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Austrian music theorist (1868–1935)
Heinrich Schenker (19 June 1868 – 14 January 1935) was an Austrian music theorist whose writings have had a profound influence on subsequent musical analysis
Heinrich_Schenker
Method of analyzing tonal music
analysis is a method of analyzing tonal music based on the theories of Heinrich Schenker (1868–1935). The goal is to demonstrate the organic coherence of the
Schenkerian_analysis
German guitarist (born 1948)
Heinrich Rudolf Schenker (born 31 August 1948) is a German guitarist and songwriter, best known as the founder and leader of the hard rock band Scorpions
Rudolf_Schenker
Use of Roman Numeral symbols in the musical analysis of chords
have made a systematic usage of Roman numerals appear to have been Heinrich Schenker and Arnold Schoenberg, both in their treatise of harmony. In music
Roman_numeral_analysis
Surname list
founder of Schenker AG H. R. Schenker (1882–1922), American football coach Heinrich Schenker (1868–1935), Austrian music theorist Michael Schenker (born 1955)
Schenker
of Harmony") is a book published in 1906 by Heinrich Schenker. It is the first installment of Schenker's three-volume treatise on music theory entitled
Harmony_(Schenker)
Concept in Riemannian and Schenkerian theories
Dreiklang, etc. Klang has been used among others by Hugo Riemann and by Heinrich Schenker. In translations of their writings, it has erroneously been rendered
Klang_(music)
Musical term
the tonal scale, as developed by Simon Sechter, Arnold Schoenberg, Heinrich Schenker, and others, practiced today in Western Europe and the United States
Function_(music)
Structural level of a piece of music
as described by Oswald Jonas in his Introduction to the Theory of Heinrich Schenker. This translation did not gain wide acceptance in modern Schenkerian
Structural_level
Decision-making consideration when arranging voices in musical composition
same time. Voice leading developed as an independent concept when Heinrich Schenker stressed its importance in "free counterpoint", as opposed to strict
Voice_leading
Austrian-American music theorist, musicologist and pedagogue (1904-1986)
of the principal followers of Heinrich Schenker, and did much to refine and explain Schenkerian analysis after Schenker's death. He was born on June 13
Felix_Salzer
Type of musical note
lower neighboring tone or lower auxiliary note. However, following Heinrich Schenker's usage in Free Composition, some authors reserve the term "neighbor
Nonchord_tone
Volume written by Heinrich Schenker
Counterpoint (Kontrapunkt in the original German) is the second volume of Heinrich Schenker's New Musical Theories and Fantasies (the first is Harmony and the
Counterpoint_(Schenker)
Position of a musical note on a scale relative to the tonic
Introduction to the Theory of Heinrich Schenker (1934: Das Wesen des musikalischen Kunstwerks: Eine Einführung in Die Lehre Heinrich Schenkers), p.22. Trans. John
Degree_(music)
Short recurring musical phrase
Introduction to the Theory of Heinrich Schenker (1934: Das Wesen des musikalischen Kunstwerks: Eine Einführung in Die Lehre Heinrich Schenkers), p. 12. Trans. John
Motif_(music)
method of musical analysis of tonal music based on the theories of Heinrich Schenker (1868–1935). The method is discussed in the concerned article and
Glossary of Schenkerian analysis
Glossary_of_Schenkerian_analysis
German conductor and composer (1886–1954)
the great Jewish music theorist Heinrich Schenker with whom he worked between 1920 and Schenker's death in 1935. Schenker was the founder of Schenkerian
Wilhelm_Furtwängler
Type of instrumental composition
structure has been the motivation for important theoretical works by Heinrich Schenker, Arnold Schoenberg, and Charles Rosen among others; and the pedagogy
Sonata
American pianist, composer, teacher, critic and poet (1909–1974)
pieces was the first English-language introduction to Schenker's ideas, The Role of Heinrich Schenker. In 1939, Citkowitz was appointed teacher of counterpoint
Israel_Citkowitz
Form of musical chord
downward, the root leaps a fourth upward. — Arnold Schoenberg (1948) Heinrich Schenker and also Nikolai Rimsky-Korsakov allowed the substitution of the dominant
Ninth_chord
Musical chord
vol. 2: p. 343 Schenker, Heinrich. Jahrbuch II, p. 24 cited in Jonas, Oswald (1982). Introduction to the Theory of Heinrich Schenker (1934: Das Wesen
Dominant_seventh_chord
Types of note arrangements within chords
Introduction to the Theory of Heinrich Schenker (1934: Das Wesen des musikalischen Kunstwerks: Eine Einführung in Die Lehre Heinrich Schenkers), p. 18. Translator:
Close_and_open_harmony
Free Composition (Der freie Satz) is a treatise by Heinrich Schenker, and possibly Schenker's best known work. The third volume of New Musical Theories
Free_Composition
the use of Schenkerian Analysis, he was the English translator of Heinrich Schenker's final work, Free Composition. Ernst Friedrich Oster was born in Mannheim
Ernst_Oster
Term used in Western music and music theory
Lust-hof (Amsterdam, 1646) is a huge collection of diminutions. For Heinrich Schenker, "all foreground is diminution". "All diminution must be secured firmly
Diminution
Type of musical chord
Kunstwerks: Eine Einführung in Die Lehre Heinrich Schenkers [Introduction to the Theory of Heinrich Schenker]. Translated by Rothgeb, John. Longman. p
Diminished_triad
Underlying structure of a tonal musical work in Schenkerian analysis
analysis Schenker, Heinrich, Der Tonwille, Oxford University Press, 2004, vol. I, p. 53, translation by R. Snarrenberg. Schenker, Heinrich, Free Composition
Fundamental_structure
Musical motion between two harmonic tones
to the Dover edition of Schenker, Heinrich (1969). Five Graphic Music Analyses, p.14. ISBN 0-486-22294-2. Heinrich Schenker, Das Meisterwerk in der Musik
Linear_progression
Study of the practices and possibilities of music
method of musical analysis of tonal music based on the theories of Heinrich Schenker (1868–1935). The goal of a Schenkerian analysis is to interpret the
Music_theory
Austrian musicologist (1897–1978)
1978) was a music theorist and musicologist, and student of Heinrich Schenker. Despite Schenker's conservative nationalist views Jonas was an admirer of Karl
Oswald_Jonas
1794 composition by Joseph Haydn
extensive analysis by distinguished musicological personages such as Heinrich Schenker and Sir Donald Tovey, largely because of its expansive length, unusual
Piano_Sonata_Hob._XVI/52
Dutch musicologist (1887–1983)
the couple led a pleasant lifestyle. Hoboken's friend and teacher Heinrich Schenker later reported a social evening with Hoboken in his Vienna apartment:
Anthony_van_Hoboken
teacher's teachers Salzer (1904–1986) studied with teachers including Heinrich Schenker and Hans Weisse. Guido Adler Karel Navrátil [pupils] Carl Schachter [pupils]
List of music students by teacher: R to S
List_of_music_students_by_teacher:_R_to_S
End of a musical phrase with resolution
Introduction to the Theory of Heinrich Schenker (1934: Das Wesen des musikalischen Kunstwerks: Eine Einführung in Die Lehre Heinrich Schenkers), p. 24. Trans. John
Cadence
Polish pianist, composer and conductor (1821–1897)
Michałowski, Ciprian Porumbescu, Jaroslaw Zieliński, Kornelia Parnas and Heinrich Schenker. Mikuli (birth surname Bsdikian) was born on October 22, 1821, in
Karol_Mikuli
Austrian conductor (1896–1952)
was born in Vienna and studied piano as a child. He was a pupil of Heinrich Schenker in Vienna for several years, beginning in October 1913. He accompanied
Paul_Breisach
1999 studio album by Scorpions
Meine, except where noted. Scorpions Klaus Meine – lead vocals Rudolf Schenker – rhythm guitars, lead guitars, acoustic guitar, electric sitar, backing
Eye_II_Eye
Austrian musicologist
Schlesinger. As early as 1912, he was a student of the music theorist Heinrich Schenker. His doctorate was granted in 1927 from Vienna University; he had
Viktor_Zuckerkandl
Tonal degree of the diatonic scale
Introduction to the Theory of Heinrich Schenker (1934: Das Wesen des musikalischen Kunstwerks: Eine Einführung in Die Lehre Heinrich Schenkers), p. 22. Trans. John
Subdominant
Process in tonal music
analysis, conceived by Austrian theorist Heinrich Schenker. The English term usually translates Schenker's Auskomponierung (better translated as "composing
Prolongation
Swiss music theorist (1886–1946)
the 1940s, Kurth was gradually eclipsed by other theorists (notably Heinrich Schenker). However, his concept of "developmental motif" has remained influential
Ernst_Kurth
Chord progression
Introduction to the Theory of Heinrich Schenker (1934: Das Wesen des musikalischen Kunstwerks: Eine Einführung in Die Lehre Heinrich Schenkers), p. 23. Trans. John
I–IV–V–I
Academic journal
has also featured translations of articles by Theodor W. Adorno and Heinrich Schenker. The journal's first editor-in-chief was Jonathan Dunsby. It is currently
Music_Analysis_(journal)
Common chord progression
the Theory of Heinrich Schenker, p. 26 (1934: Das Wesen des musikalischen Kunstwerks: Eine Einführung in Die Lehre Heinrich Schenkers). Translator: John
Ii–V–I_progression
Type of chord progression
to the Theory of Heinrich Schenker, p.26 (1934: Das Wesen des musikalischen Kunstwerks: Eine Einführung in Die Lehre Heinrich Schenkers). Trans. John Rothgeb
Vi–ii–V–I
Theoretical concept
principally deriving from the theoretical writings of Arnold Schoenberg and Heinrich Schenker, that in any piece of tonal music only one tonic is ever present,
Monotonality
Type of progression in music theory
the Theory of Heinrich Schenker, p.110. (1934: Das Wesen des musikalischen Kunstwerks: Eine Einführung in Die Lehre Heinrich Schenkers). Trans. John Rothgeb
Consecutive_fifths
Categorizations of simultaneous or successive sounds
ISBN 0-521-36709-3. Jonas, Oswald (1982). Introduction to the Theory of Heinrich Schenker: The Nature of the Musical Work of Art, translated by John Rothgeb
Consonance_and_dissonance
German composer
Leipzig Conservatory. Oppel was a student, correspondent, and friend of Heinrich Schenker, the famous Viennese Jewish music theorist, and made efforts to disseminate
Reinhard_Oppel
In music, the repeated use of a sound or sequence
Introduction to the Theory of Heinrich Schenker (1934: Das Wesen des musikalischen Kunstwerks: Eine Einführung in Die Lehre Heinrich Schenkers). Translator:. John
Repetition_(music)
Canadian German-born expert in maritime law, ecologist
Zurich in 1938. Among musicians, she is known for her translation of Heinrich Schenker's Harmonielehre (1906) into English. As a result of excisions by the
Elisabeth_Mann_Borgese
Ability of musicians to exert optimal control of their instruments and/or bodies
position and shape of one's mouth for brass and woodwind instruments. Heinrich Schenker argued that musical technique's "most striking and distinctive characteristic"
Musical_technique
1822 piano sonata by Ludwig van Beethoven
musical analyses including studies by Donald Tovey, Denis Matthews, Heinrich Schenker, and Charles Rosen. It has been recorded by pianists such as Artur
Piano Sonata No. 31 (Beethoven)
Piano_Sonata_No._31_(Beethoven)
Music department at Queens College, New York
Edwin Stringham, and a later emphasis on the analytical system of Heinrich Schenker was initiated by Saul Novack. Some of the students who enrolled in
Aaron_Copland_School_of_Music
Pitch sliding from one note to another
1093/ml/gcl079. S2CID 193134321. Schenker, Heinrich. 2001. Counterpoint: A Translation of Kontrapunkt, by Heinrich Schenker: Volume II of New Musical Theories
Portamento
Austrian musicologist (1883–1967)
Vienna after the war. Deutsch was a close friend of music theorist Heinrich Schenker, and of the British musicologist and Schubert scholar Maurice J. E
Otto_Erich_Deutsch
Tonal degree of the diatonic scale
[ISBN unspecified]. Schenker, Heinrich (1910). Kontrapunkt (in German). Vol. I. Vienna: Universal Edition. Schenker, Heinrich (1987). Counterpoint.
Leading_tone
teacher's teachers Weisse (1892–1940) studied with teachers including Heinrich Schenker. Adele T. Katz George Rochberg [pupils] Felix Salzer [pupils] this
List of music students by teacher: T to Z
List_of_music_students_by_teacher:_T_to_Z
Abbreviations used in music notation
Introduction to the Theory of Heinrich Schenker (1934: Das Wesen des musikalischen Kunstwerks: Eine Einführung in Die Lehre Heinrich Schenkers), p.22. Trans. John
Abbreviation_(music)
Major chord in music theory
Introduction to the Theory of Heinrich Schenker (1934: Das Wesen des musikalischen Kunstwerks: Eine Einführung in Die Lehre Heinrich Schenkers), Translated by John
Neapolitan_chord
Orchestral composition by John Adams
harmony. Other theory texts titled Harmonielehre include those by Heinrich Schenker (1906) and Hugo Riemann (1893). Adams has said that the piece was
Harmonielehre
1785 composition by W. A. Mozart, the "Dissonance Quartet"
was commonly referred to as the "Dissonance" quartet by the time Heinrich Schenker discussed it in 1906. It is unclear when and where the nickname originated
String Quartet No. 19 (Mozart)
String_Quartet_No._19_(Mozart)
Austrian-American composer (1874–1951)
songs. The music she commissioned, mainstream Romantic Lieder by Heinrich Schenker pupil Otto Vrieslander, proved "obviously not strong enough", pianist
Arnold_Schoenberg
Compositional technique in music
this process tonicalization and the phenomenon itself chromatic. — Heinrich Schenker (1906) Chromaticism is almost by definition an alteration of, an interpolation
Chromaticism
Keyboard work by Johann Sebastian Bach
Analysts divide the fantasia in related but not identical ways. Heinrich Schenker describes the fantasia as having two principal parts of comparable
Chromatic Fantasia and Fugue, BWV 903
Chromatic_Fantasia_and_Fugue,_BWV_903
Type of musical chord
of their bass lines. The dominant ninth theory was questioned by Heinrich Schenker. He explained that although there is a kinship between all univalent
Diminished_seventh_chord
Topics referred to by the same term
(phonology), a feature of spoken language Harmony (Schenker), a 1906 book on music theory by Heinrich Schenker Harmony: A New Way of Looking at Our World, a
Harmony_(disambiguation)
Italian composer (1685–1757)
Pogorelić, Scott Ross (the first performer to record all 555 sonatas), Heinrich Schenker, András Schiff and Dmitri Shostakovich. [citation needed] Scarlatti's
Domenico_Scarlatti
Chord progression typical of ragtime
Introduction to the Theory of Heinrich Schenker (1934: Das Wesen des musikalischen Kunstwerks: Eine Einführung in Die Lehre Heinrich Schenkers), p.116. Trans. John
Ragtime_progression
System of elements that are subordinated to each other
musical composition is often understood hierarchically (for example by Heinrich Schenker (1768–1835, see Schenkerian analysis), and in the (1985) Generative
Hierarchy
Public college in New York City, New York
Edwin Stringham, and a later emphasis on the analytical system of Heinrich Schenker was initiated by Saul Novack. It offers undergraduate and graduate
Queens College, City University of New York
Queens_College,_City_University_of_New_York
Musical structure of three main sections
establishing a sense of "closeness" and "distance" in a sonata. The work of Heinrich Schenker and his ideas about "foreground", "middleground", and "background"
Sonata_form
American singer (1929–2025)
Meisterwerk in der Musik” by Heinrich Schenker: An Annotated Translation, Volumes I–III (1969–73), was the first translation of Schenker's Yearbooks into English
Sylvan_Kalib
Study of musical structure
Tovey and Keller. One of the best known and most influential was Heinrich Schenker, who developed Schenkerian analysis, a method that seeks to describe
Musical_analysis
Cemetery in Vienna, Austria
Strauss (1827–1870), composer Franz von Suppé (1819–1895), composer Heinrich Schenker (1868–1935), music theorist Friedrich Torberg (1908–1979), writer
Vienna_Central_Cemetery
Musical scale
Piano Sonatina No. 2—entirely in the octatonic system. In the 1920s, Heinrich Schenker criticized the use of the octatonic scale, specifically Stravinsky's
Octatonic_scale
Art of directing a musical performance
composer as well as performer; and he was a disciple of the theorist Heinrich Schenker, who emphasized concern for underlying long-range harmonic tensions
Conducting
Technique of using a chord in place of another in a progression of chords
Kunstwerks: Eine Einführung in Die Lehre Heinrich Schenkers [Introduction to the Theory of Heinrich Schenker]. Translated by Rothgeb, John. p. 25. ISBN 0-582-28227-6
Chord_substitution
Piano sonata by Ludwig van Beethoven
stepwise descent followed by an ascent in leaps. This approach recalls Heinrich Schenker's determination of an Ursatz through his technique of reductive analysis
Piano Sonata No. 30 (Beethoven)
Piano_Sonata_No._30_(Beethoven)
Music school in New York City
1931 Mannes hired Hans Weisse, a student of Austrian music theorist Heinrich Schenker. Over the following nine years, Weisse promoted not just the study
Mannes_School_of_Music
University of Music and Performing Arts Vienna alumni
Seidl Christoph Waltz Stephanie Goldner Susana Naidich Leopold Nowak Heinrich Schenker Elisabeth Wärnfeldt Josef Venantius von Wöss Manchester Faces and
List of University of Music and Performing Arts Vienna alumni
List_of_University_of_Music_and_Performing_Arts_Vienna_alumni
American music theorist (born 1958)
Lang: New York). 2015. "The 'Pseudo-Einsatz' in Two Handel Fugues: Heinrich Schenker's Analytical Work with Reinhard Oppel", Bach to Brahms. Essays on Musical
Timothy_L._Jackson
Austrian musicologist
course about Schenkerian analysis (German: Lehrgang für Tonsatz nach Heinrich Schenker). In 1996, he was a visiting scholar at Harvard University. Since
Martin_Eybl
Teodor Parnicki Erna Rosenstein Henry Roth Joseph Roth Samuel Roth Heinrich Schenker Bruno Schulz Nissan Spivak Lee Strasberg Barbra Streisand Julian Stryjkowski
List of Galician (Eastern Europe) Jews
List_of_Galician_(Eastern_Europe)_Jews
British-American music theorist, musicologist, educator, and artistic director
shortcomings of Schenker's Work". His recent book with Robert W. Wason, Heinrich Schenker's Conception of Harmony, places Schenker's work within the broader
Matthew_Brown_(academic)
Verses) Saturnine – Saturn (as in Saturnine temperament) Schenkerian – Heinrich Schenker as in Schenkerian analysis Schubertian – Franz Schubert Seleucid –
List of eponymous adjectives in English
List_of_eponymous_adjectives_in_English
to Tonal Theory (hereafter referred to as ITT). Based on ideas of Heinrich Schenker, Westergaard's theory is notable for: explicit treatment of the relationship
Peter Westergaard's tonal theory
Peter_Westergaard's_tonal_theory
Polish pianist and composer
by her brother Henryk (Heinrich), from 1893 she studied piano in Vienna. Her teachers included: Robert Fischof; Heinrich Schenker (1896–97); Eugen d'Albert
Paula_Szalit
Symphony by Anton Bruckner
minor and of the March in D minor of 1862. According to theorist Heinrich Schenker this passage is "like the beginning of the world." A more song-like
Symphony_No._8_(Bruckner)
Polish conductor and composer
Paul Kletzki (born Paweł Klecki; 21 March 1900 – 5 March 1973) was a Polish conductor and composer. Born in Łódź, Kletzki joined the Łódź Philharmonic
Paul_Kletzki
American classical composer
University and the Conservatory in Cologne. He also studied with Heinrich Schenker. In 1913 Mittler volunteered for a one-year stint in the Imperial
Franz_Mittler
Austrian composer (1824–1896)
the Conservatory included Richard Robert, Hans Rott, Felix Mottl, Heinrich Schenker, Mathilde Kralik, Franz Schalk, Joseph Schalk, and Ferdinand Löwe
Anton_Bruckner
Mark Reizen, operatic bass Yossele Rosenblatt, cantor and composer Heinrich Schenker, music theorist Joseph Schillinger, composer, music theorist, and
List_of_Ukrainian_Jews
https://ir.lib.uwo.ca/digitizedtheses/2326 Snarrenberg, Robert (2009). "Schenker, Heinrich". Grove Music Online. Oxford: Oxford University Press. doi:10.1093/gmo/9781561592630
List_of_music_theorists
– Marcella Sembrich, coloratura soprano (born 1858) January 13 – Heinrich Schenker, music theorist (born 1868) January 22 – Zequinha de Abreu, musician
1935_in_music
Academic journal
a particular focus on Schenkerian analysis based on the ideas of Heinrich Schenker. It is published by the Center for Schenkerian Studies at the University
Journal of Schenkerian Studies
Journal_of_Schenkerian_Studies
German poet (1854–1939)
Song). Her poems were set to music at least 90 times, among others by Heinrich Schenker and Felix Rosenthal. Her estate was lost when the Voigt family fled
Johanna_Ambrosius
Music that starts and ends in different keys
Schenkerian orientation, progressive tonality presents a challenge. Heinrich Schenker's concept of the 'background' Ursatz (fundamental structure), rooted
Progressive_tonality
Austrian composer, opera conductor, teacher and editor (1842–1899)
Eysler, Leo Fall and Rubin Goldmark, and the theorist and composer Heinrich Schenker. In 1893, Fuchs succeeded Joseph Hellmesberger Sr. as director of
Johann Nepomuk Fuchs (composer)
Johann_Nepomuk_Fuchs_(composer)
German composer, conductor and music theorician
he worked as a freelance composer. He was financially supported by Heinrich Schenker, who granted him a scholarship for destitute musicians from the Sofie-Deutsch-Fond
Hermann_Wunsch
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