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Japanese paintings in ukiyo-e style
Nikuhitsu-ga (肉筆画) is a form of Japanese painting in the ukiyo-e art style. The woodblock prints of this genre have become so famous in the West as to
Nikuhitsu-ga
Japanese artist (c.1800-c.1866)
them to earn a living. Few of Ōi's works are known: amongst them, a few nikuhitsu-ga paintings, the illustrations to the book Onna Chōhō-ki (女重宝記, 1847) by
Katsushika_Ōi
prints depicting the Japanese mythological giant catfish, the Namazu (鯰) Nikuhitsu-ga (肉筆画); a painting in the ukiyo-e style Nishiki-e (錦絵); multi-coloured
Glossary_of_ukiyo-e
School of ukiyo-e art
specialized in paintings (nikuhitsu-ga) and prints of kabuki actors (yakusha-e), sumo wrestlers, and beautiful women (bijin-ga). The painter Miyagawa Shunsui
Katsukawa_school
Building in Tochigi Prefecture, Japan
prize-winning building designed by Kuma Kengo, the museum's collection includes nikuhitsu-ga by Hiroshige, woodblock prints of the Utagawa school, Meiji-period prints
Nakagawa-machi Batō Hiroshige Museum of Art
Nakagawa-machi_Batō_Hiroshige_Museum_of_Art
Japanese ukiyo-e artist (born c. 1677)
early Ukiyo-e artists, Tsuneyuki and his school specialized in painting (nikuhitsu-ga) rather than designing woodblock prints. Tsuneyuki's active period was
Kawamata_Tsuneyuki
in paintings (Eastern art) Night in paintings (Western art) Nihonga Nikuhitsu-ga Nirmal paintings Nise-e Nishiki-e Nocturne (painting) Northern Mannerism
Index of painting-related articles
Index_of_painting-related_articles
Paintings by Kitagawa Utamaro
images that had been the norm. Utamaro is less known for his paintings (nikuhitsu-ga) than for the large number of woodblock prints he produced, of which
Shinagawa no Tsuki, Yoshiwara no Hana, and Fukagawa no Yuki
Shinagawa_no_Tsuki,_Yoshiwara_no_Hana,_and_Fukagawa_no_Yuki
appearing around 1801, the same year Eishi gave up print designing for nikuhitsu-ga painting. Eishō produced few paintings, and his reasons for giving up
Chōkōsai_Eishō
school specialized in painting (nikuhitsu-ga) rather than designing woodblock prints. He worked primarily on bijin-ga portraits of female beauties. His
Kawamata_Tsunemasa
Japanese artist (1735–1814)
foreign perspective technique giving such prints an exotic feel. In his nikuhitsu-ga paintings the influence of Toyonobu can seem strong, but in his seals
Utagawa_Toyoharu
Japanese printmaker and painter (1735–1790)
prints, a great number of shunga erotic prints, and others. Ninety of his nikuhitsu-ga paintings are known, making him one of the most productive painters of
Koryūsai
than a print, the fan is a nikuhitsu-ga painting on chikushi [ja] bamboo paper. It is signed (not stamped) Tōshūsai Sharaku ga (東洲齊冩樂画). Preparing a print
List_of_works_by_Sharaku
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