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Painting divided into multiple panels
A polyptych (/ˈpɒlɪptɪk/ POL-ip-tik; Greek: poly- "many" and ptychē "fold") is a work of art (usually a panel painting) which is divided into sections
Polyptych
Altarpiece by Piero della Francesca
The Polyptych of the Misericordia is a painting conserved in the Museo Civico di Sansepolcro in the town of Sansepolcro, region of Tuscany, Italy. The
Polyptych_of_the_Misericordia
Historical document detailing land ownership
In medieval history, the Polyptych (or Polyptyque) was a document detailing the lands that a noble owned. Many also featured names of the peasants that
Polyptych_(document)
The Polyptych of Irminon, also known as the Polyptych of Saint-Germain, is an inventory of properties compiled around 823 by Irminon, the abbot of the
Polyptych_of_Irminon
Late Gothic altarpiece, partially lost
The Polyptych of Lusina (Polish: Poliptyk z Lusiny, German: Polyptychon aus Lusina), late-Gothic retable, polyptych embellished with paintings and bas-reliefs
Polyptych_of_Lusina
14th-century polyptych attributed to Giotto, now in Bologna
The Bologna Polyptych (Italian: Polittico di Bologna) is a polyptych altarpiece in tempera on panel with gold backgrounds, attributed to Giotto with workshop
Bologna_Polyptych
Altarpiece by Pietro Lorenzetti
The Tarlati Polyptych is a polyptych painted by the Italian artist Pietro Lorenzetti, in tempera and gold on panel, in 1320. It is located at the church
Tarlati_Polyptych
Altarpiece by Piero della Francesca
The Polyptych of Perugia (also known as Polyptych of St. Anthony) is a complex of paintings by the Italian Renaissance master Piero della Francesca, finished
Polyptych_of_Perugia
c. 1300 painting by Giotto
The Badia Polyptych (Italian: Polittico di Badia) is a painting by the Italian artist Giotto, painted around 1300 and housed in the Uffizi Gallery of
Badia_Polyptych
Painting by Emil Nolde
The Life of Christ (German: Das Leben Christi) is a nine-part polyptych by the German Expressionist painter Emil Nolde, produced in 1911–1912. It is one
The_Life_of_Christ_(Nolde)
1520-22 painting by Titian
The Averoldi Polyptych, also known as the Averoldi Altarpiece, is a painting by the Italian Renaissance painter Titian, dating to 1520–1522, in the basilica
Averoldi_Polyptych
Carolingian register for Rhaetia
The Rhaetian Polyptych (German: Churrätisches Reichsgutsurbar; French: polyptyque rhétique) is a Carolingian register of the property and rights of the
Rhaetian_polyptych
Polyptych by Vittore Carpaccio
The Zadar Polyptych is an oil-on-panel by Italian artist Vittore Carpaccio, painted around 1480–1490. It is now in the Museum of Sacred Art of the Zadar
Zadar_Polyptych
Polyptych by Filippino Lippi and Pietro Perugino
The Annunziata Polyptych is an altarpiece made up of several panels, started by Filippino Lippi and finished by Pietro Perugino. One of the main panels
Annunziata_Polyptych
Dismembered altarpiece by Simone Martini
The Orsini Polyptych (also known as the Orsini Altarpiece or Passion Polyptych) is an altarpiece produced at an unknown location by Simone Martini for
Orsini_Polyptych
Italian painter (1332 – c. 1414)
Museum in Boston("Crucifixion With Saints"). Vanni's most famous work is a polyptych in the church of Santo Stefano alla Lizza. The central panel contains
Andrea_Vanni
Painting by Pietro Perugino
commissioned by Cardinal Giuliano della Rovere, the future Pope Julius II. The polyptych includes two levels: the lower one has in the centre a Nativity scene
Albani_Torlonia_Polyptych
Painting by Antonello da Messina
The San Gregorio Polyptych is a polyptych tempera on wood by the Italian Renaissance master Antonello da Messina, completed in 1473. It was housed in the
San_Gregorio_Polyptych
Altarpiece by Simone Martini
The Saint Catherine of Alexandria Polyptych (also known as Pisa Polyptych) is a painting by the Italian medieval artist Simone Martini, dating to 1320
Saint Catherine of Alexandria Polyptych
Saint_Catherine_of_Alexandria_Polyptych
Painting by Hieronymus Bosch
Gallerie dell'Accademia in Venice, Italy. This painting is part of a polyptych of four panels entitled Visions of the Hereafter. The others are Terrestrial
Ascent_of_the_Blessed
Painting by Lorenzo Lotto
The Recanati Polyptych (Italian: Polittico di Recanati) is an oil-on-panel painting by the Italian Renaissance painter Lorenzo Lotto, executed in 1506–1508
Recanati_Polyptych
Polyptych by Gentile da Fabriano
The Valle Romita Polyptych (Italian: Polittico di Valle Romita) is a painting by the Italian late Gothic painter Gentile da Fabriano, dating from c. 1408
Valle_Romita_Polyptych
Italian painter (1486–1522)
Croce commissioned him to paint the Polyptych of the Passion for the Church of San Bernardino in Verona. This polyptych, consisting of five canvases and
Paolo_Morando
Altarpiece by Pietro Perugino
The Certosa di Pavia Altarpiece was an oil on panel altarpiece by Pietro Perugino. It dates to around 1496 to 1500; three of the original six panels are
Certosa_di_Pavia_Altarpiece
Church in Lodi, Italy
which adorned the walls have not survived. The church houses a large polyptych by Albertino Piazza. The most important piece of art in the church, it
Sant'Agnese,_Lodi
Painting by Giotto
The Stefaneschi Altarpiece is a triptych by the Italian painter Giotto, from c. 1320. It was commissioned by Cardinal Giacomo Gaetani Stefaneschi to serve
Stefaneschi_Triptych
c. 1500 paintings by Albrecht Dürer
The Seven Sorrows Polyptych is an oil on panel painting by Albrecht Dürer. The painting includes a central picture (108 x 43 cm), now in the Alte Pinakothek
Seven_Sorrows_Polyptych
Italian painter, mathematician and geometer (c. 1414 – 1492)
a contract for the Polyptych of Saint Augustine in the church of Sant'Agostino in Sansepolcro. The central panel of this polyptych is lost, and the four
Piero_della_Francesca
Flemish painter (c.1460-c.1519)
the polyptych of Isabel of Castile), 1497, National Museum of Serbia, Belgrade Supper in the House of Simon the Pharisee (part of the polyptych of Isabel
Juan_de_Flandes
Painting by Hieronymus Bosch
dell'Accademia in Venice, Italy. This painting is part of a four-panel polyptych; the others are Ascent of the Blessed, Terrestrial Paradise and Hell.
Fall_of_the_Damned_into_Hell
Italian painter from the 14th century (1284–1344)
c. 1333–1340 Saint Catherine of Alexandria Polyptych, 1319 Virgin and Child with Saints (Boston Polyptych), c. 1321–25 The Miracle of the Child Attacked
Simone_Martini
Italian painter (1300-1365)
Republic. He led the development in Venice of the elaborately framed polyptych or "composite altarpiece" form, which became popular all over Italy during
Paolo_Veneziano
Fast-drying painting medium
tempera and gold on panel, 1285–1295 Duccio, Madonna and Child with Saints Polyptych, tempera and gold on wood, 1311–1318 Bernardo Daddi, Christ Enthroned
Tempera
Italian painter
anchor of the Master's activity is related to recognition on the back of Polyptych Montespecchio, indicating that it was made on the occasion of the inauguration
Master_of_Città_di_Castello
Painting attributed to Dieric Bouts
probably completed between 1440 and 1455 as a wing panel for a large hinged polyptych. While the altarpiece remains lost as a complete set, it is thought to
The_Entombment_(Bouts)
Chapel in Santa Croce, Florence, Italy
the hands of assistants, including Gaddi himself. It is an elaborate polyptych, depicting the Coronation of the Virgin surrounded by a crowded Glory
Baroncelli_Chapel
Italian painter (c. 1480–1556/57)
began the Recanati Polyptych altarpiece for the church of San Domenico; this two-tiered and rather conventionally painted polyptych consists of six panels
Lorenzo_Lotto
Painting by Duccio di Buoninsegna
with Saints Polyptych is a five-piece Madonna polyptych by Italian Renaissance artist Duccio di Buoninsegna, also referred to as Polyptych no. 47 by Duccio
Madonna and Child with Saints Polyptych
Madonna_and_Child_with_Saints_Polyptych
Religious artwork behind an altar
for the emergence, in the 14th century, of the polyptych. The sculpted elements in the emerging polyptychs often took inspiration from contemporary Gothic
Altarpiece
Church building in Cortemaggiore, Italy
(1881) was added by Gaetano Guglielmetti. The interior conserves a valued polyptych, composed by twelve pieces, by Filippo Mazzola, the father of Parmigianino
Basilica of Santa Maria delle Grazie, Cortemaggiore
Basilica_of_Santa_Maria_delle_Grazie,_Cortemaggiore
1520s altarpiece painted by Palma Vecchio
The Polyptych of Saint Barbara (Italian: Polittico di Santa Barbara) was painted by Palma Vecchio in the early 1520s as the altarpiece for the Venetian
Polyptych of Saint Barbara (Palma Vecchio)
Polyptych_of_Saint_Barbara_(Palma_Vecchio)
Artwork divided into three parts
together and can be folded shut or displayed open. It is therefore a type of polyptych, the term for all multi-panel works. The middle panel is typically the
Triptych
Italian painter
The Master of the Cappella Medici Polyptych (sometimes called the Master of Terenzano) was an Italian painter active between about 1315 and 1335. Identified
Master of the Cappella Medici Polyptych
Master_of_the_Cappella_Medici_Polyptych
Italian painter
Bernardino Zenale. Works by his workshop in Asti include the Pelletta Polyptych in the Cathedral, and Adoration of the Magi in the Collegiata of San Secondo
Gandolfino_d'Asti
Early Netherlandish painter (f. 1483–1537)
historian Max Friedländer and is derived from a large, now-dispersed polyptych with scenes from the life of Mary Magdalene. Based on the costumes of
Master of the Legend of the Magdalen
Master_of_the_Legend_of_the_Magdalen
Altarpiece by Giovanni Bellini
The Saint Vincent Ferrer Altarpiece is a tempera-on-panel painting by Giovanni Bellini (possibly with some collaboration by another artist on the scenes
Saint Vincent Ferrer Altarpiece
Saint_Vincent_Ferrer_Altarpiece
Catholic church in Matera, Italy
Peter" and "Saint Paul's conversion". The 18th-century altar has a wooden polyptych dating back to 1540, painted by an anonymous artist from Matera. The church
San_Pietro_Caveoso
Italian painter (1280–1348)
The gilded three-story altarpiece, the Arezzo (or Aretine or Tarlati) Polyptych, was commissioned in 1320 by Bishop Guido Tarlati for the Santa Maria
Pietro_Lorenzetti
Italian painter
Saint Bernardino, Saint Bartholomew, and Saint Roch, originally part of a polyptych, and some frescoes now detached and preserved at the Museo di Castelvecchio
Domenico_Morone
List of paintings with the same or similar names
(Master Francke), c. 1410 Altarpiece of Saint Barbara (Pérez), c. 1410–1425 Polyptych of Saint Barbara (Palma Vecchio), c. 1523–1524 This article includes a
Saint_Barbara_Altarpiece
Church in Legnano, Italy
altarpiece by Giampietrino. The item of greatest significance, however, is a polyptych by Bernardino Luini that is widely considered by art historians to be
Basilica of San Magno, Legnano
Basilica_of_San_Magno,_Legnano
Italian painter
painted a polyptych (1468) for the main altar of the church of Sant'Eustachio a Belforte del Chienti in the province of Macerata, Marche. The Polyptych depicts
Giovanni_Boccati
Polyptych painting by Perugino
The San Pietro Polyptych (Italian: Polittico di San Pietro) is a polyptych by Italian Renaissance master Perugino, painted around 1496–1500. The panels
San_Pietro_Polyptych
Italian painter
no identifiable works there. He is best known for a large and colorful polyptych of the Virgin and Child with 14 Saints (1385), located at Santarcangelo
Jacobello_di_Bonomo
Painting by Pietro Perugino
angels and musicians are reminiscent of Perugino's earlier San Pietro Polyptych, done for the Abbey of San Pietro in Perugia, and whose theme was the
Vallombrosa_Altarpiece
Italian painter and architect (c. 1290–1366)
Chapel. According to some scholars, he collaborated in the Stefaneschi Polyptych in Rome. His other works include a Madonna in Bern, an Adoration of the
Taddeo_Gaddi
Romanesque religious church and adjacent buildings in Pistoia, Tuscany, Italy
steps of the columns are sculptures of lions. In the presbytery is a polyptych by Taddeo Gaddi (1350–1353) depicting the Virgin and Child with Saints
San_Giovanni_Fuoricivitas
Altarpiece by Cima da Conegliano
The Polyptych of Miglionico is a large, multicompartment Renaissance-style altarpiece painted in 1499 by Cima da Conegliano and housed in the church of
Polyptych_of_Miglionico
Sons of King João of Portugal and Philippa of Lancaster
Panel of the famous polyptych of St. Vicent by painter Nuno Gonçalves, believed to represent the four younger sons of John I: Ferdinand the Holy (on top
Illustrious_Generation
Italian Friar Minor and philosopher
Portrait of Matthew of Aquasparta; particular from the Gualdo Tadino Polyptych by Niccolò Alunno Born c. 1240 Acquasparta, Papal States Died 29 October
Matthew_of_Aquasparta
Italian painter
early 1390s, based on a comparison with the paintings of this period. A Polyptych with Coronation of the Virgin and Saints (circa 1390) is on display in
Cenni_di_Francesco
Museum in Italy
Veneziano The Madonna with child, middle of the 14th century Antonio Vivarini Polyptych of Saint Ursula, tempera on wood, 1440–1445 Francesco Zugno, Francesco
Diocesan_Museum_of_Brescia
Italian painter (1851–1920)
multiple paintings arranged as triptychs and polyptychs. In the early 1890s, he began planning a polyptych of sixteen panels under the title of Winter
Vittore_Grubicy_de_Dragon
Heritage site in Sibiu County, Romania
and a battlement. A second, wooden, level was demolished in 1803. The polyptych altarpiece has 28 panels executed between 1482 and 1513 by a painter likely
Biertan_fortified_church
Polish composer (1932–2013)
Kościelec 1909, Hoary Fog and Orawa, Krzesany is a kind of "Kilarian Tatra polyptych". Kościelec 1909 is a symphonic poem completed in 1976. The premiere took
Wojciech_Kilar
Municipality in Upper Austria, Austria
deed by Pope Lucius III. In 1481 it was furnished with the famous Pacher polyptych. There had been several places for lodging around the church since medieval
St._Wolfgang_im_Salzkammergut
Franciscan church in Florence, Italy
of various works during World War II, Ugo Procacci noticed the Badia Polyptych being carried out of the church. He reasoned that this had been removed
Santa_Croce,_Florence
Panels by Nuno Gonçalves
The Saint Vincent Panels are a polyptych perhaps painted between 1450 and 1480, consisting of six panels, depicting fifty-eight people from various groups
Saint_Vincent_Panels
Prümer Urbar, better known in English as the Polyptych or Polyptychon of Prüm, is a register of the properties (Urbarium) that belonged to the Benedictine
Prüm_Urbar
anaptyctic, anaptyxis, diptych, heptaptych, hexaptych, octaptych, pentaptych, polyptych, tetraptych, triptych pub- sexually mature Latin pubes, puberis pubescent
List of Greek and Latin roots in English/P–Z
List_of_Greek_and_Latin_roots_in_English/P–Z
C. 1520 oil painting by Palma Vecchio
Saint Catherine (c. 1520–1525) Saint Helena Altarpiece (c. 1524–1525) Polyptych of Saint Barbara (c. 1523–1524) Adoration of the Magi with Saint Helena
A_Blonde_Woman
Topics referred to by the same term
Averoldi is an Italian surname. Averoldi may also refer to: Averoldi Polyptych, a painting by the Italian Renaissance painter Titian Palazzo Averoldi
Averoldi_(disambiguation)
13th- and 14th-century Italian painter
Tempera and gold on wood, Galleria Nazionale dell'Umbria, Perugia, Italy Polyptych: Madonna and Child with Saints Augustine, Paul, Peter, Dominic, four angels
Duccio
Marian title
Seven Sorrows Polyptych Albrecht Dürer, c. 1500
Our_Lady_of_Sorrows
National museum in Warsaw, Poland
gallery allow the unabridged presentation of large polyptychs, such as the famous Grudziądz Polyptych, including the reverse of the wings. The new arrangement
National_Museum_in_Warsaw
Italian painter (active 1356–1372)
signed work is an altarpiece referred to as the Annunciation Polyptych or the Lion Polyptych painted for the high altar of the church of Sant' Antonio di
Lorenzo_Veneziano
Italian Renaissance painter (c. 1446/52–1523)
Raphael in 1504 (Brera, Milan). A further work of Perugino's was the polyptych of the Ascension of Christ painted ca 1496–98 for the church of S. Pietro
Pietro_Perugino
Baptistery building in Padua, Italy
of the Holy Spirit (frescoed on the cupola of the altar), and a large polyptych, also by Guisto de' Menabuoi, sits on the altar itself. Painted on the
Padua_Baptistery
Object made of two paired flat plates, often joined by a hinge
representation. They are one type of the multi-panel forms of painting known as polyptychs. The diptych was a common format in Early Netherlandish painting and depicted
Diptych
Italian painter
created after his return to Verona is a polyptych for a side altar in the San Giorgio in Braida church. Of this polyptych, his are the Saint Roch on the left
Giovanni_Francesco_Caroto
Italian painter
He painted the Polyptych of St Ambrose (1547) for the church of Sant'Ambrogio, Omegna. He also appears to have painted the Polyptych in the church of
Fermo_Stella
Polyptych by Jan and Hubert van Eyck
aanbidding van het Lam Gods), is a very large and complex 15th-century polyptych altarpiece in St Bavo's Cathedral, Ghent, Belgium. It was begun around
Ghent_Altarpiece
The Palazzo Pretorio is a historical building in Prato, Tuscany, Italy. It was the old city hall, standing in front of the current Palazzo Comunale. It
Palazzo_Pretorio,_Prato
Portuguese artist (1425–1491)
Portuguese painter of the 15th century. His surviving masterpiece is the polyptych known as the Saint Vincent Panels. He is also believed to have been the
Nuno_Gonçalves
Italian painter
Polyptych Gallerie dell'Accademia
Andrea_da_Murano
Disassembled polyptych by Carlo Crivelli
Disassembled polyptych by Carlo Crivelli
Porto_San_Giorgio_Altarpiece
Bishop of Arezzo
The gilded three-story altarpiece, the Arezzo (or Aretine or Tarlati) Polyptych, was commissioned in 1320 by Bishop Tarlati for the Santa Maria della
Guido_Tarlati
Italian painter
Renaissance styles. He was born in Sant'Angelo in Vado. He painted the Polyptych of St James with St Augustine Bishop (circa 1500) for the church of San
Girolamo_Nardini
2016-03-03 at the Wayback Machine (Technology of Grudziądz Altarpiece) at TechnologiaArtis.org. Media related to Grudziądz Polyptych at Wikimedia Commons
Master of the Graudenz Altarpiece
Master_of_the_Graudenz_Altarpiece
1453 altarpiece by Andrea Mantegna
San Lucas Polyptych, is a 1453 polyptych panel painting by Northern Italian Renaissance painter Andrea Mantegna. The altarpiece is a polyptych panel painting
San_Luca_Altarpiece
Early Christian text
A section of the 15th-century "The Nativity Polyptych" depicting the Magi and the Star, by the associated circle of Rogier van der Weyden. It depicts
Revelation_of_the_Magi
Italian painter
making wood frames for polyptychs, and documentation shows he ran a busy establishment. In the mid-1460s he made a polyptych, now dispersed, of Saint
Giovanni_Mazone
Italian painter and sculptor (c. 1471–1546)
16th century Gaudenzio painted a series of great polyptychs in the area around Novara. A polyptych at Arona, Piedmont shows, in the upper register, God
Gaudenzio_Ferrari
Village in Masovian Voivodeship, Poland
interesting element in the church is its main altar, known as the Wieniawa Polyptych, which comes from the year 1544, and is in Renaissance style. The names
Wieniawa, Masovian Voivodeship
Wieniawa,_Masovian_Voivodeship
Painting by Giovanni Bellini
to 1465–1470, as shown by similarities to his 1464 San Vincenzo Ferrer Polyptych, an early mature work. Mariolina Olivari, Giovanni Bellini, in AA.VV.
Dead Christ Supported by Two Angels (Bellini, Berlin)
Dead_Christ_Supported_by_Two_Angels_(Bellini,_Berlin)
Altarpiece by Matthias Grünewald and Nikolaus Hagenauer
The Isenheim Altarpiece is an altarpiece sculpted and painted by, respectively, the Germans Nikolaus Hagenauer and Matthias Grünewald in 1512–1516. It
Isenheim_Altarpiece
(2002) and This Gray Spirit (2002). The cover art by Cliff Nielsen forms a polyptych. Original Sin (2017) has a similar premise. Worlds of Star Trek: Deep
List of Star Trek: Deep Space Nine novels
List_of_Star_Trek:_Deep_Space_Nine_novels
Art gallery in Rome, Italy
Madonna and Child Luca Giordano Christ Among the Doctors Giovanni da Milano Polyptych with Stories of Christ Giovanni Lanfranco Saint Peter Heals Saint Agatha
Galleria Nazionale d'Arte Antica
Galleria_Nazionale_d'Arte_Antica
Italian painter (c. 1291 – 1356)
collaboration of the two. In the 1330s the shop produced the Orvieto Polyptych panels. Lippo's brother Federigo Memmi belonged to the shop before 1343
Lippo_Memmi
British artist
Vagina comprises 400 plaster casts of vulvas arranged in ten panels; the polyptych spans nine meters in length. According to McCartney, the idea was sparked
Jamie_McCartney
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