he convinced the band to replace
The_Lexicon_of_Love
Instrument that uses electronic circuits to make sound
previous generations, which were mainly used by top professionals. The Fairlight CMI (Computer Musical Instrument), the first polyphonic digital sampler
Electronic_musical_instrument
1984 studio album by Queen
Producer Reinhold Mack programmed the synth-"demolition" using a Fairlight CMI II Sampler, and all the vocals are sung by the group's three vocalists
The_Works_(Queen_album)
1986 studio album by Ministry
complete creative control over his work, and would give resources to buy a Fairlight CMI synthesizer, and also to support the Wax Trax! imprint; as Jourgensen
Twitch_(Ministry_album)
1987 studio album by David Van Tieghem
percussion music and electronic music. The album makes extensive use of the Fairlight CMI digital sampling synthesizer. After its original release, the album
Safety in Numbers (David Van Tieghem album)
Safety_in_Numbers_(David_Van_Tieghem_album)
American music technology company
was ever produced. At that same convention, Wedge and Rossum saw the Fairlight CMI and the Linn LM-1. Recognizing the trend of digital samplers, they
E-mu_Systems
1982 single by ABC
Trevor Horn – backing vocals Anne Dudley – orchestrations J.J. Jeczalik – Fairlight CMI programming John Thirkell – trumpet, flugelhorn Gaynor Sadler – harp
The_Look_of_Love_(ABC_song)
1982 studio album by Mike Oldfield
albums, such as uilleann pipes and female chorus, and extensive use of the Fairlight CMI. The vocal section, called "The Deep Deep Sound", features themes
Five_Miles_Out
Ringwood at the Australian National University. 1979 – Digital sampler – The Fairlight CMI (Computer Musical Instrument) was the first polyphonic digital sampling
Timeline of Australian inventions
Timeline_of_Australian_inventions
English musician (1955–2010)
Simpson credited Christopherson with using samplers on-stage before the Fairlight CMI popularised sampling. Also writing for The Guardian, Alexis Petridis
Peter_Christopherson
English singer (born 1966)
the song's distinctive synthetic string and brass lines later added by Fairlight operator Ian Curnow. The final mix was provided by PWL remixer Pete Hammond
Rick_Astley
Practice and advocacy of social nudity
official nude beach was opened at Fairlight Glen in Covehurst Bay near Hastings in 1978 (not to be confused with Fairlight Cove, which is 2 kilometres (1
Naturism
American actress and comedian (born 1980)
"Chapter Eleven: Who Can I Turn To?" 2020–22 Grace and Frankie Taneth Fairlight 2 episodes 2021 Solar Opposites Jen, Stacey Grabowski (voice) Episode:
Casey_Wilson
2011 studio album by ...And You Will Know Us by the Trail of Dead
two-part record, each side with a specific musical tuning; Part I in D and Part II in F. The album can be listened to as 16 different movements or two lengthy
Tao_of_the_Dead
Type of ferry used on Sydney Harbour
named after Sydney Harbour beaches Fairlight, Clontarf and Balmoral. In October 2021 the first of the new ferries Fairlight was put into service a few days
Emerald-class_ferry
Traditional British naval song
and Wight;") We sailèd by Beachy, (alt: "We sailed by Beachy / by Fairlight and Dover") By Fairly and Dungeness, And then bore away for the South
Spanish_Ladies
Musical instrument designed for live, loop-based music
dates back to the Movement Computer Systems Drum Computer in 1981 and Fairlight CMI Page R in 1982. A groovebox consists of three integrated elements
Groovebox
Digital audio workstation
for the Emulator II keyboard, called Sound Designer, released under the Digidesign brand and inspired by the interface of the Fairlight CMI. This system
Pro_Tools
American country and Christian music band
country release recorded entirely on a digital console"; specifically, a Fairlight console which recorded the album directly to a hard drive. Produced by
Diamond_Rio
1986 studio album by Whodini
vocals (track 2) Bryan Chuck New - mixing, engineer Peter Brian Harris - fairlight programming Jerry Peal - engineer Peter Woolliscroft - engineer George
Back_in_Black_(Whodini_album)
travel, tourism, insurance
FAIRLIGHT II
FAIRLIGHT II
FAIRLIGHT II
FAIRLIGHT II
FAIRLIGHT II
FAIRLIGHT II
FAIRLIGHT II
FAIRLIGHT II
FAIRLIGHT II
travel, tourism, insurance