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Seventh chord composed of four notes
A minor major seventh chord, or minor/major seventh chord is a seventh chord composed of a root, minor third, perfect fifth, and major seventh (1, ♭3,
Minor_major_seventh_chord
Type of musical chord
In music, a minor seventh chord is a seventh chord composed of a root note, a minor third, a perfect fifth, and a minor seventh (1, ♭3, 5, ♭7). In other
Minor_seventh_chord
Type of chord in music
In music, a major seventh chord is a seventh chord in which the third is a major third above the root and the seventh is a major seventh above the root
Major_seventh_chord
Musical chord
seventh chord, or major minor seventh chord, is a seventh chord composed of a root, major third, perfect fifth, and minor seventh; thus it is a major
Dominant_seventh_chord
Musical chord
specified, a "seventh chord" usually means a dominant seventh chord: a major triad together with a minor seventh. However, a variety of sevenths may be added
Seventh_chord
Type of chord in music theory
the half-diminished seventh chord (also known as a half-diminished chord or a minor seventh flat five chord) is a seventh chord composed of a root note
Half-diminished_seventh_chord
Chord
augmented major seventh chord or major seventh sharp five chord is a seventh chord composed of a root, major third, augmented fifth, and major seventh (1, 3
Augmented_major_seventh_chord
Type of musical chord
The diminished seventh chord is a four-note chord (a seventh chord) composed of a root note, together with a minor third, a diminished fifth, and a diminished
Diminished_seventh_chord
System for naming chords
chord quality is usually omitted for major chords) whether the chord is a triad, seventh chord, or an extended chord (e.g. Δ7) any altered notes (e.g. sharp
Chord_notation
Musical scale
seventh chord (iiø7) 3rd: augmented major seventh chord (III+7) 4th: minor seventh chord (ivm7) 5th: dominant seventh chord (V7) 6th: major seventh chord
Harmonic_minor_scale
Musical chord
The augmented seventh chord, or seventh augmented fifth chord, or seventh sharp five chord is a seventh chord composed of a root, major third, augmented
Augmented_seventh_chord
Chord
major seventh chord is a seventh chord composed of a diminished triad and a major seventh. Thus, it is composed of a root note, together with a minor
Diminished major seventh chord
Diminished_major_seventh_chord
Chord where extra pitch is a sixth above the root
versions of added sixth chords are the major sixth, minor sixth, and minor flat sixth. The major sixth chord is a diatonic chord where the sixth scale degree
Sixth_chord
Harmonic grouping of notes
chord Half-diminished seventh chord Minor seventh chord Minor major seventh chord Major seventh chord Augmented major seventh chord Suspended chord Chord
Chord_(music)
Diatonic seventh chord without dominant function
major seventh chord, major seventh chord, minor major seventh chord, minor seventh chord, and major minor seventh chords that do not possess dominant
Nondominant_seventh_chord
Ascending form of the melodic minor scale
the major scale with a minor third, making it a synthetic scale, and features a dominant seventh chord on the fifth degree (V) like the harmonic minor scale
Jazz_minor_scale
Set of notes played on a guitar
seventh chords discussed above, other seventh chords—especially minor seventh chords and major seventh chords—are used in guitar music. Minor seventh
Guitar_chord
Chord factor
seventh variably minor or major. In jazz chords and theory, and classical music theory, the seventh is what defines a chord as a "seventh chord". Moreover,
Seventh_(chord)
Musical interval
occurrence of the minor seventh is built on the root of the prevailing key's dominant triad, producing the all-important dominant seventh chord. During the
Minor_seventh
Musical interval
major seventh interval; perhaps that's why there are few memorable examples." List of meantone intervals Leading tone Major seventh chord Minor seventh Musical
Major_seventh
Tonal degree of the diatonic scale
the seventh scale degree in a major key (viio in Roman numeral analysis), while a leading-tone seventh chord is a seventh chord built on the seventh scale
Leading_tone
Type of musical chord
dominant seventh flat five chord is a seventh chord composed of a root note, together with a major third, a diminished fifth, and a minor seventh above the
Dominant seventh flat five chord
Dominant_seventh_flat_five_chord
Major chord in music theory
minor scales the chord is built on the notes of the corresponding Phrygian mode. The Neapolitan is found far more often in minor keys than in major keys
Neapolitan_chord
Major triad plus the harmonic seventh interval
The harmonic seventh chord is a major triad plus the harmonic seventh interval (ratio of 7:4, about 968.826 cents). This interval is somewhat narrower
Harmonic_seventh_chord
Musical terminology
a dominant chord that fits entirely into the altered scale of the root. This means that the chord has the root, major third, minor seventh, and one or
Altered_chord
Combination of three or more notes
primary intervals in a minor chord are the minor third above the root, and the perfect fifth above the root. There is a major third between the third
Minor_chord
Chords used in jazz music
listeners. In voicing jazz chords while in a group setting, performers focus first on the seventh and the major or minor third of the chord, with the latter indicating
Jazz_chord
Harmonic device in Western music
secondary chords, the dominant of the dominant, is written "V/V" and read as "five of five" or "the dominant of the dominant". The major or minor triad on
Secondary_chord
Succession of musical chords
the key of E♭ major, would be written as E♭ major–B♭ major–C minor–A♭ major in a fake book or lead sheet. In the first chord, E♭ major, the "E♭" indicates
Chord_progression
Form of musical chord
abandon. The minor ninth chord consists of a minor seventh chord and a major ninth above the root. For instance, a C minor ninth chord (Cm9) consists
Ninth_chord
Musical concepts
In Western music, the adjectives major and minor may describe an interval, chord, scale, or key. A composition, movement, section, or phrase may also
Major_and_minor
Technique of using a chord in place of another in a progression of chords
the original chord, for example the minor sixth for the major seventh, or the major seventh for the minor. The diminished seventh chord is often used
Chord_substitution
Musical chord
7♯9 chord ("dominant seven sharp nine" or "dominant seven sharp ninth") is a chord built by combining a dominant seventh, which includes a major third
Dominant seventh sharp ninth chord
Dominant_seventh_sharp_ninth_chord
Musical cadence
A minor plagal cadence is a type of plagal cadence which uses a minor iv instead of the typical major IV before resolving to the I chord. This cadence
Minor_plagal_cadence
Chord made of a tertian triad and a miscellaneous fourth note
tone chord, or added note chord, is a non-tertian chord composed of a triad and one or more extra "added" notes. Any tone that is not a seventh is commonly
Added_tone_chord
Tonal degree of the diatonic scale
that the chord is a minor chord (in C: D–F–A). In a minor key, it is indicated by "iio," indicating that the chord is a diminished chord (in C: D–F–A♭). Because
Supertonic
Musical interval
fundamental) and the seventh harmonic; in that octave, harmonics 4, 5, 6, and 7 constitute the four notes (in order) of a purely consonant major chord (root position)
Harmonic_seventh
Musical scale comprising seven notes
major seventh chord (IM7) 2nd: minor seventh chord (ii7) 3rd: minor seventh chord (iii7) 4th: major seventh chord (IVM7) 5th: dominant seventh chord (V7)
Major_scale
Major and minor scales with same key signature
music is in a major key or its relative minor. To distinguish a minor key from its relative major, one can look to the first note/chord of the melody
Relative_key
Chord that contains the interval of an augmented sixth
enharmonically as a minor seventh (♭ and ♭). Although augmented sixth chords are more common in the minor mode, they are also used in the major mode by borrowing
Augmented_sixth_chord
Harmonic music theory as it applies to Jazz
Jazz recognizes four basic chord types, plus diminished seventh chords. The four basic chord types are major, minor, minor-major, and dominant. When written
Jazz_harmony
Chord whose bass note is indicated by a slash
music, especially modern popular music, a slash chord or slashed chord, also compound chord, is a chord whose bass note or inversion is indicated by the
Slash_chord
Tonal degree of the diatonic scale
minor key, the seventh scale degree is often raised by a half step (♭ to ♮), creating a major chord. These chords may also appear as seventh chords:
Dominant_(music)
Musical chord
Evening", Lesley Gore's "It's My Party" (I – I+ – IV – iv) (see also minor major seventh chord), Herman's Hermits' "There's a Kind of Hush" (continues to ♭7
Augmented_triad
Use of Roman Numeral symbols in the musical analysis of chords
represent major chords, and lowercase numerals (e.g. ii, iii, vi) to represent minor chords. Others use uppercase numerals for all chords regardless
Roman_numeral_analysis
set classes Ninth chord Open chord Passing chord Primary triad Quartal chord Root (chord) Seventh chord Synthetic chord Thirteenth chord Tone cluster Triad
List_of_chords
Degree of a musical scale
the minor mode, the subtonic chord may also appear as a major minor seventh chord (i.e. dominant seventh chord), ♭VII7. In jazz, the flattened seventh is
Subtonic
Musical scale
5-32A) It is the beta chord with one interval diminished: C♯, E, G, A, C♮. It may be considered a major-minor minor seventh chord on A: A, C♮, C♯, E, G
Octatonic_scale
Concept in music theory
the dominant eleventh chord (e.g., C11, C–E–G–B♭–D–F) the minor eleventh chord (e.g., Cm11, C–E♭–G–B♭–D–F) the major eleventh chord (e.g., Cmaj11, C–E–G–B–D–F)
Eleventh_chord
Chord borrowed from the parallel key
borrowed from the parallel key (minor or major scale with the same tonic). Borrowed chords are typically used as "color chords", providing harmonic variety
Borrowed_chord
Topics referred to by the same term
seventh chord in a major key Augmented seventh, an interval Leading-tone or subtonic, the seventh degree and the chord built on the seventh degree Seventh chord
Seventh
Regular tuning among guitars
guitar chords—major, minor, and dominant sevenths—which are emphasized in introductions to guitar-playing and to the fundamentals of music. Each major and
Major_thirds_tuning
Type of musical chord
(5-limit major), or 5-limit minor on C. Half-diminished seventh chord Secondary leading-tone chord Augmented triad Diminished seventh chord Shirlaw, Matthew
Diminished_triad
Musical chord
D. Arend interprets it as "a modified minor seventh chord" F–B–D♯–G♯ → F–C♭–E♭–A♭ → F–B–D–A = D–F–A The chord is a secondary dominant, V/V, and thus
Tristan_chord
Musical scale and mode
except with a raised 4th scale degree. Compared with a major scale, it has a lowered third and seventh (like Dorian mode) and a raised fourth (like Lydian
Ukrainian_Dorian_scale
Common chord progression
minor and major. In minor, a seventh chord built on the supertonic yields a half-diminished seventh chord, which is a very strong predominant chord.
Ii–V–I_progression
Buttonboard layout on accordions
usually indicate chord buttons. The first instance of a chord is labeled M, m, 7, or D (or d, or dim) to a signify major, minor, dominant seventh or diminished
Stradella_bass_system
Tonal degree of the diatonic scale
(1976) These chords may also appear as seventh chords: in major, as IVM7, or in minor as iv7 or sometimes IV7: A cadential subdominant chord followed by
Subdominant
Musical interval of 9 semitones
It also occurs in the second and third inversions of a dominant seventh chord. Major sixth (equal temperament) The file plays middle C, followed by A
Major_sixth
Musical note characterizing a chord
thirds—typically, major and minor thirds. They include traditional triads, like major and minor triads, as well as seventh chords and extended chords. To identify
Root_(chord)
Topics referred to by the same term
PC role-playing video game mM7, mM7, m/M7 or m(M7), chord symbols for a minor major seventh chord "MM7", a 2022 song by Jer Lau This disambiguation page
MM7
Musical interval
scientific pitch notation) is a major ninth. If transposed into a single octave, it becomes a major second or minor seventh. The major ninth is somewhat dissonant
Ninth_(interval)
Musical interval
the chord as major or minor, the seventh is important for the quality as a dominant chord, while the thirteenth is necessary in a thirteenth chord. In
Thirteenth_(interval)
either major or minor. The third in both major and augmented chords is major (E♮ in C) and the third in both minor and diminished chords is minor (E♭ in
Third_(chord)
Treatment of a pitch other than the overall tonic, in music
the tonic chord has a corresponding dominant chord (e.g., in the key of C major, the tonic chord is C major and the dominant chord is G major or G7). The
Tonicization
Change from one tonality to another
sixth. A diminished seventh chord meanwhile, can be respelled in multiple other ways to form a diminished seventh chord in a key a minor third (m3 as root)
Modulation_(music)
Type of guitar chord
(intermodulation distortion). When a typical chord containing such intervals (for example, a major or minor chord) is played through distortion, the number
Power_chord
Guitar performance technique
7ths, minors, minor 7ths, etc. Minor bar chords include a minor third in the chord rather than the major third (in "E" and "A" shaped bar chords, this
Bar_chord
Scale in jazz terminology
in both the major scale and the Mixolydian scale of the same root. This scale is often used over dominant seventh chords and over II-V chord progressions
Bebop_scale
Difference in pitch between two notes
considered interval qualities, rather than chord qualities. For instance, in CmM7 (minor major seventh chord), m is the chord quality and refers to the m3 interval
Interval_(music)
followed by an alteration of the initial pickup measure ending on a minor-major seventh chord. Floyd Cramer performed the song on the organ on his 1962 album
Jordu
Heptatonic music scale
Concerto (1971). As a chord scale, Hungarian Major is both a dominant and a diminished scale, with a fully diminished seventh chord composed of C, D♯, F♯
Hungarian_major_scale
End of a musical phrase with resolution
dominant seventh chord (V7); other dominant-functioning chords such as a leading tone triad or seventh chord can also take its place. The dominant chord may
Cadence
Type of musical chord
a primary triad is one of the three triads, or three-note chords built from major or minor thirds, most important in tonal and diatonic music, as opposed
Primary_triad
Type of chord
English. G major and E minor are called parallel keys. The G major chord and the E minor chord in the key of C major are called parallel chords in the Riemann
Parallel_and_counter_parallel
Triad of scale patterns in music theory
quite different from the major scale. The tonic chord (A–C–E) is minor, as are the subdominant (D–F–A) and dominant chords (E–G–B). The absence of the
Minor_scale
Prominent chord progression in popular music
Coltrane's "Equinox" and "Mr. P.C.". The chord on the fifth scale degree may be major (V7) or minor (v7). Major and minor can also be mixed together, a signature
Twelve-bar_blues
Method of pairing compatible chords and scales
The chord-scale system is a method of matching, from a list of possible chords, a list of possible scales. The system has been widely used since the 1970s
Chord-scale_system
Fifth mode of the melodic minor scale
natural minor scale. This scale has the following chords (in Roman numeral major-based notation): I iidim iiidim iv v bVI+ bVII There are also some chords that
Mixolydian_b6_scale
Musical interval
(12-ET), the minor sixth is enharmonically equivalent to the augmented fifth. It occurs in first inversion major and dominant seventh chords and second
Minor_sixth
Compositional technique in music
chromatic harmony, which employs chords containing tones not found in the prevailing major or minor scale. ... Chromatic chords add color and motion to romantic
Chromaticism
Relative chord placement
The first inversion of a chord is the voicing of a triad or seventh chord in which the third of the chord is the bass note and the root is a sixth (or
First_inversion
Type of musical scale
Melodic mode of improvisation in Indian music Suspended chord – Musical chord in which the (major or minor) third is omitted Traditional sub-Saharan African
Pentatonic_scale
Polychord
of E major and C-sharp major" and may be regarded as a polychord related to conventional chords with added thirds, in this case an eleventh chord. It is
Elektra_chord
Form of sheet music
notating chord changes using numbers based on scale degrees, in lieu of chord names. For example, in the key of C major, the chord D minor seventh can be
Chord_chart
Tonal degree of the diatonic scale
In major scales, the mediant chord is a minor triad and is symbolized with the Roman numeral iii. In natural minor scales, the mediant is a major triad
Mediant
Tonal degree of the diatonic scale
chords. Submediant chords may also appear as seventh chords: in major, as vi7, or in minor as VIM7 or ♯viø7: In rock and popular music, VI in minor often
Submediant
Chordal accompaniment to a line or melody
chord (or even a dominant 7th), the sixth note the vi minor chord, the seventh note the vii diminished chord and the octave would be a I major chord.
Harmonization
Musical scale with unusual steps
Or, in relation to the tonic note minor second, major third, perfect fourth and fifth, minor sixth, major seventh, octave However, this scale is commonly
Double_harmonic_scale
Major and minor scales with same tonic
its parallel minor by lowering the third, sixth, and seventh scale degrees, and a minor scale can be transformed to its parallel major by raising those
Parallel_key
Any musical scale used in jazz
of chordal alterations. For instance, in C major, a jazz musician may alter the V chord, G7 (G–B–D–F), with a flattened fifth, producing the chord G7♭5
Jazz_scale
Set of preludes by Alexander Scriabin
left hand melody in C♯ minor accompanied by distinctly major right hand block chords. The frequent major ninths and major sevenths contribute luxurious
24 Preludes, Op. 11 (Scriabin)
24_Preludes,_Op._11_(Scriabin)
Musical interval encompassing three half steps
interval number). The minor third is one of two commonly occurring thirds. It is called minor because it is the smaller of the two: the major third spans an
Minor_third
Chord that connects the notes of two diatonic chords
loosely termed a passing chord. A diatonic passing chord may be inserted into a pre-existing progression that moves by a major or minor third in order to create
Passing_chord
Musical Scale
or minor chords. The 4th mode of the Neapolitan major, also known as the Lydian Dominant ♭6 scale, is an excellent choice for the 9 ♯11 ♭13 chord. Said
Neapolitan_scale
Representation of the scale range of just intonation
minor chord with an added lower seventh (E-sharp or F is a seventh below the reference of this G-sharp minor chord, the D-sharp) resolves in an E major chord
Vogel's_Tonnetz
Chord in music theory
additions. The fifth in a major and minor chord is perfect (G♮ in C). When the fifth of a major chord is raised it is an augmented chord (G♯ in C) Play. When
Fifth_(chord)
Type of mediant and submediant chord
mediants: E major, A major, E♭ major, A♭ major, E♭ minor and A♭ minor. When a conservative chromatic mediant relationship involves seventh chords, "...the
Chromatic_mediant
Voicing approach in jazz
are the major third and minor seventh of the C7♯9 chord. In the upper staff, the notes E♭, G, and B♭ are given together, which form an E♭ major triad.
Upper_structure
Type of musical scale and characteristic behaviors
than a minor sixth (m6). Tonic triad: Dm Tonic seventh chord: Dm7 Dominant triad: Am Seventh chord on the dominant: Am7 (a minor seventh chord) The Phrygian
Mode_(music)
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MINOR MAJOR-SEVENTH-CHORD
MINOR MAJOR-SEVENTH-CHORD
MINOR MAJOR-SEVENTH-CHORD
MINOR MAJOR-SEVENTH-CHORD
MINOR MAJOR-SEVENTH-CHORD
MINOR MAJOR-SEVENTH-CHORD
MINOR MAJOR-SEVENTH-CHORD
MINOR MAJOR-SEVENTH-CHORD
MINOR MAJOR-SEVENTH-CHORD
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