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Church and museum in Florence
Orsanmichele, Or San Michele or Orsammichele (pronounced [orsammiˈkɛːle]; from the Tuscan contraction of Orto di San Michele, "orchard" or "kitchen garden
Orsanmichele
Italian Renaissance sculptor (c. 1386–1466)
of the statues for the niches around the outside of the rectangular Orsanmichele, a building owned by the guilds of Florence, which was in the process
Donatello
Sculpture attributed to Pietro di Giovanni Tedesco
patron saints of the guilds of Florence on the external niches of the Orsanmichele church. No documents survive to precisely date it, leading to several
Madonna of the Rose (Orsanmichele)
Madonna_of_the_Rose_(Orsanmichele)
Sculptural group by Nanni di Banco
sculptures commissioned by the guilds of Florence for external niches of Orsanmichele, each sculpture showing that guild's patron saint. This sculpture was
Four Crowned Martyrs (Nanni di Banco)
Four_Crowned_Martyrs_(Nanni_di_Banco)
Marble sculpture, c. 1417
commissioned by the guilds of Florence to decorate the external niches of the Orsanmichele Church. As the patron of the guild of the armorers and sword makers,
Saint_George_(Donatello)
Largest city in Tuscany, Italy
works, the Galleria dell'Accademia, the Medici Chapels, the museum of Orsanmichele, the Casa Buonarroti with sculptures by Michelangelo, the Museo Bardini
Florence
Sculpture by Lorenzo Ghiberti
Florentine guilds commissioned for the external niches of Orsanmichele, it is now in the Museo di Orsanmichele. Paola Grifoni, Francesca Nannelli, Le statue dei
Saint_Matthew_(Ghiberti)
Italian painter, sculptor and architect (c. 1308–1368)
commissioned by the confraternity of Orsanmichele to protect the Maestà by Bernardo Daddi (1347) at Orsanmichele, was immediately praised. The tabernacle
Orcagna
Sculpture by Nanni di Banco
cycle of fourteen sculptures commissioned for the external niches of Orsanmichele in Florence, each showing the patron saint of one of the city's guilds
Saint_Philip_(Nanni_di_Banco)
Sculpture by Andrea del Verrocchio
Verrocchio made for one of the fourteen niches on the exterior walls of the Orsanmichele in Florence, Italy. It is now replaced in that location by a cast and
Christ and Saint Thomas (Verrocchio)
Christ_and_Saint_Thomas_(Verrocchio)
2549333°E / 43.7705833; 11.2549333 Orsanmichele's St. James the Major Tabernacle located on the southern façade of Orsanmichele, in Florence, is the tabernacle
Orsanmichele's St. James Tabernacle
Orsanmichele's_St._James_Tabernacle
Italian Early Renaissance artist (1378–1455)
Matthew St. Stephen The St. John the Baptist statue sits in a niche of the Orsanmichele in Florence, which was built from 1412–-1416. This statue is based on
Lorenzo_Ghiberti
Medieval Florentine wool guild
designed by Bernardo Buontalenti links the palazzo with the church of Orsanmichele. The palazzo is now the seat of the Società Dantesca. The wool guild
Arte_della_Lana
15th-century Italian sculptor, goldsmith and painter
portraying Christ and St. Thomas for the central niche of the east facade of Orsanmichele, which the Tribunale had recently purchased, to replace Donatello's statue
Andrea_del_Verrocchio
Artworks that are three-dimensional objects
Laurana, female bust (cast) Verrocchio, Doubting Thomas, 1467–1483, Orsanmichele, Florence Michelangelo, David, c. 1504, Galleria dell'Accademia, Florence
Sculpture
Italian artist and architect (1475–1564)
describe as "The Gates of Paradise". The exterior niches of the Church of Orsanmichele contained a gallery of works by the most acclaimed sculptors of Florence:
Michelangelo
Sculpture by Donatello
Toulouse by Donatello with a marble niche all'antica on the facade of Orsanmichele, executed in 1423–1425. It is now in the refectory of the Museo di Santa
Saint Louis of Toulouse (Donatello)
Saint_Louis_of_Toulouse_(Donatello)
Architectural recess in a wall
buildings which uses external niches containing statues is the Church of Orsanmichele in Florence, built between 1380 and 1404. The Uffizi Palace in Florence
Niche_(architecture)
Italian sculptor
Santi Coronati, 1409–1416/1417, Marble Orsanmichele, Florence Saint Philip, ca.1410–1412, Apuan marble, Orsanmichele, Florence Arms of the Brunelleschi Family
Nanni_di_Banco
Sculpture by Donatello
the same artist's Saint George on an external niche of the church of Orsanmichele in Florence; both works are now in the Bargello Museum, with replicas
Saint George Freeing the Princess
Saint_George_Freeing_the_Princess
Apostle of Jesus
Mark in the Nuremberg Chronicle Saint Mark, 1411–1413, by Donatello (Orsanmichele, Florence) Coptic icon of Saint Mark the Evangelist Basilica di San Marco
Mark_the_Evangelist
Building in Florence, in Italy
fourteenth-century building in Florence, in Tuscany in central Italy. It faces the Orsanmichele, once a grain market, later the church of the guilds of Florence. It
Palazzo_dell'Arte_dei_Beccai
Fresco by Pietro Perugino
demeanour, and refinement recall St Thomas from Verrocchio's bronze group in Orsanmichele. The poses of the actors fall into a small number of basic attitudes
Delivery_of_the_Keys
Sculpture by Baccio da Montelupo
external niches of Orsanmichele, each showing the patron saint of one of the guilds of Florence. It is now in the Museo di Orsanmichele, although a replica
Saint John the Evangelist (Baccio da Montelupo)
Saint_John_the_Evangelist_(Baccio_da_Montelupo)
1st-century Christian martyr and saint
liturgy". Saint Stephen is one of the sculptures on the side of the Orsanmichele in Florence. Saint Stephen is the patron saint of the wool guild. In
Saint_Stephen
Sculpture by Giambologna
the guilds of Florence for the external niches of Orsanmichele, it is now in the Museo di Orsanmichele, although a replica fills its original niche. (in
Saint_Luke_(Giambologna)
Funerary chapel in Florence
Nazionale di San Marco Museo Stibbert National Archaeological Museum Orsanmichele Ospedale degli Innocenti Palazzo dell'Arte dei Beccai Palazzo Davanzati
Rucellai_Sepulchre
Sculpture by Donatello
naturalistic device first used by Donatello for his St. Mark in the Orsanmichele. Intended to function as a fountain, this statue sits on a triangular
Judith and Holofernes (Donatello)
Judith_and_Holofernes_(Donatello)
Palace in Florence, Italy
Nazionale di San Marco Museo Stibbert National Archaeological Museum Orsanmichele Ospedale degli Innocenti Palazzo dell'Arte dei Beccai Palazzo Davanzati
Palazzo_Strozzi
Renaissance art in Florence
Mandorla at the Duomo. In 1404, the Arti decorated the outer niches of Orsanmichele. The recovery was threatened by Gian Galeazzo Visconti, who laid siege
Florentine_Renaissance_art
Academy of artists in Florence, Italy
1971 the Accademia has occupied Palazzo dell'Arte dei Beccai, in via Orsanmichele [it]. The present statute of the organisation was published by decree
Accademia delle Arti del Disegno
Accademia_delle_Arti_del_Disegno
Flemish sculptor
His son Niccolò was a master glassmaker who worked on the windows at Orsanmichele among other places. Angel musicians (1386), Museo dell'Opera del Duomo
Pietro_di_Giovanni_Tedesco
Sculpture by Lorenzo Ghiberti
bronze statue by Lorenzo Ghiberti located in one of the 14 niches of the Orsanmichele in Florence, Italy. The statue of the Saint was commissioned by the cloth
Saint John the Baptist (Ghiberti)
Saint_John_the_Baptist_(Ghiberti)
Art museum in Florence, Italy
Bargello, with four smaller museums in Florence: the Medici Chapels, Orsanmichele, Palazzo Davanzati, and Casa Martelli. Exterior another view Stairs and
Bargello
Statue by Donatello
approximately 7 ft 9 in (2.36 m) high and is displayed in the museum of the Orsanmichele church, Florence. It originally was displayed in an exterior niche of
Saint_Mark_(Donatello)
Sculpture by Lorenzo Ghiberti
1427–28. It is now in the Museo di Orsanmichele, although a replica fills its original niche on the exterior of Orsanmichele, where it was one of a cycle of
Saint_Stephen_(Ghiberti)
Italian painter
at the Duomo of Florence, the church of Santa Maria Maggiore, and the Orsanmichele. He created both frescoes and panel paintings, and was also active as
Mariotto_di_Nardo
Christian relic in the form of a belt
marble relief on the rear wall of the huge "tabernacle" shrine of the Orsanmichele by Andrea Orcagna of 1352–1359. In 1402 Gian Galeazzo Visconti, Duke
Girdle_of_Thomas
Franciscan church in Florence, Italy
di Vernio; St Louis of Toulouse in the refectory (originally made for Orsanmichele) Agnolo Gaddi: fresco cycle of The Legend of the True Cross in the apse
Santa_Croce,_Florence
Painting by Gentile da Fabriano
an International Gothic style and adapts several elements the façade Orsanmichele church in Florence, designed by Lorenzo Ghiberti, including the thin
Adoration of the Magi (Gentile da Fabriano)
Adoration_of_the_Magi_(Gentile_da_Fabriano)
Historic building in Florence, Italy
Talenti is also well known from his contributions to the churches of Orsanmichele and San Carlo dei Lombardi. The vivacious construction of the Loggia
Loggia_dei_Lanzi
Italian artist (1469–1523
statue in bronze for one of the remaining empty niches on the facade of Orsanmichele. Vasari writes: It is said that when he had made the figure in clay,
Baccio_da_Montelupo
Italian sculptor (1370–1451)
is notable. In Florence, in addition to his statue of Saint Luke at Orsanmichele, he sculpted a Saint James the Major, on the southern façade for the
Niccolò_di_Piero_Lamberti
Chapel in a church of Florence
Chapel by Agnolo Gaddi in the Prato Cathedral and the stained glass of Orsanmichele, which perhaps Lorenzo Monaco had collaborated on. The frescoes were
Bartolini_Salimbeni_Chapel
Church in Florence, Italy
Nazionale di San Marco Museo Stibbert National Archaeological Museum Orsanmichele Ospedale degli Innocenti Palazzo dell'Arte dei Beccai Palazzo Davanzati
Santo_Spirito,_Florence
Martyrs and saints in Early Christianity
saints were the guild's patron saints. The work can be found in the Orsanmichele, in Florence. Finally, they were also depicted by Filippo Abbiati. List
Four_Crowned_Martyrs
Sculpture by Nanni di Banco
fourteen patron saints of the Florentine guilds for the external niches of Orsanmichele. It was commissioned by the Arte dei Maniscalchi guild and completed
Saint Eligius (Nanni di Banco)
Saint_Eligius_(Nanni_di_Banco)
Artistic subject from the Book of Tobit
Vasari's time the Pollaiuolo hung in the very prominent location of the Orsanmichele. In the 17th century, the subject had a second life as a device to turn
Tobias_and_the_Angel
15th-century sculpture
facade of Florence Cathedral (1409) or his St Louis of Toulouse for Orsanmichele (1423). (in Italian) "Catalogue entry". "A Closer Look at a 15th Century
Madonna_of_the_Apple
Painting by Joan Miró
Barcelona núm. 82 1978 Museo Español de Arte Moderno Madrid núm. 84 1979 Orsanmichele Florence núm. 40 1980 Museo de Arte Moderno Mexico City núm. 61. 1985
May_1968_(Miró)
Italian sculptor
Matteo is known to have supplied marble for Orcagna's altarpiece in the Orsanmichele (c.1381). "Answers - the Most Trusted Place for Answering Life's Questions"
Matteo_di_Cione
Secular corporations that controlled arts and trades
1572. The guilds were important patrons of the arts. The statues of the Orsanmichele were a lavish joint, and highly competitive, effort, the Calimala were
Guilds_of_Florence
isolated monumentality. Lorenzo Ghiberti, Saint John the Baptist, Church of Orsanmichele, Florence (1412-1416). Lorenzo Monaco, Annunciation Triptych, Galleria
International Gothic art in Italy
International_Gothic_art_in_Italy
1412 c. marble statue by Filippo Brunelleschi
of Orsanmichele. The sculpture of St Peter was completed for the Arte dei Beccai (butchers) guild around 1412 and is now in the Museo di Orsanmichele, although
Saint_Peter_(Brunelleschi)
Statue of Dante Alighieri in Florence, Italy
Nazionale di San Marco Museo Stibbert National Archaeological Museum Orsanmichele Ospedale degli Innocenti Palazzo dell'Arte dei Beccai Palazzo Davanzati
Monument_to_Dante
Ghiberti, in his doors for the Florence Baptistery and the statues for Orsanmichele, for which Donatello then made his first bronze figure, the Saint Louis
Donatello (catalogue of works)
Donatello_(catalogue_of_works)
Lower part of some altarpieces
Saint George Freeing the Princess on the base of his Saint George for Orsanmichele. Examples of predellas include: Duccio – the predella of his Maestà –
Predella
Study of Mary in Catholic theology
Catholics in the 21st century. The legends of the miracles of the Maddona of Orsanmichele in Florence go back to the Renaissance. The legends of miracles performed
Catholic_Mariology
Chapel in Santa Trinita, Florence
Nazionale di San Marco Museo Stibbert National Archaeological Museum Orsanmichele Ospedale degli Innocenti Palazzo dell'Arte dei Beccai Palazzo Davanzati
Sassetti_Chapel
Italian Gothic period painter (c. 1325–c. 1399)
assuming responsibility for the altarpiece of St Matthew, both for the Orsanmichele, Florence. He enrolled in the Arte dei Medici e Speziali in 1369, and
Jacopo_di_Cione
of Stone and Wood, installs his "Four Crowned Martyr Saints" at the Orsanmichele guild hall in Florence. 1418: Brunelleschi and Ghiberti submit plans
1410s_in_art
Relief by Donatello
Cappella Brancacci, or perhaps the base of the Saint Peter niche at Orsanmichele. "The Ascension with Christ giving the Keys to St Peter". Victoria and
The Ascension with Christ Giving the Keys to Saint Peter
The_Ascension_with_Christ_Giving_the_Keys_to_Saint_Peter
Episode from the Gospel of John
of Christ and St. Thomas by Andrea del Verrocchio (1467–1483) for the Orsanmichele in Florence is the best known representation; the subject is rare in
Doubting_Thomas
Sculpture by Donatello
which he had earlier used in his St. George predella, for the Church of Orsanmichele in Florence. Donatello used schiacciato carving to create atmospheric
The Feast of Herod (Donatello)
The_Feast_of_Herod_(Donatello)
Italian painter (1915–1995)
scratched shades or juxtapositions of smooth and rough portions like Orsanmichele (1981), or in black monochromes variations like Annottarsi (Up to Nite
Alberto_Burri
Art movement
The open lower storey of the building was enclosed and dedicated as Orsanmichele. Depictions of the Madonna and Child were a very popular art form in
Italian_Renaissance_painting
Italian painter
Other important works include a panel of Saint Martin for a pillar at Orsanmichele and the altarpiece of Saint Bridget of Sweden Confirming her Rule (1522)
Giovanni_Antonio_Sogliani
Donatello's Saint George, for the armourers and swordsmith's guild, at the Orsanmichele is in marble, but originally wore a bronze helmet and carried a sword
Italian_Renaissance_sculpture
Topics referred to by the same term
Madonna of the Rose may refer to: Madonna of the Rose (Orsanmichele) Madonna of the Rose (Parmigianino) Madonna of the Rose (Raphael) Madonna of the Roses
Madonna_of_the_Rose
George (depicted as a warrior, such as in the statue by Donatello for Orsanmichele). In architecture, attributes are decorative elements used to denote
Attribute_(art)
Church building in Florence, Italy
that leads to a single nave. It stands on Via dei Calzaiuoli opposite Orsanmichele, the historic economic center of Florence, assembly hall and church of
San_Carlo_dei_Lombardi
Italian painter
at the beginning of his career and had helped to design frescoes at Orsanmichele in 1403 while assisting Ambrogio di Baldese. The officials determining
Giovanni_dal_Ponte
Wounds afflicted to Jesus in the gospel
of Christ and St. Thomas by Andrea del Verrocchio (1467–1483) for the Orsanmichele in Florence and The Incredulity of Saint Thomas by Caravaggio, now in
Five_Holy_Wounds
Subject in Christian art
St. Anne altar with the Metterza by Francesco da Sangallo, c. 1526, Orsanmichele, Florence Caravaggio, La Madonna dei Palafrenieri, 1605 Wikimedia Commons
Virgin and Child with Saint Anne
Virgin_and_Child_with_Saint_Anne
Fresco by Paolo Uccello
notices for the new monument were placed at the Duomo, the Baptistry, and Orsanmichele. The instigators of the renewed project were the grandsons of Guido di
Funerary Monument to Sir John Hawkwood
Funerary_Monument_to_Sir_John_Hawkwood
Square in Florence, Italy
rebuilt in the north angle of Palazzo dell'Arte della Lana behind the Orsanmichele. The Jewish Ghetto imposed by Cosimo I collected the city's Jews into
Piazza della Repubblica, Florence
Piazza_della_Repubblica,_Florence
Church in Hampshire, England
stood in a series of niches for patron saints on the exterior of the Orsanmichele in Florence, and now lives at Museo Nazionale del Bargello. Holy Trinity's
Holy_Trinity_Church,_Gosport
Guild of arts and crafts of Florence
the bronze statue of their patron, John the Baptist, for a niche at Orsanmichele. The Calimala held also the patronage over San Miniato al Monte and several
Arte_di_Calimala
Chapel in Santa Croce, Florence, Italy
Nazionale di San Marco Museo Stibbert National Archaeological Museum Orsanmichele Ospedale degli Innocenti Palazzo dell'Arte dei Beccai Palazzo Davanzati
Baroncelli_Chapel
convent of San Nicolò, Treviso c. 1359 Orcagna completes the tabernacle in Orsanmichele 1355: Melchior Broederlam – Early Netherlandish painter (died 1411) 1355:
1350s_in_art
Italian jurist, mathematician and writer (c. 1360–1446)
literary studies. From 1414 he was legal consultant and archivist of Orsanmichele. In 1417 he taught courses on Dante's works at the Florentine Studio
Giovanni_Gherardi
Building in Florence, Italy
Saint Peter of Verona, Saint Peter Martyr, and was formerly housed near Orsanmichele. This group focused on the housing of the indigent, and also cared for
Loggia_del_Bigallo
Italian composer and organist
trained on organ by his father Niccolò, who was organist at the church of Orsanmichele until 1376. Giovanni was given this position in 1379, which he held until
Giovanni_Mazzuoli
Italian friar, archbishop and saint
about five years of age. As a child, he spent time at the church of Orsanmichele. The young Anthony was received into the Dominican Order in 1405 at the
Antoninus_of_Florence
(Union of Methodist and Waldensian Churches) Gesù Pellegrino Ognissanti Orsanmichele Sant'Agata Sant'Ambrogio Sant'Apollonia Santi Apostoli San Barnaba San
List_of_churches_in_Florence
Museum in Florence, Italy
Nazionale di San Marco Museo Stibbert National Archaeological Museum Orsanmichele Ospedale degli Innocenti Palazzo dell'Arte dei Beccai Palazzo Davanzati
Museo_Stibbert
Belltower 1334–1357 Giotto, Francesco Talenti, Andrea Pisano and others Orsanmichele 1337–1404 Simone Talenti and others Certosa del Galluzzo from 1342 Jacopo
List of buildings and structures in Florence
List_of_buildings_and_structures_in_Florence
Florentine artistic foundry
Florence Italy 2007 Posthumously of Ghiberti St. Matthew San Matteo Orsanmichele Church, Florence Italy 2008 Posthumously The Etruscan Minerva Minerva
Ferdinando Marinelli Artistic Foundry
Ferdinando_Marinelli_Artistic_Foundry
Italian organist and composer
as Matteo di Pagolo da Prato. He acquired the post of organist at the Orsanmichele in Florence in 1431, but only remained there for two years, moving instead
Antonio_Squarcialupi
musicians perform for church services, for example when they performed at Orsanmichele on feast days. In Florence, the guilds were responsible for the upkeep
Music_of_Florence
Naturalistic painting style developed in the 14th century Florence
religious buildings; all the guilds were involved in the restoration of Orsanmichele. The naturalism developed by the early Florentine artists waned during
Florentine_painting
1438 artwork by Filippo Lippi
belonged to the confraternity of Orsanmichele. In 1429, he died childless and left his wealth to the Captains of Orsanmichele. In his will he requested they
Barbadori_Altarpiece
Baptismal font, Siena Cathedral 1423: Ghiberti – sculpture of St. Matthew, Orsanmichele guild center, Florence 1429–1433: Antonio del Pollaiuolo – painter (died
1420s_in_art
War memorial in Staffordshire, England
inspired by that depicted in Donatello's sculpture of St George at the Orsanmichele church in Florence. The niche has a semi-circular top with a shell detail
Lichfield_War_Memorial
Italian painter
early-Renaissance period, active in Florence. He worked with Ambrogio Baldese in Orsanmichele in 1402. He is known to have been active in 1420, when he presumably
Smeraldo_di_Giovanni
Library in Venice, Italy
by Donatello and Michelozzo (c. 1423) on the façade of the Church of Orsanmichele. He would have undoubtedly seen Donato Bramante's tripartite window in
Biblioteca_Marciana
Italian sculptor
sculpture attributed to him is the "Virgin and Child with St. Anne" in Orsanmichele, Florence. Sangallo was active in St. Peter's Basilica in Rome around
Francesco_da_Sangallo
Art created to illustrate the teachings of the Bible
statues of Patron Saints that fill the external niches of the Church of Orsanmichele in Florence, of which Donatello's St George, commissioned by the armorers
Poor_Man's_Bible
Painting by Antonio and Piero del Pollaiuolo
mentioned by Giorgio Vasari as hanging on a pillar in the church of Orsanmichele in Florence, though he erroneously described it as being painted on canvas
Tobias and the Angel (Pollaiuolo)
Tobias_and_the_Angel_(Pollaiuolo)
1420s work by Donatello and Michelozzo in Florence, Italy
well known for his statues of prophets and saints for the Duomo and Orsanmichele, while Michelozzo was more obscure. Both had worked for a time for Ghiberti
Tomb_of_Antipope_John_XXIII
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