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Guitar piece by Heitor Villa-Lobos
Prelude No. 3 is a guitar piece written by Brazilian composer Heitor Villa-Lobos. The piece is subtitled "Homenagem a Bach" (Homage to Bach), is in the
Prelude_No._3_(Villa-Lobos)
Guitar piece by Heitor Villa-Lobos
Prelude No. 1 is a guitar piece written by Brazilian composer Heitor Villa-Lobos. The piece is subtitled "Melodia lírica" (Lyrical Melody), is in E minor
Prelude_No._1_(Villa-Lobos)
Guitar piece by Heitor Villa-Lobos
Prelude No. 4 is a guitar piece written by Brazilian composer Heitor Villa-Lobos. The piece is subtitled "Homenagem ao índio brasileiro" (Homage to the
Prelude_No._4_(Villa-Lobos)
Guitar piece by Heitor Villa-Lobos
Prelude No. 5 is a guitar piece written by Brazilian composer Heitor Villa-Lobos. The piece is subtitled "Homenagem à vida social" (Homage to Social Life)
Prelude_No._5_(Villa-Lobos)
Guitar piece by Heitor Villa-Lobos
Prelude No. 2 is a guitar piece written by Brazilian composer Heitor Villa-Lobos. The piece is subtitled "Melodia capadócia" (Capadocian Melody), is in
Prelude_No._2_(Villa-Lobos)
Brazilian composer (1887–1959)
Heitor Villa-Lobos (March 5, 1887 – November 17, 1959) was a Brazilian composer, conductor, cellist, and classical guitarist described as "the single
Heitor_Villa-Lobos
Series of nine suites by the Brazilian composer Heitor Villa-Lobos
originality of Villa-Lobos' compositional style. Scored for orchestra of cellos and dedicated to Pablo Casals, Bachianas Brasileiras No. 1 (1930) consists
Bachianas_Brasileiras
Composition by J. S. Bach
version, Villa-Lobos positions Prelude No. 22 first and alternates four fugues with two other preludes: Fugue No. 5 (Book 1), Prelude No. 14, Fugue No. 1 (Book
Prelude and Fugue in F-sharp minor, BWV 883
Prelude_and_Fugue_in_F-sharp_minor,_BWV_883
This is a list of compositions by Heitor Villa-Lobos. It is still incomplete (he composed over 2000 works in his lifetime), and needs expansion. You can
List of compositions by Heitor Villa-Lobos
List_of_compositions_by_Heitor_Villa-Lobos
Symphony No. 2, subtitled Ascensão (Ascension), is a composition by the Brazilian composer Heitor Villa-Lobos. Villa-Lobos composed (or began composing)
Symphony_No._2_(Villa-Lobos)
Suzanne. 1929. "Villa-Lobos". Revue Musicale 10, no. 10 (November): 1–22. Enyart, John William. 1984. "The Symphonies of Heitor Villa-Lobos". PhD diss. Cincinnati:
Symphony_No._6_(Villa-Lobos)
Musical work and musical form
collection of 24 preludes in all major and minor keys for solo viola from 1849 to 1853. Heitor Villa-Lobos (1887–1959) wrote 5 preludes for guitar (1940)
Prelude_(music)
Symphony No. 3 is a composition by the Brazilian composer Heitor Villa-Lobos, written in 1919. A typical performance lasts about 35 minutes. In 1919, Villa-Lobos
Symphony_No._3_(Villa-Lobos)
Song composed by Heitor Villa-Lobos
Symphony No. 4 is a composition by the Brazilian composer Heitor Villa-Lobos, written in 1919. This symphony is subtitled A Vitória (The Victory), while
Symphony_No._4_(Villa-Lobos)
First symphony of Heitor Villa-Lobos
Symphony No. 1, subtitled O Imprevisto (The Unforeseen), is a composition by the Brazilian composer Heitor Villa-Lobos, written in 1916. A typical performance
Symphony_No._1_(Villa-Lobos)
Quartet No. 3 ("Quarteto de pipocas"—"Popcorn" Quartet) is the third of 17 works in the medium by the Brazilian composer Heitor Villa-Lobos. Because
String Quartet No. 3 (Villa-Lobos)
String_Quartet_No._3_(Villa-Lobos)
a set of six songs for voice and piano by Brazilian composer Heitor Villa-Lobos. The exact dates of composition for Miniaturas is uncertain, but the
Miniaturas_(Villa-Lobos)
Symphony No. 7, subtitled Odisséia da paz (Odyssey of the Peace), is a composition by the Brazilian composer Heitor Villa-Lobos, written in 1945. A typical
Symphony_No._7_(Villa-Lobos)
Heitor Villa-Lobos's Étude No. 3, part of his Twelve Études for Guitar, was first published by Max Eschig, Paris, in 1953. The piece, strongly influenced
Étude_No._3_(Villa-Lobos)
Symphony No. 11 is a composition by the Brazilian composer Heitor Villa-Lobos, written in 1955. A performance lasts about 25 minutes. On 29 October 1954
Symphony_No._11_(Villa-Lobos)
1950 composition by Heitor Villa-Lobos
Symphony No. 8 is a composition by the Brazilian composer Heitor Villa-Lobos, written in 1950. A typical performance lasts about 25 minutes. It was first
Symphony_No._8_(Villa-Lobos)
Villa-Lobos, sua obra. 2009. Version 1.0. MinC / IBRAM, and the Museu Villa-Lobos. Based on the third edition, 1989. Wright, Simon. 1992. Villa-Lobos
Étude_No._1_(Villa-Lobos)
Symphony No. 10, subtitled Sumé pater patrium: Sinfonia ameríndia com coros, is an oratorio by the Brazilian composer Heitor Villa-Lobos, written in 1952–53
Symphony_No._10_(Villa-Lobos)
Keyboard composition by Johann Sebastian Bach
the Prelude and Fugue pair for cello and piano, recorded notably by Julius Berger and Miklós Perényi. Heitor Villa-Lobos arranged this pair of prelude and
Prelude and Fugue in E-flat minor, BWV 853
Prelude_and_Fugue_in_E-flat_minor,_BWV_853
Villa-Lobos, sua obra. 2009. Version 1.0. MinC / IBRAM, and the Museu Villa-Lobos. Based on the third edition, 1989. Wright, Simon. 1992. Villa-Lobos
Étude_No._2_(Villa-Lobos)
1963 studio album by Kenny Dorham
Gillespie, Wayne King, Egbert Van Alstyne, Victor Young) - 5:13 "Prelude" (Heitor Villa-Lobos) - 4:47 "There Goes My Heart" (Benny Davis, Abner Silver) - 5:12
Matador_(Kenny_Dorham_album)
Villa-Lobos, sua obra. 2009. Version 1.0. MinC / IBRAM, and the Museu Villa-Lobos. Based on the third edition, 1989. Wright, Simon. 1992. Villa-Lobos
Étude_No._8_(Villa-Lobos)
Piano concerto by Heitor Villa-Lobos
Piano Concerto No. 1, W453, is a composition for piano and orchestra by the Brazilian composer Heitor Villa-Lobos. He composed the First Piano Concerto
Piano Concerto No. 1 (Villa-Lobos)
Piano_Concerto_No._1_(Villa-Lobos)
Symphony No. 5, subtitled A Paz (Peace), is a composition by the Brazilian composer Heitor Villa-Lobos, written in 1920. The score has been lost. According
Symphony_No._5_(Villa-Lobos)
Heitor Villa-Lobos's Étude No. 12, the last of his Twelve Études for Guitar, was first published by Max Eschig, Paris, in 1953. The piece is in A minor
Étude_No._12_(Villa-Lobos)
Symphony No. 12 is a composition by the Brazilian composer Heitor Villa-Lobos, written in 1957. A typical performance lasts about 25 minutes. Villa-Lobos composed
Symphony_No._12_(Villa-Lobos)
Concerto No. 3, W512, is a composition for piano and orchestra by the Brazilian composer Heitor Villa-Lobos, written in 1952–57. Villa-Lobos began composing
Piano Concerto No. 3 (Villa-Lobos)
Piano_Concerto_No._3_(Villa-Lobos)
The Cello Concerto No. 1 (Grande Concerto para Violoncello), Op. 50, was composed by Heitor Villa-Lobos in 1913 as his first large-scale work, showing
Cello Concerto No. 1 (Villa-Lobos)
Cello_Concerto_No._1_(Villa-Lobos)
Guerra (The War): Heitor Villa-Lobos, Symphony No. 3 Haffner: Wolfgang Amadeus Mozart: Serenade No. 7 in D major, K. 250 Symphony No. 35 in D major, K. 385
List of classical music sub-titles, nicknames and non-numeric titles
List_of_classical_music_sub-titles,_nicknames_and_non-numeric_titles
Heitor Villa-Lobos's Étude No. 11, one of his Twelve Études for Guitar, was first published by Max Eschig, Paris, in 1953. The piece is in E minor and
Étude_No._11_(Villa-Lobos)
String Quartet No. 1 is the first of 17 works in the genre by the Brazilian composer Heitor Villa-Lobos, originally written in Nova Friburgo in 1915 and
String Quartet No. 1 (Villa-Lobos)
String_Quartet_No._1_(Villa-Lobos)
Heitor Villa-Lobos's Étude No. 9, part of his Twelve Études for Guitar, was first published by Max Eschig, Paris, in 1953. The piece is in F-sharp minor
Étude_No._9_(Villa-Lobos)
String Quartet No. 5 ("Quarteto popular no. 1") is the fifth of 17 works in the genre by the Brazilian composer Heitor Villa-Lobos. Villa-Lobos composed his
String Quartet No. 5 (Villa-Lobos)
String_Quartet_No._5_(Villa-Lobos)
The Piano Concerto No. 5, W 521, is a piano concerto by the Brazilian composer Heitor Villa-Lobos, written in 1954. One performance recorded under the
Piano Concerto No. 5 (Villa-Lobos)
Piano_Concerto_No._5_(Villa-Lobos)
String Quartet No. 17 is the last of seventeen quartets by the Brazilian composer Heitor Villa-Lobos. Villa-Lobos composed his Seventeenth Quartet in Rio
String Quartet No. 17 (Villa-Lobos)
String_Quartet_No._17_(Villa-Lobos)
2005 live album by Lalo Schifrin
Paraphrase (Lalo Schifrin) 5:13 Bachianas Brasileiras No. 5, for voice & piano, A. 390 (Heitor Villa-Lobos, arranged by Schifrin) 5:53 Jazzette (Lalo Schifrin)
Kaleidoscope: Jazz Meets the Symphony
Kaleidoscope:_Jazz_Meets_the_Symphony
Heitor Villa-Lobos: Quatuor, Nonetto, and Choros No. 3". DMA thesis. Cincinnati: University of Cincinnati. Negwer, Manuel. 2008. Villa-Lobos: Der Aufbruch
Nonet_(Villa-Lobos)
Villa-Lobos, sua obra. 2009. Version 1.0. MinC / IBRAM, and the Museu Villa-Lobos. Based on the third edition, 1989. Wright, Simon. 1992. Villa-Lobos
Étude_No._7_(Villa-Lobos)
The Cello Concerto No. 2, W516, was composed by Heitor Villa-Lobos in Rio de Janeiro in 1953. It was commissioned by the cellist Aldo Parisot, to whom
Cello Concerto No. 2 (Villa-Lobos)
Cello_Concerto_No._2_(Villa-Lobos)
1998 live album by Lalo Schifrin
Schifrin) Prelude (7:08) Blues (12:09) Panamericana (5:26) Africana (13:56) Tocata (14:33) Bachianas Brasileiras No. 5 (Heitor Villa-Lobos, arranged by
Gillespiana_In_Cologne
Composition by Heitor Villa-Lobos
precoce), is a fantasy for piano and orchestra by Brazilian composer Heitor Villa-Lobos. An arrangement into one movement of the Carnaval das crianças, it was
Momoprecoce
1953 guitar étude written by Heitor Villa-Lobos
Heitor Villa-Lobos's Étude No. 4 ("de acordes repetidos"), part of his Twelve Études for Guitar, was first published by Max Eschig, Paris, in 1953. The
Étude_No._4_(Villa-Lobos)
Composition for string quartet by Heitor Villa-Lobos
String Quartet No. 2 is the one of a series of 17 works in the genre by the Brazilian composer Heitor Villa-Lobos. Villa-Lobos composed his Second Quartet
String Quartet No. 2 (Villa-Lobos)
String_Quartet_No._2_(Villa-Lobos)
No. 2, W487, is a piano concerto by the Brazilian composer Heitor Villa-Lobos, written in 1948. A typical performance lasts about 28 minutes. Villa-Lobos
Piano Concerto No. 2 (Villa-Lobos)
Piano_Concerto_No._2_(Villa-Lobos)
String Quartet No. 12 is the part of a series of seventeen works in the genre by the Brazilian composer Heitor Villa-Lobos. Villa-Lobos began composing
String Quartet No. 12 (Villa-Lobos)
String_Quartet_No._12_(Villa-Lobos)
songs) is the name of two compositions by Brazilian composer Heitor Villa-Lobos. The two albums were composed in a period of time between 1933 and 1943
Modinhas_e_canções
1938 work by Heitor Villa-Lobos
String Quartet No. 6 ("Brazilian") is one of 17 works in the genre by the Brazilian composer Heitor Villa-Lobos, and was written in 1938, in between his
String Quartet No. 6 (Villa-Lobos)
String_Quartet_No._6_(Villa-Lobos)
Heitor Villa-Lobos's Étude No. 5, part of his Twelve Études for Guitar, was first published by Max Eschig, Paris, in 1953. The autograph manuscript of
Étude_No._5_(Villa-Lobos)
Composition for piano and orchestra by Heitor Villa-Lobos
The Piano Concerto No. 4, W505, is a composition for piano and orchestra by the Brazilian composer Heitor Villa-Lobos, written in 1952. A typical performance
Piano Concerto No. 4 (Villa-Lobos)
Piano_Concerto_No._4_(Villa-Lobos)
String Quartet No. 14 is the one of a series of seventeen works in the medium by the Brazilian composer Heitor Villa-Lobos. Villa-Lobos composed this quartet
String Quartet No. 14 (Villa-Lobos)
String_Quartet_No._14_(Villa-Lobos)
879–881 Igor Stravinsky L'Histoire du soldat Heitor Villa-Lobos Chôros No. 2 String Quartet No. 3, second movement (Molto Vivo) Stevie Wonder "You Are
List of pieces that use the whole-tone scale
List_of_pieces_that_use_the_whole-tone_scale
Heitor Villa-Lobos's Étude No. 6, one of his Twelve Études for Guitar, was first published by Max Eschig, Paris, in 1953. The piece is in E minor and is
Étude_No._6_(Villa-Lobos)
1964 studio album by Lalo Schifrin
"Prelude #2" (George Gershwin) - 5:00 "The Peanut Vendor" (Marion Sunshine, Moises Simons) - 6:00 "Bachianas Brasileiras #5 (Heitor Villa-Lobos) - 3:50
New_Fantasy
Guitar piece by Heitor Villa-Lobos
Heitor Villa-Lobos's Étude No. 10, part of his Twelve Études for Guitar, was first published by Max Eschig, Paris, in 1953. The autograph manuscript of
Étude_No._10_(Villa-Lobos)
Brazilian composed work
String Quartet No. 13 is one of a series of seventeen works in the medium by the Brazilian composer Heitor Villa-Lobos. According to the catalog published
String Quartet No. 13 (Villa-Lobos)
String_Quartet_No._13_(Villa-Lobos)
Brazilian classical pianist (1944-2021)
Brazil. A 1984 recital in Miami paired Mozart, Chopin and Debussy with Villa-Lobos, Albéniz, Godowsky and Rachmaninoff. For a seventy-fifth birthday recital
Nelson_Freire
Finnish classical guitarist
1997 Heitor Villa-Lobos: Complete Works for Guitar Vol. 2) Préludes, Sextuor Mystique, Distribuiçao de Flores, Modinha, Bachianas Brasileiras No. 5, Suite
Timo_Korhonen
Japanese guitarist (1961–2026)
[Sony]BVCC-37279 24. Dvorak : Symphony No.9 "From The New World (Jun.1987) [KING]KICC-60, [BMG]7929-2-RC 25. Villa-Lobos: 5 Preludes & 12 Etudes (Apr.1987) [RVC]R32C-1116
Kazuhito_Yamashita
1942 work by Heitor Villa-Lobos
String Quartet No. 7 is the seventh of 17 works in the genre by the Brazilian composer Heitor Villa-Lobos. Villa-Lobos composed his Seventh Quartet in
String Quartet No. 7 (Villa-Lobos)
String_Quartet_No._7_(Villa-Lobos)
Symphony No. 9 is a composition by the Brazilian composer Heitor Villa-Lobos, written in 1952. A performance lasts about twenty minutes. Villa-Lobos composed
Symphony_No._9_(Villa-Lobos)
guitar by Ginastera. In chronological order of recording. Heitor Villa-Lobos: 5 Preludes; 12 Études; Alberto Ginastera: Sonata. Eduardo Fernández, guitar
Sonata_for_guitar_(Ginastera)
Composition by Heitor Villa-Lobos
Heitor Villa-Lobos. Despite being primarily taught to play the cello as a young child by his father, who was an amateur musician, Villa-Lobos later mainly
Suite_populaire_brésilienne
String Quartet No. 8 is one of 17 works in the genre by the Brazilian composer Heitor Villa-Lobos. Villa-Lobos composed his Eighth Quartet in Rio de Janeiro
String Quartet No. 8 (Villa-Lobos)
String_Quartet_No._8_(Villa-Lobos)
Opera by Heitor Villa-Lobos based on the eponymous tragedy by Garcia Lorca
Heitor Villa-Lobos based on the tragedy of the same name by Federico García Lorca. Yerma was commissioned in 1955 by an old friend of Villa-Lobos, Hugh
Yerma_(opera)
Composition by Heitor Villa-Lobos
String Quartet No. 4 is the fourth of 17 works in the genre by the Brazilian composer Heitor Villa-Lobos. Villa-Lobos composed his Fourth Quartet in 1917
String Quartet No. 4 (Villa-Lobos)
String_Quartet_No._4_(Villa-Lobos)
Brazilian classical pianist (1940-2024)
"Villa-Lobos, Vol. 3". AllMusic. Retrieved 17 July 2026. "O Piano Brasileiro, Volume 4: Villa-Lobos". Discogs. Retrieved 17 July 2026. "Villa-Lobos, Vol
Arthur_Moreira_Lima
String Quartet No. 16 is the penultimate of seventeen quartets by the Brazilian composer Heitor Villa-Lobos. Villa-Lobos composed his Sixteenth Quartet
String Quartet No. 16 (Villa-Lobos)
String_Quartet_No._16_(Villa-Lobos)
Works by Heitor Villa-Lobos
String Quartet No. 9 is part of a series of seventeen works in the medium by the Brazilian composer Heitor Villa-Lobos. Villa-Lobos composed his Ninth
String Quartet No. 9 (Villa-Lobos)
String_Quartet_No._9_(Villa-Lobos)
String Quartet No. 15 is one of a series of seventeen works in the medium by the Brazilian composer Heitor Villa-Lobos. Villa-Lobos composed his Fifteenth
String Quartet No. 15 (Villa-Lobos)
String_Quartet_No._15_(Villa-Lobos)
String Quartet No. 11 is a 1947 string quartet, part of a 17-work series in the medium by Brazilian composer Heitor Villa-Lobos. Villa-Lobos composed his
String Quartet No. 11 (Villa-Lobos)
String_Quartet_No._11_(Villa-Lobos)
Musical composition by Heitor Villa-Lobos
String Quartet No. 10 is one of a series of 17 works in the genre by the Brazilian composer Heitor Villa-Lobos. Villa-Lobos composed his Tenth Quartet
String Quartet No. 10 (Villa-Lobos)
String_Quartet_No._10_(Villa-Lobos)
(1884–1949) Prélude et valse 1939 Manuel Ponce (1882–1948) Sonatina meridional 1939 Joaquín Rodrigo (1901–1999) En los trigales 1940 Heitor Villa-Lobos (1887–1959)
List of compositions for guitar
List_of_compositions_for_guitar
German musician
Darmst. Gitarrentage 2000 (PRIM, 2012) Great Preludes for Guitar (Willcocks, Tarrega, Ponce, Villa-Lobos) (CHE, 2012) ALHAMBRA (Sor, Torroba, Albéniz
Tilman_Hoppstock
Major key and scale based on the note D
94bis) Dmitri Shostakovich String Quartet No. 4, Op. 83 Prelude No. 5, Op. 87, No. 5 Heitor Villa-Lobos Étude No. 3 for guitar Key (music) Major and minor
D_major
Composition by Heitor Villa-Lobos
composition by Heitor Villa-Lobos. It was written in Rio de Janeiro from 1921 to 1926 and is the largest and most challenging work Villa-Lobos wrote for the solo
Rudepoêma
1958 studio album by Laurindo Almeida
Ibert) – 3:12 "Bachianas Brasileiras No. 5" (Heitor Villa-Lobos) – 2:24 "Ronde" (Émile Desportes) – 2:01 "Azulão" (Jaime Ovalle) – 1:28 "Prelude in E Minor"
Duets_with_the_Spanish_Guitar
Spanish composer (1860–1909)
write Spanish music such as the Chants d'Espagne. The first movement (Prelude) of that suite, later retitled after the composer's death as Asturias (Leyenda)
Isaac_Albéniz
Canadian harmonica player (1919–2000)
works by Ralph Vaughan Williams, Malcolm Arnold, Arthur Benjamin, and Villa-Lobos. He was signed to Parlophone in 1951 where his recordings were produced
Tommy Reilly (harmonica player)
Tommy_Reilly_(harmonica_player)
Form of baroque music
Malcolm Williamson, Henry Cowell, Alfred Schnittke, William Bolcom, Heitor Villa-Lobos, Andrei Eshpai, Eino Tamberg, Krzysztof Penderecki, Jean Françaix, Airat
Concerto_grosso
Musical artist
Orchestra, Op. 86" (1953), and Hovhaness' "Concerto No. 6, op. 114" (1953–1954). When Villa-Lobos composed his "Concerto for Harmonica and Orchestra"
John Sebastian (classical harmonica player)
John_Sebastian_(classical_harmonica_player)
Musical technique
Macmillan. Daniels, Arthur. 1966. "Heitor Villa-Lobos: String Quartet No. 10" (review). Notes, second series 22, no. 3 (March): 1108. Everett, Walter. 1999
Pandiatonicism
próle do bébé No. 2, by Heitor Villa-Lobos. A measure in the fourth movement, "O cachorrinho de borracha". It is divided into 6 8 or 3 4, and 7 8. The
List of musical works in unusual time signatures
List_of_musical_works_in_unusual_time_signatures
Volume of a sound or note
piece. Sergei Rachmaninoff uses sffff twice in his Prelude in C♯ (Op. 3 No. 2). Heitor Villa-Lobos in his Rudepoêma uses rffff four times at the end of
Dynamics_(music)
Musical
Musical Adventure is a folk operetta in two acts with music by Heitor Villa-Lobos, original book by Frederick Hazlitt Brennan and Homer Curran, and lyrics
Magdalena: a Musical Adventure
Magdalena:_a_Musical_Adventure
reform—(The Baby's Family) is a collection of character pieces by Heitor Villa-Lobos for piano. It was composed in three volumes. The volume known as Series
A_prole_do_bebe
Crater on Mercury
Stravinsky Sullivan Sveinsdóttir Titian To Ngoc Van Tolstoj Velázquez Verdi Villa-Lobos Vivaldi Vyasa Xiao Zhao Yeats Zola Other Geology Ghost craters Inter-crater
Rachmaninoff_(crater)
Italian-Greek Musician and composer
(Bèrben) Guitar Serenade (1959 – Ricordi), Improvvisazione (Omaggio a Villa-Lobos) (1955 – Ricordi) Malagueña (Capriccio) (Bèrben) Moods (Jazz in Bossa
Miguel_Ablóniz
Orchestral piece by Heitor Villa-Lobos
orchestral suite written by Brazilian composer Heitor Villa-Lobos in 1930, titled Bachianas brasileiras No. 2. The Toccata is approximately 4 to 5 minutes long
The Little Train of the Caipira
The_Little_Train_of_the_Caipira
MusicWeb-International". Villa-Lobos, sua obra, second edition ([Rio de Janeiro]: MEC/DAC/Museu Villa-Lobos, 1972): 117. Villa-Lobos, sua obra, second edition
1954_in_music
French composer
responsible for recordings by artists such as Samson François, Heitor Villa-Lobos, Paul Tortelier, Aldo Ciccolini. Despite a favourable reception for his
René_Maillard
Musical group that consists of 8 people
"cello orchestra" with a minimum of eight players. Villa-Lobos also arranged three of the preludes and four fugues from Johann Sebastian Bach's Well-Tempered
Octet_(music)
International youth classical music competition
Retrieved 20 March 2025 – via Newspapers.com. "Latvijas televīzijas programma no 31.jūlija līdz 6.augustam – Sestdiena, 6.augusts" [Latvian television program
Eurovision Young Musicians 1994
Eurovision_Young_Musicians_1994
Grammy award
Retrieved October 14, 2020. "43rd Annual Grammy Nomination List". Variety. 3 January 2001. Retrieved October 22, 2020. "Complete List of Grammy Nominees"
Grammy Award for Best Instrumental Soloist Performance (without orchestra)
Grammy_Award_for_Best_Instrumental_Soloist_Performance_(without_orchestra)
Single-reed woodwind instrument
Stagich Nonet (1923) – Heitor Villa-Lobos Chôros No. 7 (1924) – Heitor Villa-Lobos Chôros No. 3 (1925) – Heitor Villa-Lobos Quartet for clarinet, tenor
Saxophone
1965 studio album by Bola Sete
one No. Title Writer(s) Length 1. "Prelude #1" Heitor Villa-Lobos 4:10 2. "Spanish Dance #5" Enrique Granados 4:33 3. "Prelude #3" Heitor Villa-Lobos 7:35
The_Solo_Guitar_of_Bola_Sete
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PRELUDE NO-3-VILLA-LOBOS
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PRELUDE NO-3-VILLA-LOBOS
PRELUDE NO-3-VILLA-LOBOS
PRELUDE NO-3-VILLA-LOBOS
PRELUDE NO-3-VILLA-LOBOS
PRELUDE NO-3-VILLA-LOBOS
PRELUDE NO-3-VILLA-LOBOS
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