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Musical texture
Micropolyphony is a kind of polyphonic musical texture developed by György Ligeti, which consists of many lines of dense canons moving at different tempos
Micropolyphony
Hungarian composer (1923–2006)
such as Atmosphères, for which he used a technique he later dubbed micropolyphony. After writing his "anti-anti-opera" Le Grand Macabre, Ligeti shifted
György_Ligeti
1966 choral piece by György Ligeti
The piece features many of Ligeti's characteristic styles, including: Micropolyphony, which Ligeti describes as "The complex polyphony of the individual
Lux_Aeterna_(Ligeti)
American filmmaker and photographer (1928–1999)
sacred and secular songs. Ligeti's music employed the new style of micropolyphony, which used sustained dissonant chords that shift slowly over time,
Stanley_Kubrick
Computer-aided music composition software
Score example - Micropolyphony
Opusmodus
Way in which tempo, melody, and harmony are combined in a musical composition
succession. A more recent type of texture first used by György Ligeti is micropolyphony. Other textures include polythematic, polyrhythmic, onomatopoeic, compound
Texture_(music)
2006 Hungarian Atmosphères, Musica ricercata, Lux Aeterna avant-garde, micropolyphony, polystylism Ursula Mamlok 1923 2016 German-born, American Peter Mennin
List of 20th-century classical composers
List_of_20th-century_classical_composers
1968 soundtrack album by various artists
used four highly modernistic compositions by György Ligeti that employ micropolyphony, the use of sustained dissonant chords that shift slowly over time.
2001: A Space Odyssey (soundtrack)
2001:_A_Space_Odyssey_(soundtrack)
Musical composition typically for a soloist with accompaniment
complex rhythms, the composer's Hungarian roots and his experiments with micropolyphony from the 1960s and 1970s. Witold Lutosławski's piano concerto, completed
Concerto
Simultaneous lines of independent melody
Africa traditionally use parallel harmonies rather than counterpoint. Micropolyphony Polyphonic Era Venetian polychoral style Gotham, Mark; Shaffer, Kris
Polyphony
Annual music and art festival in Germany
with a programme of orchestral music from the baroque era to modern micropolyphony. The exhibitions Metabolic Rift and Universal Metabolism, curated by
Berlin_Atonal
Romanian composer and musicologist (1927–2008)
activity. This creative approach bears similarities with György Ligeti's micropolyphony, but important aesthetic and stylistic differences set them apart. Between
Ștefan_Niculescu
Choral and orchestral composition by György Ligeti
work of Ockeghem, "refracted and multiplied through the technique of micropolyphony." He scored the work for large choral forces, featuring two mixed choirs
Requiem_(Ligeti)
Contrapuntal musical form based on a subject that recurs in imitation
S.A. 4509-91705-2, 1993. Compact Disc. Eric Drott, "Lines, Masses, Micropolyphony: Ligeti's Kyrie and the 'Crisis of the Figure'". Perspectives of New
Fugue
South Korean composer (born 1969)
1993 Microseries II <Series> for viola – 5’ 1994 Wind Quintet No. 1 <Micropolyphony> – 12’ 1996 Microseries IV. <Sonority> for two bassoons and piano –
Shinuh_Lee
2016 soundtrack album by Jóhann Jóhannsson
film 2001: A Space Odyssey, and therefore avoided cluster chords and micropolyphony in favor of "irregular and arrhythmic patterns of short notes which
Arrival_(soundtrack)
Austrian composer (born 1953)
New York. Haas's style recalls that of György Ligeti in its use of micropolyphony, microintervals and the exploitation of the overtone series; he is often
Georg_Friedrich_Haas
1966 oratorio by Krzysztof Penderecki
by brass or organ. The contrapuntal equivalent of tone clusters is micropolyphony, which is one approach to texture that occurs in this piece (Stein 1979
St_Luke_Passion_(Penderecki)
Composition by György Ligeti
remains "underwater", hidden from the listener. Ligeti coined the term "micropolyphony" to describe this texture. Stanley Kubrick chose this piece and others
Atmosphères
Concept in musical composition
the Victims of Hiroshima (1959) and György Ligeti's works featuring micropolyphony in works like Atmosphères (1961) and his Requiem (1963–65). Other composers
Sound_mass
Mexican musician
classical music (modern classical music, musique concrète, holy minimalism, micropolyphony, baroque music, etc.), ambient music, drone music, berlin school synthesizer
Murcof
Metre (hymn) Metre (music) Metric modulation Metronome Mezzo-soprano Micropolyphony Microsound Microtonal music Middle Eastern music MIDI MIDI tuning standard
Index_of_music_articles
Music school
Helmut Lachenmann, Friedrich Goldmann and the young Krzysztof Penderecki micropolyphony, timbre music: György Ligeti, Erhard Grosskopf [de] Polystylistic, collage:
Neue_Musik
Lithuanian composer (1935–2003)
conservatory education. His Gothic Poem for orchestra (1970) blends micropolyphony, Klangfarbenmelodie-like tone clusters, and melodies based on a pair
Vytautas_Montvila
Ballet by Christopher Wheeldon
especially the latter's "leotard ballets". The title is a reference to micropolyphony, a kind of polyphonic musical texture developed by György Ligeti, whose
Polyphonia
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