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Musical note characterizing a chord
music theory, the root of a chord is the note that names and typifies the chord. Tertian chords are named based on (1) their root, (2) their quality
Root_(chord)
System for naming chords
the root note (e.g. C♯) the chord quality (e.g. minor or lowercase m, or the symbols o or + for diminished and augmented chords, respectively; chord quality
Chord_notation
Type of musical chord
The diminished seventh chord is a four-note chord (a seventh chord) composed of a root note, together with a minor third, a diminished fifth, and a diminished
Diminished_seventh_chord
Chord having a root, a major third, and a perfect fifth
A major chord is a triad with a major third above the root and a perfect fifth above the root. The major chord above C is spelled C–E–G. The primary intervals
Major_chord
Musical chord
A seventh chord is a chord consisting of a triad plus a note forming an interval of a seventh above the chord's root. When not otherwise specified, a "seventh
Seventh_chord
Type of guitar chord
electric guitar, that consists of the root note and the fifth, as well as possibly octaves of those notes. Power chords are commonly played with an amp with
Power_chord
Musical chord
In music theory, a dominant seventh chord, or major minor seventh chord, is a seventh chord composed of a root, major third, perfect fifth, and minor seventh;
Dominant_seventh_chord
Harmonic grouping of notes
seventh chord. A common triad has three notes: the root, third, and fifth. The intervals are identified by their distance from the root of the chord. The
Chord_(music)
Major chord in music theory
use in root-position and second-inversion chords also. It is called a "sixth" because the interval between the bass note and the root of the chord is a
Neapolitan_chord
Imaginary straight line joining the leading and trailing edges of an aerofoil
different chords at different positions. Usually, the chord length is greatest where the wing joins the aircraft's fuselage (called the root chord) and decreases
Chord_(aeronautics)
Form of musical chord
a ninth chord is a chord that encompasses the interval of a ninth when arranged in close position with the root in the bass. The ninth chord and its inversions
Ninth_chord
Type of chord in music theory
half-diminished seventh chord (also known as a half-diminished chord or a minor seventh flat five chord) is a seventh chord composed of a root note, together with
Half-diminished_seventh_chord
Chord where extra pitch is a sixth above the root
Sixth chord is the common name for any added tone chord where the extra pitch is a sixth above the root. The term also applies to three-note chords with
Sixth_chord
Type of musical chord
In music, a minor seventh chord is a seventh chord composed of a root note, a minor third, a perfect fifth, and a minor seventh (1, ♭3, 5, ♭7). In other
Minor_seventh_chord
Set of notes played on a guitar
Standard tuning requires four chord-shapes for the major triads. There are separate chord-forms for chords having their root note on the third, fourth, fifth
Guitar_chord
Type of chord in music
major seventh chord is a seventh chord in which the third is a major third above the root and the seventh is a major seventh above the root. The major seventh
Major_seventh_chord
Succession of musical chords
scale becoming the root of its own chord. A chord built upon the note E is an E chord of some type (major, minor, diminished, etc.) Chords in a progression
Chord_progression
Musical chord extending a simple triad
extended chords are tertian chords with notes beyond the seventh. Chords such as the Ninth, eleventh, and thirteenth chords are extended chords. The thirteenth
Extended_chord
Combination of three or more notes
A minor chord is a triad with a minor third and a perfect fifth above the root. The minor triad built on C is spelled C–E♭–G. The primary intervals in
Minor_chord
Chords used in jazz music
often omits the fifth of the chord—and even the root if playing in a group. However, not all jazz pianists leave out the root when they play voicings: Bud
Jazz_chord
Chord made of a tertian triad and a miscellaneous fourth note
below the root may suggest polytonality. The practice of adding tones may have led to superimposing chords and tonalities, though added tone chords have most
Added_tone_chord
Term in music
root position of a chord is the voicing of a triad, seventh chord, or ninth chord in which the root of the chord is the bass note and the other chord
Root_position
Change from one tonality to another
chord meanwhile, can be respelled in multiple other ways to form a diminished seventh chord in a key a minor third (m3 as root), tritone (d5 as root)
Modulation_(music)
Diatonic seventh chord without dominant function
or different: 7 M or 7 m. With chord letters used to indicate the root and chord quality, and add 7, thus a seventh chord on ii in C major (minor minor
Nondominant_seventh_chord
Chord that contains the interval of an augmented sixth
music theory, an augmented sixth chord contains the interval of an augmented sixth, usually above its bass tone. This chord has its origins in the Renaissance
Augmented_sixth_chord
Chord whose bass note is indicated by a slash
the letter of the bass note after the root note letter. It does not indicate "or". For example, a C major chord (C) in second inversion is written C/G
Slash_chord
Musical chord
The augmented seventh chord, or seventh augmented fifth chord, or seventh sharp five chord is a seventh chord composed of a root, major third, augmented
Augmented_seventh_chord
Technique of using a chord in place of another in a progression of chords
In music theory, chord substitution is the technique of using a chord in place of another in a progression of chords, or a chord progression. Much of
Chord_substitution
Musical terminology
definition, any chord with a non-diatonic chord tone is an altered chord. The simplest example of altered chords is the use of borrowed chords, chords borrowed
Altered_chord
Type of musical chord
above the root. When using chord symbols, it may be indicated by the symbols "dim", "o", "m♭5", or "MI(♭5)". However, in most popular-music chord books,
Diminished_triad
Guitar performance technique
chords must be based on one or more of these notes. To play an F♯ chord the guitarist may barre strings so that the chord root is F♯. Most bar chords
Bar_chord
Musical chord
sixth chord F–A–D♯, based after Hugo Riemann on the principle that there are only three chord functions: tonic, predominant, and dominant. The root is the
Tristan_chord
Seventh chord composed of four notes
A minor major seventh chord, or minor/major seventh chord is a seventh chord composed of a root, minor third, perfect fifth, and major seventh (1, ♭3
Minor_major_seventh_chord
Chord
seven six chord is a chord containing both factors a sixth and a seventh above the root, making it both an added chord and a seventh chord. However, the
Seven_six_chord
Tonal center of a diatonic scale
the root, which is the note on which a chord is built. While the tonic pitch serves as the root of a tonic chord, it is not the root of other chords. In
Tonic_(music)
set classes Ninth chord Open chord Passing chord Primary triad Quartal chord Root (chord) Seventh chord Synthetic chord Thirteenth chord Tone cluster Triad
List_of_chords
Chord in music theory
In a chord, the fifth factor is the note five scale degrees above the root (including the root itself in the count). For instance, in a C major triad
Fifth_(chord)
Experimental aircraft
moved forward, the truss section was optimised, tapered with an increased root chord, and optimized with a trailing edge with forward sweep that generates
Boeing_X-66
Musical chord
In music, the dominant 7♯9 chord ("dominant seven sharp nine" or "dominant seven sharp ninth") is a chord built by combining a dominant seventh, which
Dominant seventh sharp ninth chord
Dominant_seventh_sharp_ninth_chord
Musical concepts
seventh chord, the third is a major third above the chord's root. In a minor triad or minor seventh chord, the third is a minor third above the root. The
Major_and_minor
Type of musical chord
flat five chord is a seventh chord composed of a root note, together with a major third, a diminished fifth, and a minor seventh above the root (1, ♮3,
Dominant seventh flat five chord
Dominant_seventh_flat_five_chord
Musical chord
An augmented triad is a chord with a major third and an augmented fifth above the root. It is equivalent to a major chord whose top note (fifth) is augmented
Augmented_triad
Top-to-bottom rearrangement of a musical interval, chord, or melody
inverted chord, the root is not the lowest note. The inversions are numbered in the order their lowest notes appear in a close root-position chord (from
Inversion_(music)
Fictional character from My Little Pony
That means that the root chord is a Db major chord. Usually, a Ab major chord will lead into a Db major. This is the V-I chord progression and it is
Princess_Cadance
Musical chord in which the (major or minor) third is omitted
chord are suspended into the next harmony. The suspension creates a dissonance which must be resolved. A common suspension is a fourth above the root
Suspended_chord
In a chord, the third factor is the note three scale degrees above the root (including the root itself in the count). For instance, in a C major triad
Third_(chord)
Harmonic device in Western music
Secondary chords are a type of altered or borrowed chord, chords that are not part of the music piece's key. They are the most common type of altered chord in
Secondary_chord
Relative chord placement
first inversion of a chord is the voicing of a triad or seventh chord in which the third of the chord is the bass note and the root is a sixth (or corresponding
First_inversion
Type of chord
chord's root, inversely the parallel chord of a minor chord will be the major chord whose root is a minor third up from the root of the minor chord.
Parallel_and_counter_parallel
Relative chord placement
a chord is the voicing of a triad or seventh chord in which the fifth of the chord is the bass note. In this inversion, the bass note and the root of
Second_inversion
Tonal degree of the diatonic scale
triad is used in several functions. It is commonly used as a passing chord between a root position tonic triad and a first inversion tonic triad: that is,
Leading_tone
Angle between each wing or tail surface within a pair
between the angle of incidence of the wing root chord and angle of incidence of the horizontal tail root chord. Longitudinal dihedral can also mean the
Dihedral_(aeronautics)
Triangle shaped aircraft wing configuration
the years, with and without additional stabilising surfaces. The long root chord of the delta wing and minimal area outboard make it structurally efficient
Delta_wing
Chord
diminished major seventh chord is a seventh chord composed of a diminished triad and a major seventh. Thus, it is composed of a root note, together with a
Diminished major seventh chord
Diminished_major_seventh_chord
Use of Roman Numeral symbols in the musical analysis of chords
major can signify a major chord, a minor chord, a seventh chord, or indeed many combinations of notes controlled by the root C. The same Roman numeral
Roman_numeral_analysis
Concept in music theory
theory, an eleventh chord is a chord that contains the tertian extension of the eleventh. Typically found in jazz, an eleventh chord also usually includes
Eleventh_chord
Topics referred to by the same term
States Root (chord), the fundamental note of a chord Roots music (disambiguation) Root (band), a Czech metal band Root (singer), a Japanese singer Root!, an
Root_(disambiguation)
Major triad plus the harmonic seventh interval
used to lead to a chord whose root is a fifth below the root of the barbershop seventh chord, it is called a dominant seventh chord. Barbershoppers sometimes
Harmonic_seventh_chord
Aircraft with a maximum speed less than the speed of sound
in shape. The ratio of tip chord to root chord is called the taper ratio. Taper has the desirable effect of reducing the root bending stress by shifting
Subsonic_aircraft
Spanish musical form, Latin musical form
make A major the root chord. A typical rasgueado pattern involves only the A and B♭ chords, were golpes are used to accent the chords as follows: [A] —
Bulerías
Aspect of music
unpleasant, discordant, or rough. In popular and jazz harmony, chords are named by their root plus various terms and characters indicating their qualities
Harmony
Musical interval
a chord. A thirteenth interval is between two notes that are thirteen scale degrees from the root of a chord and also the interval between the root and
Thirteenth_(interval)
Aircraft wing shape
root and tip chords is a trapezoid, whether or not it is swept. The area A of such a trapezoidal wing may be calculated from the span s, root chord cr
Trapezoidal_wing
Chordal accompaniment to a line or melody
root note would become the I major chord, the second note the ii minor chord, the third note the iii minor chord, the fourth note the IV major chord,
Harmonization
Difference in pitch between two notes
extended chords). If the number is 5, the chord (technically not a chord in the traditional sense, but a dyad) is a power chord. Only the root, a perfect
Interval_(music)
Japanese supersonic jet fighter
the F-2 differs in the following aspects: An increase in wingspan and root chord, with 25 percent more wing area. The wings also feature a tapered trailing
Mitsubishi_F-2
Six-note synthetic chord that appears in compositions by Alexander Scriabin
In music, the mystic chord or Prometheus chord is a six-note synthetic chord and its associated scale, or pitch collection, that loosely serves as the
Mystic_chord
Common chord progression
considered the harsh nature of root position diminished chords, the iiø chord most often appears in first inversion. The iiø chord appears in the natural minor
Ii–V–I_progression
Chord
octaves while the root and fifth appear only twice, at high and low extremes." Elektra chord Mystic chord Petrushka chord Psalms Tristan chord Mellers, Wilfrid
Psalms_chord
Buttonboard layout on accordions
its corresponding major chord (e.g. C–CM–C–CM). For alternate bass with the root and fifth, 4–3–2–3 can be used for major chords (e.g. C–CM–G–CM), 4–2–3–2
Stradella_bass_system
Six seat retractable gear single-engine general aviation aircraft
strut-braced wing. Its planform changed to a constant taper from root chord to tip chord. In 1970, the 210K became the first full six-seat model. This was
Cessna_210_Centurion
Lowest note of a chord
possible: The bass note is the root or fundamental of the chord. The chord is in root position. One of the other pitches of the chord is in the bass. This makes
Bass_note
American sitcom (1971–1979)
the Days" is sung over the tonic (root chord of the song's key), and the piano strikes a dominant 7th passing chord in transition to the next part, which
All_in_the_Family
American blues musician and songwriter (1911–1938)
described as a "fifth–sixth [degrees of a major scale] oscillation above the root chord". Sometimes, it has been attributed to Johnnie Temple, because he was
Robert_Johnson
American light single radial engine aircraft
later Cessna light aircraft in that it has a straight taper from root chord to tip chord and no dihedral. The airfoil employed is a NACA 2412, the same
Cessna_195
Chord that is shared by two keys
aligned on the chart. Any chord with the same root note and chord quality can be used as the "pivot chord." However, chords that are not generally found
Common_chord_(music)
Chord factor
In a chord, the seventh factor is the note seven scale degrees above the root (including the root itself in the count). For instance, in a G dominant seventh
Seventh_(chord)
Keel type
of this boat is "upside down" under the hull (the root chord is smaller than the tip (bottom) chord) in order to minimize the hull-keel interaction and
Winged_keel
Number whose square is a given number
In mathematics, a square root of a number x is a number y such that y 2 = x {\displaystyle y^{2}=x} ; in other words, a number y whose square (the result
Square_root
Chord made up of four notes
tertian chord they are more specifically called a seventh chord, after the diatonic interval from the root of the chord to its fourth note (in root position
Tetrad_(music)
Technique providing rhythm and harmony to an ensemble
common chord with four different notes is the dominant seventh chord, which include a root, a major third above the root, a perfect fifth above the root and
Rhythm_guitar
Compositional technique in music
compositional technique interspersing the primary diatonic pitches and chords with other pitches of the chromatic scale. In simple terms, within each
Chromaticism
Chord
In music, an augmented major seventh chord or major seventh sharp five chord is a seventh chord composed of a root, major third, augmented fifth, and major
Augmented_major_seventh_chord
Musical chord
"complex and throbbing", the chord does not contain its fundamental (see root chords), E♭, and is a subset of the Romantic Chord, G-Dorian in eight octaves
Magic_chord
Method of pairing compatible chords and scales
where one scale on one root note is used throughout all chords in a progression (for example the blues scale on A for all chords of the blues progression:
Chord-scale_system
of 0.002 D at the theoretical root chord and to decrease the radii towards the wing tips proportionally to the local chord. A support sting to be used with
AGARD-B_wind_tunnel_model
Tonal degree of the diatonic scale
the dominante was a seventh chord over the first note of a descending perfect fifth in the basse fondamentale or root progression, the common practice
Dominant_(music)
Term used in Western music and music theory
tone (or major ninth) above the root chord. Because any chord tone of the diminished seventh can be heard as the root, the tensions are not numbered as
Diminution
British four-jet high-altitude bomber
in each wing root. The design of the Valiant gave an overall impression of a clean aircraft with swept-wing aerodynamics. The root chord thickness ratio
Vickers_Valiant
Relative chord placements
inversion of a G dominant ninth, the bass note is A—the ninth of the chord—with the root, third, fifth, and seventh above it, forming the intervals of a seventh
Inversions_higher_than_third
Four-chord progression
chord in place of the vi, thereby making every chord in the progression a seventh chord. The chord progression may be resolved with the tonic chord,
Royal_road_progression
Harmonic structures constructed from intervals of thirds
which is a minor third. Tertian root movements have been used innovatively in chord progressions as an alternative to root motion in fifths, as for example
Tertian
Seventh mode of the melodic minor scale
tones that define a dominant seventh chord, which are root, major third, and minor seventh and that all other chord tones have been altered. These are:
Altered_scale
Music theory concept
progression, one would replace the dominant seventh chord with a dominant chord that has its root a tritone away from the original: Franz Schubert's String
Tritone_substitution
Polychord
The Elektra chord is a "complexly dissonant signature-chord" and motivic elaboration used by composer Richard Strauss to represent the title character
Elektra_chord
American aircraft prototype
profile's while offering much lower structural weight due to the longer root chord. The design evolved through the rest of 1987 and into May 1988, when Configuration
Lockheed_YF-22
Concept in music theory
spaces to represent the relationship between chords. These spaces can be described as chord spaces or chordal spaces, though the terms are relatively recent
Chordal_space
Musical scale
chord may be created from a diminished seventh chord by adding a diminished octave. It may be created from a major chord by adding the sharpened root
Octatonic_scale
Voicing approach in jazz
relation to the root C, the notes of this E♭ major-triad function, respectively, as the sharp ninth (the root of the E♭ major chord), fifth, and seventh
Upper_structure
German single- or two-seat glider, 1990
the inboard sections approximately 12.6 feet outboard of the fuselage root chord. The wing shells are a carbon fiber/foam core sandwich construction with
Schempp-Hirth_Nimbus-4
ROOT CHORD
ROOT CHORD
Surname or Lastname
Dutch (also de Roos) and Swiss German
Dutch (also de Roos) and Swiss German : habitational name for someone living at a house distinguished by the sign of a rose.Dutch (also de Roos) : metonymic occupational name for someone who grew roses, from roos ‘rose’.Dutch : from the female personal name Rosa (Latin rosa ‘rose’).Dutch : nickname from roos ‘erysipelas’, an infection which causes reddening of the skin and scalp, applied presumably to someone with a ruddy complexion.Swiss German : from a personal name formed with hrÅd ‘renown’.Swedish and Danish (of German origin) : as 1.Swedish : variant of Ros.English and Scottish : variant of Ross 2.
Boy/Male
Dutch
Large.
Surname or Lastname
Dutch
Dutch : from a short form of the Germanic personal name Robrecht.Altered spelling of German Rupp.English : variant spelling of Roope.
Surname or Lastname
English
English : metonymic occupational name for a maker or seller of boots, from Middle English, Old French bote (of unknown origin).Dutch and North German : metonymic occupational name for a boatman, from Dutch boot ‘boat’.
Male
Chinese
a root.
Surname or Lastname
English (now chiefly East Anglia)
English (now chiefly East Anglia) : probably a topographic name for someone who lived by a patch of rough ground, from a hypothetical Old English word rÅ«(we)t or rÅ«het, derivatives of rÅ«h ‘rough’, ‘overgrown’. Compare Rauch. There are places called Ruffet(t) in Surrey and Sussex which are thought to have this origin.German : Swabian variant of Roth 1.Probably an Americanized spelling of German Rauth.Indian (northern states) : Hindu (Rajput, Jat, Maratha) and Sikh name meaning ‘prince’, from Sanskrit rÄjaputra (from rÄja ‘king’ + putra ‘son’). In India this is a variant of a name more commonly spelled Ravat or Raut. The Jats have a clan called Ravat.
Boy/Male
Muslim
Spirit, Soul, Good behaviour, Purity
Surname or Lastname
English
English : variant spelling of Foote.
Boy/Male
Indian, Sanskrit
Beginning; Root
Girl/Female
Hindu
Look, Blessed with beauty, Shape, Beauty
Surname or Lastname
English
English : variant of Rolfe.German : from Ruffo, a short form of a personal name formed with hrÅd ‘renown’, ‘victory’.Probably an Americanized spelling of German Ruf and Ruff.
Surname or Lastname
English
English : patronymic from Root 1.
Girl/Female
British, Dutch, English, French, German, Netherlands
Rose
Surname or Lastname
English
English : nickname from the bird (Old English hrÅc), most likely given to a person with very dark hair or a dark complexion or to someone with a raucous voice.English : some early examples, such as Robert of ye Rook (London 1318) and Henry del Rook (Staffordshire 1332), point clearly to a local name of some kind. The first of these could be from a house sign, the second may be a variant of Rock 1.German : from a short form of a Germanic personal name formed with hrok, of uncertain origin; perhaps a cognate of 1 or from Middle High German rÅhen ‘to cry or yell (in battle)’ or Old High German ruoh ‘intent’.Perhaps an altered spelling of German Ruck.
Surname or Lastname
English
English : nickname for a cheerful person, from Middle English rote ‘glad’ (Old English rÅt).English : metonymic occupational name for a player on the rote, an early medieval stringed instrument (Middle English, Old French rote, of uncertain origin but apparently ultimately akin to Welsh crwth).Dutch : topographic name for someone who lived by a retting place (Dutch root, a derivative of ro(o)ten ‘to ret’, akin to modern English rot), a place where flax is soaked in tubs of water until the stems rot to release the linen fibers.
Boy/Male
American, British, English
Raven
Boy/Male
Egyptian
Root.
Girl/Female
Indian
Soul
Boy/Male
Hindu, Indian, Indonesian, Kenyan
Root
Boy/Male
Indian
Spirit, Soul, Good behaviour, Purity
ROOT CHORD
ROOT CHORD
Boy/Male
Tamil
Vibuthim | விபà¯à®¤à®¿à®®
Derived from Sanskrit - powerful & sacred ash with healing powers created by Sathya Sai baba
Boy/Male
Hindu
With the blessing of Sai - baba ka baccha, Sai ka baccha
Boy/Male
English, Indian
Reason of All
Boy/Male
Arabic, Muslim
Slave of the One who is Light
Male
Spanish
Pet form of Spanish Juan, JUANITO means "God is gracious." This is the masculine form of Juanita.
Girl/Female
Greek
Hyacinth.
Boy/Male
Muslim/Islamic
Servant of the Omniscient
Girl/Female
Gujarati, Hindu, Indian, Kannada, Malayalam, Marathi, Sanskrit, Telugu
Decorated
Boy/Male
Welsh
Legendary son of Gwastad.
Male
French
French form of Roman Latin Remigius, RÉMY means "oarsman."
ROOT CHORD
ROOT CHORD
ROOT CHORD
ROOT CHORD
ROOT CHORD
n.
That factor of a quantity which when multiplied into itself will produce that quantity; thus, 3 is a root of 9, because 3 multiplied into itself produces 9; 3 is the cube root of 27.
v. t.
To spend or pass in riot.
a.
Having roots, or possessing a well-developed root.
v. t.
To turn up or to dig out with the snout; as, the swine roots the earth.
n.
That which resembles a root in position or function, esp. as a source of nourishment or support; that from which anything proceeds as if by growth or development; as, the root of a tooth, a nail, a cancer, and the like.
v. t.
To kick with the foot; to spurn.
n.
The underground portion of a plant, whether a true root or a tuber, a bulb or rootstock, as in the potato, the onion, or the sweet flag.
v. t.
To tread; as, to foot the green.
v. t.
To cover with a roof.
v. i.
To search or root in the ground, as a swine.
n.
That which corresponds to the foot of a man or animal; as, the foot of a table; the foot of a stocking.
a.
Feeding on roots; root-eating.
v. i.
To occupy a room or rooms; to lodge; as, they arranged to room together.
n.
A room for retirement from another room, as from a dining room; a drawing-room.
n.
An edible or esculent root, especially of such plants as produce a single root, as the beet, carrot, etc.; as, the root crop.
a.
Full of roots; as, rooty ground.
v. t.
To cover or dress with soot; to smut with, or as with, soot; as, to soot land.
v. t.
To tear up by the root; to eradicate; to extirpate; -- with up, out, or away.
v. i.
To fix the root; to enter the earth, as roots; to take root and begin to grow.