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See searches and references containing SWASH TYPOGRAPHY!SWASH TYPOGRAPHY
Typographical flourish found on some letterforms, particularly in italics
A swash is a typographical flourish, such as an exaggerated serif, terminal, tail, entry stroke, etc., on a glyph. The use of swash characters dates back
Swash_(typography)
Topics referred to by the same term
Procter & Gamble Swash (appliance), a Whirlpool corporation appliance Swash (typography), a typographical flourish on a glyph SWASH (water, sanitation
Swash_(disambiguation)
Seventeenth letter of the Latin alphabet
bowl, with or without a swash (i.e., flourish), or even a reversed lowercase p. The "q"'s descender is usually typed without a swash due to the major style
Q
Topics referred to by the same term
showy movement of playing cards A decorative curl in typography or handwriting, such as a swash Floruit ("they flourished"), the period during which a
Flourish
Archaic form of the Latin-script letter s (ſ)
"terminal", or "round" s. In typography, the long s is known as a type of swash letter, commonly referred to as a "swash s". As with other letters, the
Long_s
1869 serif typeface
bolder than most body text faces, Bookman has been used for both display typography, for trade printing such as advertising, and less commonly for body text
Bookman_(typeface)
stroke that does not end in a serif The finial, a tapered or curved end The swash, an extended or decorative flourish that replaces a serif or terminal on
Stroke_ending
Modern typographers view typography as a craft with a very long history tracing its origins back to the first punches and dies used to make seals and coinage
History_of_Western_typography
Typeface
Adobe Originals family of typefaces including a swash version, it attained a wide usage in digital typography. Regarded as the first family of italic type
Poetica_(typeface)
Computer technology by Apple
Apple Advanced Typography (AAT) is Apple Inc.'s computer technology for advanced font rendering, supporting internationalization and complex features for
Apple_Advanced_Typography
Computer font file format
date to Microsoft's attempt to license Apple's advanced typography technology GX Typography in the early 1990s. Those negotiations failed, motivating
OpenType
Typeface
finished his studies at Stanford and was interested in entering the field of typography. He told Zapf his idea of making a typeface with a large number of glyph
Zapfino
Font designed to aid retention of the content written using it
v t e Typography Page Canons of page construction Column Even working Margin Page numbering Paper size Pagination Pull quote Recto and verso Intentionally
Sans_forgetica
Serif typeface
figures, and swash glyphs. There are also fonts for dingbats (Minion Ornaments), and a Black-weighted font (Minion Black Expert). Swash fonts are included
Minion_(typeface)
v was derived from V for the consonant. In the case of I, a word-final swash form, j, came to be used for the consonant, with the un-swashed form restricted
History_of_the_Latin_script
these features, for example to enable fancy stylistic capital letters (swash caps) or to choose between ranging (full-height) and non-ranging (old-style
List_of_typographic_features
Printsetting and typographical technique
eighteenth-century Caslon metal fonts, the British pound sign (£) was set with a rotated swash uppercase J. The following rotated (turned) letters have Unicode codepoints
Rotated_letter
Transitional serif typeface designed by Zuzana Licko
ranging from the common to the fanciful and including intertwined and swash designs. Ligatures in all variants of Mrs Eaves include the standard fi
Mrs_Eaves
Serif typeface
bold type did not exist until long after Jenson's and Arrighi's work), and swash italic alternate characters. Centaur shows some of the irregularities of
Centaur_(typeface)
Serif typeface
to headings. In addition, Arno contains alternate letter styles such as swash italics inspired by Renaissance calligraphy. Other supported OpenType features
Arno_(typeface)
Serif typeface by Frederic Goudy
spoilt Jenson". The italic has flourishes on some letters and alternate swash capitals. Initially cast privately in metal type, Kennerley was later made
Kennerley_Old_Style
Serif typeface
substitution and small caps. LTC's digitisation includes the calligraphic and swash alternate characters, as well as small caps. Goudy Catalog has been copied
Goudy_Old_Style
Typeface family
apart from the gros-canon, and the parangonne uniquely includes terminal swash forms for a e m n r t (two forms) and z. Garamond cut more roman types than
Garamond
Old-style serif typeface
P22's digitisation under their LTC imprint perhaps uniquely includes the swash capitals and small caps in italics. The open-source "League of Movable Type"
Deepdene_(typeface)
Serif typeface
specific early model." Palatino's italic in metal type included a set of swash capitals. These have not been found in digitisations, although digitisations
Palatino
American type foundry
brand-new sans-serif logo by Mark van Bronkhorst (replacing the famous swash lettered logo by Herb Lubalin). In an editorial, John D. Berry wrote: "There’ll
International Typeface Corporation
International_Typeface_Corporation
Old-style serif typeface
figures, Oldstyle figures, Tabular figures, Fractions, Superiors, Ornaments, Swash, Proportional Lining figures. Except in Black weights, the fonts include
Sabon
1938 serif typeface by Frederic Goudy
Serifs are fine slabs with minimal bracketing. Goudy provided a set of swash capitals as alternates for the italic. Like many of Goudy's other families
University of California Old Style
University_of_California_Old_Style
Italian printing press manufacturer and former type foundry
Blandford Press Lts.: 1953, 1983. ISBN 0-7137-1347-X. Friedl, Ott, and Stein, Typography: an Encyclopedic Survey of Type Design and Techniques Throughout History
Nebiolo_Printech
Typeface with serifs
new features, in particular swash capitals for historicist printing. From around 1887 the type was sold with additional swash capitals. Howes describes
Caslon
German type designer and calligrapher (1918–2015)
Koch, son of Rudolf Koch. He spent most of his time there working in typography and writing songbooks. Through print historian Gustav Mori, Zapf came
Hermann_Zapf
Symbol representing the word "and" (&)
LIGATURE OPEN ET ORNAMENT U+1F674 🙴 HEAVY AMPERSAND ORNAMENT U+1F675 🙵 SWASH AMPERSAND ORNAMENT The last six of these are carryovers from the Wingdings
Ampersand
American painter (1880–1964)
in collaboration with Morris Fuller Benton Swash letters for Caslon Oldstyle Italic No. 471 (1920, ATF) Swash letters for Garamond No. 3 + Italic (1922
Thomas_Maitland_Cleland
American typographer (1886–1953)
Style series, all based on Frederic Goudy's Old Style Swash capitals for Goudy Bold Italic (1919) Swash capitals for Goudy Handtooled Italic (1922) Goudy
Sol_Hess
Geometric sans-serif typeface
501-26 serie corsiva nera stretta (bold italic condensed) In addition, some swash capitals were offered and a shadowed capital face, Ombra, not to be confused
Semplicità
Humanist sans-serif typeface
looked very different, with less of a slope, very long descenders, and swash capitals. The final version did not use the calligraphic italic "g" that
Gill_Sans
French type designer & printer (c.1513–1590)
specimen of c. 1585 Italic and Greek types Italic capitals by Granjon with swash alternate characters Granjon's Ascendonica italic in a book. Title page
Robert_Granjon
Typeface family
their designs. In addition, the font includes OpenType features such as swash italic capitals and schoolbook alternates. Duffner's intention was to include
EB_Garamond
nineteenth centuries and several such as Goudy Old Style being sold with a swash italic for display use. His sans-serif series, Goudy Sans, adopts an eccentric
List of typefaces designed by Frederic Goudy
List_of_typefaces_designed_by_Frederic_Goudy
Dutch type designer and graphic designer (born 1960)
all weights, text figures, tabular figures, ligatures, and two sets of swash characters. In 2006 the FF Nexus family won the first prize at the Creative
Martin_Majoor
American type and graphic designer (1879–1940)
New Castle Delaware, 1993, ISBN 0-938768-34-4. Friedl, Ott, and Stein, Typography: an Encyclopedic Survey of Type Design and Techniques Throughout History
Oswald_Bruce_Cooper
Open source UI framework
interface elements, such as 2D/3D rendering, fixed and adaptive documents, typography, vector graphics, runtime animation, and pre-rendered media. These elements
Windows Presentation Foundation
Windows_Presentation_Foundation
stroke U+023F ȿ 575 Latin Small Letter S with swash tail U+0240 ɀ 576 Latin Small Letter Z with swash tail U+0241 Ɂ 577 Latin Capital Letter Glottal
List_of_Unicode_characters
American book designer, painter and typeface designer
cast by Ludlow Typograph Ludlow Black (1924), a knock-off of Cooper Black Swash letters for Robert Wiebking's Artcraft (1924) Cameo (1927) Delphian Open
R._Hunter_Middleton
Style for gender-neutral written German
Digital typography Character encoding Hinting Text shaping Rasterization Typographic features Web typography Bézier curves Desktop publishing Typography in
Binnen-I
Style of display typeface and lettering
In typography, a fat face letterform is a serif typeface or piece of lettering in the Didone or modern style with an extremely bold design. Fat face typefaces
Fat_face
Script typeface
cancelleresca style of 16th-century Italian writing masters, Alexa has no swash terminals or ligatures. The absence of these features and its pronounced
Alexa_(typeface)
Archaic letter of the Greek alphabet
Commonly used forms range from small, π-like shapes () to shapes with large swash curves (), while the stems can be almost upright () or almost horizontal
Sampi
typographic research on historical character designs from the early years of typography has been carried out. Many of the letters were produced as "revivals"
Monotype_typefaces
Neo-grotesque sans-serif typeface
Chalet and similar 1970s adaptations for distinctive letters such as a swash 'G' and a curled 't', and giving it tight default spacing for display use
Helvetica
Old-style serif typeface
sixteenth centuries. Book designer Elizabeth Friedländer drew some rarely-seen swash capitals for Bembo for capital introductions to Churchill's history of the
Bembo
American printer and type designer (1865–1947)
constantly to create a greater and more general esteem for good printing and typography, to give printers and reader of print more legible and more beautiful
Frederic_Goudy
Transitional serif typeface
country and may be considered as the founder of that luxuriant style of typography which at present so generally prevails; and which seems to have attained
Baskerville
American graphic designer, letter, typeface designer, bibliographer (1878–1955)
(1918, BB&S, later ATF) Parsons Italic (1918, BB&S, later ATF) Parsons Swash Initials were designed for BB&S by Sidney Gaunt, not Ransom Several series
Will_Ransom
Serif typeface
Windows' Times New Roman includes small capitals, text figures, and italic swash capitals. It omits automatic ligature insertion, but enabling the "discretionary
Times_New_Roman
Dutch type designer (1605 – 1669)
symmetry" and the "good reason for his order and method." His types included swash capitals and terminal forms, although smaller numbers than were common in
Christoffel_van_Dijck
Punctuation and accent mark (~, ◌̃)
inherited into Unicode as U+007E. A similar shaped mark (⁓) is known in typography and lexicography as a swung dash: these are used in dictionaries to indicate
Tilde
English type foundry, founded c. 1720
typeface Fat face italic; the sample text "VANWAYMAN" shows its range of swash capitals Shaded Antique (slab-serif) italic Shaded slab serif Shaded slab-serif
Caslon_Type_Foundry
Bentons's Stymie series: Stymie Compressed (1932) Stymie Inline Title (1932) Swash letters for Bookman (1936?) MacGrew, Mac, American Metal Typefaces of the
Wadsworth_A._Parker
Writing system
yē ے is used at the end of some words. Arabic (Unicode block) Arabic typography Eastern Arabic numerals (digit shapes commonly used with Arabic script)
Arabic_script
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SWASH TYPOGRAPHY
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SWASH TYPOGRAPHY
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