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Family of sans-serif typefaces
The Stephenson Blake Grotesque fonts are a series of sans-serif typefaces created by the type foundry Stephenson Blake of Sheffield, England, mostly around
Grotesque (Stephenson Blake typefaces)
Grotesque_(Stephenson_Blake_typefaces)
Topics referred to by the same term
late 19th century Grotesque (Stephenson Blake typefaces) This disambiguation page lists articles associated with the title Grotesque. If an internal link
Grotesque_(disambiguation)
Typeface classification for letterforms without serifs
"serifs" at the end of strokes. Sans-serif typefaces tend to have less stroke width variation than serif typefaces. They are often used to convey simplicity
Sans-serif
Grotesque sans-serif typeface
is a sans-serif typeface in the industrial or grotesque style designed by Geoffrey Lee in 1965 and released by the Stephenson Blake foundry of Sheffield
Impact_(typeface)
Grotesque sans-serif typeface
Grotesque is a family of sans-serif typefaces released by the Monotype Corporation for its hot metal typesetting system. It belongs to the grotesque or
Monotype_Grotesque
photocomposition: Adonis (1971, Andrea Cretton), later cast in metal by Stephenson Blake. "Tetterode". MyFonts. 2011-11-22. Archived from the original on 2011-11-05
Amsterdam_Type_Foundry
Humanist sans-serif typeface
sans-serif typeface designed and released by the Stephenson Blake type foundry of Sheffield in 1930. It is influenced by the Johnston typeface or Railway
Granby_(typeface)
Typeface
Britannic is a sans-serif typeface family that was sold in metal type by Stephenson Blake. It is a "modulated" or stressed sans-serif design, in which
Britannic_(typeface)
This is a list of typefaces, which are separated into groups by distinct artistic differences. The list includes typefaces that have articles or that are
List_of_typefaces
Typeface
specimens again. (These should not be confused with Stephenson Blake's unrelated "Grotesque" typefaces of the late nineteenth century.) Several digital revivals
Caslon_Egyptian
English engineering company
Stephenson Blake is an engineering company based in Sheffield, England. The company was active from the early 19th century as a type founder, remaining
Stephenson_Blake
Type of serif typeface
specimens do not show it; another "1815" specimen that was held by Stephenson Blake with 1820 on the spine shows more. No specimens are known from Figgins'
Slab_serif
matrices: Grotesque (collective name for sans serif typefaces) _11: Grotesque (see: 11 Grotesque Bold Condensed) _33: Grotesque (see: 33 Grotesque Condensed)
Monotype_typefaces
Humanist sans-serif typeface
Johnston's work originated the genre of the humanist sans-serif typeface, typefaces that are sans-serif but take inspiration from traditional serif fonts
Johnston_(typeface)
Humanist sans-serif typeface
1950s and 1960s towards grotesque and neo-grotesque typefaces, under the influence of continental and American design. Typefaces that became popular around
Gill_Sans
Display sans serif typeface
Permanent Headline is a bold, highly compressed sans-serif typeface in the neo-grotesque style. It was designed by Karlgeorg Hoefer for the type foundry
Permanent_Headline
first to use the term "Grotesque" to describe a Sans-Serif typeface and to design one in lowercase with his Seven Line Grotesque. In 1838, the typographer
Fann_Street_Foundry
British typefounder
popularised both slab-serif and sans-serif typefaces, which have since become two of the main genres of typeface. He was also involved in local politics
Vincent_Figgins
Movable type made out of wood
became popular during the nineteenth century for making large display typefaces for printing posters, because it was lighter and cheaper than large sizes
Wood_type
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GROTESQUE STEPHENSON-BLAKE-TYPEFACES
GROTESQUE STEPHENSON-BLAKE-TYPEFACES
GROTESQUE STEPHENSON-BLAKE-TYPEFACES
GROTESQUE STEPHENSON-BLAKE-TYPEFACES
GROTESQUE STEPHENSON-BLAKE-TYPEFACES
GROTESQUE STEPHENSON-BLAKE-TYPEFACES
GROTESQUE STEPHENSON-BLAKE-TYPEFACES
GROTESQUE STEPHENSON-BLAKE-TYPEFACES
GROTESQUE STEPHENSON-BLAKE-TYPEFACES
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