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Painting divided into multiple panels
A polyptych (/ˈpɒlɪptɪk/ POL-ip-tik; Greek: poly- "many" and ptychē "fold") is a work of art (usually a panel painting) which is divided into sections
Polyptych
Historical document detailing land ownership
In medieval history, the Polyptych (or Polyptyque) was a document detailing the lands that a noble owned. Many also featured names of the peasants that
Polyptych_(document)
Altarpiece by Piero della Francesca
The Polyptych of the Misericordia is a painting conserved in the Museo Civico di Sansepolcro in the town of Sansepolcro, region of Tuscany, Italy. The
Polyptych_of_the_Misericordia
Altarpiece by Piero della Francesca
The Polyptych of Perugia (also known as Polyptych of St. Anthony) is a complex of paintings by the Italian Renaissance master Piero della Francesca, finished
Polyptych_of_Perugia
The Polyptych of Irminon, also known as the Polyptych of Saint-Germain, is an inventory of properties compiled around 823 by Irminon, the abbot of the
Polyptych_of_Irminon
Polyptych by Filippino Lippi and Pietro Perugino
The Annunziata Polyptych is an altarpiece made up of several panels, started by Filippino Lippi and finished by Pietro Perugino. One of the main panels
Annunziata_Polyptych
Italian painter (1332 – c. 1414)
Museum in Boston("Crucifixion With Saints"). Vanni's most famous work is a polyptych in the church of Santo Stefano alla Lizza. The central panel contains
Andrea_Vanni
Altarpiece by Pietro Lorenzetti
The Tarlati Polyptych is a polyptych painted by the Italian artist Pietro Lorenzetti, in tempera and gold on panel, in 1320. It is located at the church
Tarlati_Polyptych
Polyptych by Gentile da Fabriano
The Valle Romita Polyptych (Italian: Polittico di Valle Romita) is a painting by the Italian late Gothic painter Gentile da Fabriano, dating from c. 1408
Valle_Romita_Polyptych
c. 1300 painting by Giotto
The Badia Polyptych (Italian: Polittico di Badia) is a painting by the Italian artist Giotto, painted around 1300 and housed in the Uffizi Gallery of
Badia_Polyptych
Polyptych by Vittore Carpaccio
The Zadar Polyptych is an oil-on-panel by Italian artist Vittore Carpaccio, painted around 1480–1490. It is now in the Museum of Sacred Art of the Zadar
Zadar_Polyptych
Italian painter (1486–1522)
Croce commissioned him to paint the Polyptych of the Passion for the Church of San Bernardino in Verona. This polyptych, consisting of five canvases and
Paolo_Morando
Late Gothic altarpiece, partially lost
The Polyptych of Lusina (Polish: Poliptyk z Lusiny, German: Polyptychon aus Lusina), late-Gothic retable, polyptych embellished with paintings and bas-reliefs
Polyptych_of_Lusina
List of paintings with the same or similar names
(Master Francke), c. 1410 Altarpiece of Saint Barbara (Pérez), c. 1410–1425 Polyptych of Saint Barbara (Palma Vecchio), c. 1523–1524 This article includes a
Saint_Barbara_Altarpiece
1520-22 painting by Titian
The Averoldi Polyptych, also known as the Averoldi Altarpiece, is a painting by the Italian Renaissance painter Titian, dating to 1520–1522, in the basilica
Averoldi_Polyptych
Dismembered altarpiece by Simone Martini
The Orsini Polyptych (also known as the Orsini Altarpiece or Passion Polyptych) is an altarpiece produced at an unknown location by Simone Martini for
Orsini_Polyptych
Church in Lodi, Italy
which adorned the walls have not survived. The church houses a large polyptych by Albertino Piazza. The most important piece of art in the church, it
Sant'Agnese,_Lodi
Painting by Antonello da Messina
The San Gregorio Polyptych is a tempera-on-wood polyptych painting by the Italian Renaissance master Antonello da Messina, completed in 1473 and housed
San_Gregorio_Polyptych
14th-century polyptych attributed to Giotto, now in Bologna
The Bologna Polyptych (Italian: Polittico di Bologna) is a polyptych altarpiece in tempera on panel with gold backgrounds, attributed to Giotto with workshop
Bologna_Polyptych
Painting by Giotto
The Stefaneschi Altarpiece is a triptych by the Italian painter Giotto, from c. 1320. It was commissioned by Cardinal Giacomo Gaetani Stefaneschi to serve
Stefaneschi_Triptych
Painting by Hieronymus Bosch
Gallerie dell'Accademia in Venice, Italy. This painting is part of a polyptych of four panels entitled Visions of the Hereafter. The others are Terrestrial
Ascent_of_the_Blessed
Painting by Emil Nolde
The Life of Christ (German: Das Leben Christi) is a nine-part polyptych by the German Expressionist painter Emil Nolde, produced in 1911–1912. It is one
The_Life_of_Christ_(Nolde)
Altarpiece by Giovanni Bellini
The Saint Vincent Ferrer Altarpiece is a tempera-on-panel painting by Giovanni Bellini (possibly with some collaboration by another artist on the scenes
Saint Vincent Ferrer Altarpiece
Saint_Vincent_Ferrer_Altarpiece
Altarpiece by Pietro Perugino
The Certosa di Pavia Altarpiece was an oil on panel altarpiece by Pietro Perugino. It dates to around 1496 to 1500; three of the original six panels are
Certosa_di_Pavia_Altarpiece
c. 1500 paintings by Albrecht Dürer
The Seven Sorrows Polyptych is an oil on panel painting by Albrecht Dürer. The painting includes a central picture (108 x 43 cm), now in the Alte Pinakothek
Seven_Sorrows_Polyptych
Carolingian register for Rhaetia
The Rhaetian Polyptych (German: Churrätisches Reichsgutsurbar; French: polyptyque rhétique) is a Carolingian register of the property and rights of the
Rhaetian_polyptych
Polyptych painting by Perugino
The San Pietro Polyptych (Italian: Polittico di San Pietro) is a polyptych by Italian Renaissance master Perugino, painted around 1496–1500. The panels
San_Pietro_Polyptych
Painting by Lorenzo Lotto
The Recanati Polyptych (Italian: Polittico di Recanati) is an oil-on-panel painting by the Italian Renaissance painter Lorenzo Lotto, executed in 1506–1508
Recanati_Polyptych
Italian painter, mathematician and geometer (c. 1414–1492)
a contract for the Polyptych of Saint Augustine in the church of Sant'Agostino in Sansepolcro. The central panel of this polyptych is lost, and the four
Piero_della_Francesca
Altarpiece by Simone Martini
The Saint Catherine of Alexandria Polyptych (also known as Pisa Polyptych) is a painting by the Italian medieval artist Simone Martini, dating to 1320
Saint Catherine of Alexandria Polyptych
Saint_Catherine_of_Alexandria_Polyptych
Painting by Hieronymus Bosch
dell'Accademia in Venice, Italy. This painting is part of a four-panel polyptych; the others are Ascent of the Blessed, Terrestrial Paradise and Hell.
Fall_of_the_Damned_into_Hell
Flemish painter (c.1460-c.1519)
the polyptych of Isabel of Castile), 1497, National Museum of Serbia, Belgrade Supper in the House of Simon the Pharisee (part of the polyptych of Isabel
Juan_de_Flandes
Painting by Pietro Perugino
commissioned by Cardinal Giuliano della Rovere, the future Pope Julius II. The polyptych includes two levels: the lower one has in the centre a Nativity scene
Albani_Torlonia_Polyptych
Artwork divided into three parts
together and can be folded shut or displayed open. It is therefore a type of polyptych, the term for all multi-panel works. The middle panel is typically the
Triptych
Fast-drying painting medium
tempera and gold on panel, 1285–1295 Duccio, Madonna and Child with Saints Polyptych, tempera and gold on wood, 1311–1318 Bernardo Daddi, Christ Enthroned
Tempera
Italian painter (1300-1365)
Republic. He led the development in Venice of the elaborately framed polyptych or "composite altarpiece" form, which became popular all over Italy during
Paolo_Veneziano
1520s altarpiece painted by Palma Vecchio
The Polyptych of Saint Barbara (Italian: Polittico di Santa Barbara) was painted by Palma Vecchio in the early 1520s as the altarpiece for the Venetian
Polyptych of Saint Barbara (Palma Vecchio)
Polyptych_of_Saint_Barbara_(Palma_Vecchio)
Painting attributed to Dieric Bouts
probably completed between 1440 and 1455 as a wing panel for a large hinged polyptych. While the altarpiece remains lost as a complete set, it is thought to
The_Entombment_(Bouts)
Painting by Duccio di Buoninsegna
with Saints Polyptych is a five-piece Madonna polyptych by Italian Renaissance artist Duccio di Buoninsegna, also referred to as Polyptych no. 47 by Duccio
Madonna and Child with Saints Polyptych
Madonna_and_Child_with_Saints_Polyptych
Italian painter (c. 1480–1556/57)
began the Recanati Polyptych altarpiece for the church of San Domenico; this two-tiered and rather conventionally painted polyptych consists of six panels
Lorenzo_Lotto
Italian painter (active 1356–1372)
signed work is an altarpiece referred to as the Annunciation Polyptych or the Lion Polyptych painted for the high altar of the church of Sant' Antonio di
Lorenzo_Veneziano
Polyptych by Jan and Hubert van Eyck
aanbidding van het Lam Gods), is a very large and complex 15th-century polyptych altarpiece in St Bavo's Cathedral, Ghent, Belgium. It was begun around
Ghent_Altarpiece
Italian painter
early 1390s, based on a comparison with the paintings of this period. A Polyptych with Coronation of the Virgin and Saints (circa 1390) is on display in
Cenni_di_Francesco
Italian Renaissance painter (c. 1446/52–1523)
Raphael in 1504 (Brera, Milan). A further work of Perugino's was the polyptych of the Ascension of Christ painted ca 1496–98 for the church of S. Pietro
Pietro_Perugino
Painting by Pietro Perugino
angels and musicians are reminiscent of Perugino's earlier San Pietro Polyptych, done for the Abbey of San Pietro in Perugia, and whose theme was the
Vallombrosa_Altarpiece
Italian painter (1851–1920)
multiple paintings arranged as triptychs and polyptychs. In the early 1890s, he began planning a polyptych of sixteen panels under the title of Winter
Vittore_Grubicy_de_Dragon
Italian painter
influenced by Duccio, and is known for a few works in Umbria, including a polyptych of the Virgin and Saints in the Galleria Nazionale of Perugia. Attributed
Meo_di_Siena
Altarpiece by Cima da Conegliano
The Polyptych of Miglionico is a large, multicompartment Renaissance-style altarpiece painted in 1499 by Cima da Conegliano and housed in the church of
Polyptych_of_Miglionico
Italian painter
anchor of the Master's activity is related to recognition on the back of Polyptych Montespecchio, indicating that it was made on the occasion of the inauguration
Master_of_Città_di_Castello
Italian painter (1357–1427)
during the late 14th and early 15th century. Among his only works is a polyptych (1409) about episodes of the Life of St Julian found in the Church of
Bittino_da_Faenza
Painting by Fra Angelico and Lorenzo di Credi
of Florence Cathedral (1404–1405). It is also one of the most ancient polyptychs in which the figures are in the same painted surface, without being divided
Fiesole_Altarpiece
Italian painter
Saint Bernardino, Saint Bartholomew, and Saint Roch, originally part of a polyptych, and some frescoes now detached and preserved at the Museo di Castelvecchio
Domenico_Morone
13th- and 14th-century Italian painter
Tempera and gold on wood, Galleria Nazionale dell'Umbria, Perugia, Italy Polyptych: Madonna and Child with Saints Augustine, Paul, Peter, Dominic, four angels
Duccio
Municipality in Upper Austria, Austria
deed by Pope Lucius III. In 1481 it was furnished with the famous Pacher polyptych. There had been several places for lodging around the church since medieval
St._Wolfgang_im_Salzkammergut
Religious artwork behind an altar
for the emergence, in the 14th century, of the polyptych. The sculpted elements in the emerging polyptychs often took inspiration from contemporary Gothic
Altarpiece
Italian painter from the 14th century (1284–1344)
c. 1333–1340 Saint Catherine of Alexandria Polyptych, 1319 Virgin and Child with Saints (Boston Polyptych), c. 1321–25 The Miracle of the Child Attacked
Simone_Martini
Catholic church in Matera, Italy
Peter" and "Saint Paul's conversion". The 18th-century altar has a wooden polyptych dating back to 1540, painted by an anonymous artist from Matera. The church
San_Pietro_Caveoso
Disassembled polyptych by Carlo Crivelli
Disassembled polyptych by Carlo Crivelli
1472_Altarpiece
Disassembled polyptych by Carlo Crivelli
Disassembled polyptych by Carlo Crivelli
Porto_San_Giorgio_Altarpiece
British artist
Vagina comprises 400 plaster casts of vulvas arranged in ten panels; the polyptych spans nine meters in length. According to McCartney, the idea was sparked
Jamie_McCartney
Early Netherlandish painter (f. 1483–1537)
historian Max Friedländer and is derived from a large, now-dispersed polyptych with scenes from the life of Mary Magdalene. Based on the costumes of
Master of the Legend of the Magdalen
Master_of_the_Legend_of_the_Magdalen
Paintings by Mi Youren
Madonna America Today Ancient Rome Annunciation (Memling) Annunziata Polyptych Anthony van Dyck self portrait Approaching Thunder Storm Arab Woman Arcadia
Cloudy_Mountains
C. 1520 oil painting by Palma Vecchio
Saint Catherine (c. 1520–1525) Saint Helena Altarpiece (c. 1524–1525) Polyptych of Saint Barbara (c. 1523–1524) Adoration of the Magi with Saint Helena
A_Blonde_Woman
Painting by Jacopo di Cione
Saint Peter) is a small predella panel in tempera on wood from a large polyptych painted in 1370–1371 by Jacopo di Cione for the (no longer extant) church
Liberation of Saint Peter (Jacopo di Cione)
Liberation_of_Saint_Peter_(Jacopo_di_Cione)
Italian painter
Bernardino Zenale. Works by his workshop in Asti include the Pelletta Polyptych in the Cathedral, and Adoration of the Magi in the Collegiata of San Secondo
Gandolfino_d'Asti
Church in Brescia, Lombardy, Italy
Bronzetti, in Brescia, Lombardy, Italy. The church contains the Averoldi Polyptych (1522), a masterwork of Titian. Originally a church was found at approximately
Santi_Nazaro_e_Celso,_Brescia
1425 painting by Gentile da Fabriano
The Quaratesi Polyptych is a painting by the Italian late medieval painter Gentile da Fabriano, now divided between several museums. It was painted by
Quaratesi_Polyptych
Italian painter and architect (c. 1290–1366)
Chapel. According to some scholars, he collaborated in the Stefaneschi Polyptych in Rome. His other works include a Madonna in Bern, an Adoration of the
Taddeo_Gaddi
1630s Mughal painting attributed to Payag
Madonna America Today Ancient Rome Annunciation (Memling) Annunziata Polyptych Anthony van Dyck self portrait Approaching Thunder Storm Arab Woman Arcadia
The Goddess Bhairavi Devi with Shiva
The_Goddess_Bhairavi_Devi_with_Shiva
Italian painter
Archangel and others), in the Cathedral of Sansepolcro (Resurrection Polyptych, at the high altar), the Diocesan Museum of Cortona and other collections
Niccolò_di_Segna
Portuguese artist (1425–1491)
Portuguese painter of the 15th century. His surviving masterpiece is the polyptych known as the Saint Vincent Panels. He is also believed to have been the
Nuno_Gonçalves
Church in Venice, Italy
the campanile. The artworks in the interior include the Saint Barbara polyptych by Palma the Elder, one of his most celebrated works. The Conception Chapel
Santa_Maria_Formosa
Painting by Giovanni Bellini
to 1465–1470, as shown by similarities to his 1464 San Vincenzo Ferrer Polyptych, an early mature work. Mariolina Olivari, Giovanni Bellini, in AA.VV.
Dead Christ Supported by Two Angels (Bellini, Berlin)
Dead_Christ_Supported_by_Two_Angels_(Bellini,_Berlin)
Polish composer (1932–2013)
Kościelec 1909, Hoary Fog and Orawa, Krzesany is a kind of "Kilarian Tatra polyptych". Kościelec 1909 is a symphonic poem completed in 1976. The premiere took
Wojciech_Kilar
National museum in Warsaw, Poland
gallery allow the unabridged presentation of large polyptychs, such as the famous Grudziądz Polyptych, including the reverse of the wings. The new arrangement
National_Museum_in_Warsaw
Italian painter
(from Foligno, who lived two years in San Severino and painted there a polyptych signed in 1468). Lorenzo was also inspired by Carlo Crivelli and Piero
Lorenzo_d'Alessandro
Italian painter (1477–1523)
he sojourned in Naples for six years. In 1515 he finished a monumental polyptych for the La Trinità della Cava at Cava de' Tirreni and produced Leda and
Cesare_da_Sesto
15th-century oil painting
1450) The Braque Triptych (c. 1452) Saint Columba Altarpiece (c. 1455) Polyptychs Beaune Altarpiece (c. 1445–1450) Civic The Justice of Trajan and Herkinbald
Portrait of Isabella of Portugal (van der Weyden)
Portrait_of_Isabella_of_Portugal_(van_der_Weyden)
Late Gothic altar
The Velhartice Ark, dating from 1490 to 1500, is a completely preserved late-Gothic altar from Bohemia. The altar is exceptional in the quality of its
Velhartice_Ark
French essayist and philosopher (born 1971)
Résurrection, Éditions du Cerf, 2004 (Theatrical work to accompany a polyptych by Arcabas) Réussir sa mort: Anti-méthode pour vivre, Presses de la Renaissance
Fabrice_Hadjadj
Church building in Florence, Italy
a Trinity and Saints (1463) by Neri di Bicci. A restored polyptych, the Quaratesi Polyptych, made for la cappella Quaratesi, of Gentile da Fabriano is
San_Niccolò_Oltrarno
Italian Friar Minor and philosopher
Portrait of Matthew of Aquasparta; particular from the Gualdo Tadino Polyptych by Niccolò Alunno Born c. 1240 Acquasparta, Papal States Died 29 October
Matthew_of_Aquasparta
Sons of King João of Portugal and Philippa of Lancaster
Panel of the famous polyptych of St. Vicent by painter Nuno Gonçalves, believed to represent the four younger sons of John I: Ferdinand the Holy (on top
Illustrious_Generation
Church in Zadar, Croatia
(early 5th century). The museum of art of the church houses the Zadar Polyptych, an early work by Venetian painter Vittore Carpaccio. The bell tower was
Zadar_Cathedral
Painting by Titian
Malchiostro Annunciation (c. 1520) The Entombment of Christ (c. 1520) Averoldi Polyptych (1520–1522) Saint Francis Receiving the Stigmata (1525) The Assassination
Baptism_of_Christ_(Titian)
Italian painter
He painted the Polyptych of St Ambrose (1547) for the church of Sant'Ambrogio, Omegna. He also appears to have painted the Polyptych in the church of
Fermo_Stella
Object made of two paired flat plates, often joined by a hinge
representation. They are one type of the multi-panel forms of painting known as polyptychs. The diptych was a common format in Early Netherlandish painting and depicted
Diptych
17th-century Mughal painting by Payag
Madonna America Today Ancient Rome Annunciation (Memling) Annunziata Polyptych Anthony van Dyck self portrait Approaching Thunder Storm Arab Woman Arcadia
Shah_Jahan_on_Horseback
Church in Buonconvento, Italy
Angels (circa 1450) by Matteo di Giovanni still remains in the church. A polyptych by Pietro di Francesco Orioli depicting an Enthroned Madonna and Saints
Santi Pietro e Paolo, Buonconvento
Santi_Pietro_e_Paolo,_Buonconvento
Christian saint (died 387)
Marriage of Saint Monica by Antonio Vivarini, 1441 Piero della Francesca, Polyptych of St Augustine: St Monica (1460) Francesco Botticini, Saint Monica enthroned
Saint_Monica
Panels by Nuno Gonçalves
The Saint Vincent Panels are a polyptych perhaps painted between 1450 and 1480, consisting of six panels, depicting fifty-eight people from various groups
Saint_Vincent_Panels
Italian painter
14th century (Trecento). He is only known by two panels of an ancient polyptych painted between 1340 and 1345. They can be seen at the Musée du Louvre
Master_of_the_Rebel_Angels
Adoration of the Magi (Uffizi, Florence) Benedetto Bembo – Torchiara Polyptych (Madonna and Child with Angels) (Sforza Castle Pinacoteca, Milan) Dieric
1460s_in_art
German painter
Madrid Knights and Soldiers playing Dice for Christ's Robe, part of the polyptych in the Thyssen-Bornemisza Museum Saint Luke Painting the Virgin, ca. 1470
Derick_Baegert
Italian painter (1280–1348)
The gilded three-story altarpiece, the Arezzo (or Aretine or Tarlati) Polyptych, was commissioned in 1320 by Bishop Guido Tarlati for the Santa Maria
Pietro_Lorenzetti
Painting by Lorenzo Lotto
in Rome. The painting was executed in the same year of the Recanati Polyptych, when Lotto moved to Rome (although it is not known if he had already
Madonna with Child between Sts. Flavian and Onuphrius
Madonna_with_Child_between_Sts._Flavian_and_Onuphrius
1522 polyptych by Lorenzo Lotto
Pasqua in the previous year. These details help confirm the dating of the polyptych series, with its slightly antiquated form for the time, owing to the explicit
Ponteranica_Altarpiece
Series of embroidered panels made in Macao for the export market, ca. early 17th century
Madonna America Today Ancient Rome Annunciation (Memling) Annunziata Polyptych Anthony van Dyck self portrait Approaching Thunder Storm Arab Woman Arcadia
The_Story_of_Troy
Italian painter
Defendente. Defendente achieved considerable success as a painter of polyptychs and altarpieces. He painted a number of nocturnal scenes such as the Nativity
Defendente_Ferrari
of late 15th-century sculpture. Other characteristics are visible in a polyptych in the collection of the National Museum in Warsaw - so-called Saint Reinhold
Jan_de_Molder
POLYPTYCH
POLYPTYCH
POLYPTYCH
POLYPTYCH
Girl/Female
Arabic, Muslim
Grace of Women
Boy/Male
Indian, Telugu
Full of Happiness
Boy/Male
Spanish
Heel.
Boy/Male
Indian, Sanskrit
Property Owner; A Landlord; Wealthy
Girl/Female
Latin
Laurel.
Girl/Female
English Latin
or Lora referring to the laurel tree or sweet bay tree symbolic of honor and victory.
Boy/Male
Greek, Hindu, Indian, Spanish
Pure; Nice
Boy/Male
Hindu, Indian, Marathi
Causing Happiness
Girl/Female
Muslim/Islamic
Intelligent
Male
Hebrew
(× ï¬µ×Ÿ) Hebrew name NUWN means "fish." In the bible, this is the name of the father of Joshua.
POLYPTYCH
POLYPTYCH
POLYPTYCH
POLYPTYCH
POLYPTYCH