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Fifth mode of the harmonic minor scale
In music, the Phrygian dominant scale also known as Phrygian ♮3 or Double Harmonic Major ♭7 is the fifth mode of the harmonic minor scale, the fifth being
Phrygian_dominant_scale
Authentic Gregorian mode
set of octave species or scales; the medieval Phrygian mode, and the modern conception of the Phrygian mode as a diatonic scale, based on the latter. In
Phrygian_mode
Musical scale with unusual steps
scale by one semitone. raising the seventh of the Phrygian dominant scale (a mode of the harmonic minor scale) by a semitone. The Phrygian dominant in
Double_harmonic_scale
Any musical scale used in jazz
harmonic minor scale is its fifth mode (phrygian dominant scale), which is a frequently used over dominant chords. The altered dominant scale, also called
Jazz_scale
Musical scale with seven pitches
may also be considered built on the dominant of the harmonic minor scale. Neapolitan minor differs from the Phrygian in having a major seventh. Verdi's
Heptatonic_scale
Topics referred to by the same term
the dominant scale is: Mixolydian mode Dominant scale may also refer to: Phrygian dominant scale Lydian dominant scale altered dominant scale (a jazz
Dominant_scale
Musical scales based on Romani music
minor scale. Phrygian dominant scale, also known as Freygish or Jewish scale; Spanish Gypsy or Spanish Phrygian scale. "Spanish Guitar Scales - TAB,
Gypsy_scale
Musical scale and mode
usages of this scale are common across many of these cultural groups, such as modulations between it and the Phrygian dominant scale. As stated above
Ukrainian_Dorian_scale
Triad of scale patterns in music theory
harmonic minor scale around the dominant, which introduces a Phrygian flavor to their melodies. The Hungarian minor scale is a harmonic minor scale with a raised
Minor_scale
Ascending or descending sequence of musical tones
or diminished scales (eight notes) A large variety of other scales exists, some of the more common being: The Phrygian dominant scale (a mode of the
Scale_(music)
Musical scale
key of A minor, the dominant (V) chord (the triad built on the 5th scale degree, E) is a minor triad in the natural minor scale. But when the seventh
Harmonic_minor_scale
Type of musical scale
major scale Ukrainian Dorian scale Phrygian dominant scale Double harmonic scale Gypsy scale Verbunkos Kahan, Sylvia (2009). In Search of New Scales, p.
Hungarian_minor_scale
Scale obtained by sharpening the second and third degrees of the locrian mode
natural minor scale or Aeolian mode with raised third and lowered fifth intervals. It may also be derived from the Phrygian Dominant scale, but this time
Major_Locrian_scale
Topics referred to by the same term
Arabic music Major locrian scale, a scale similar to locrian, also the aeolian mode with ♭ 5th and ♯ 3rd, Phrygian dominant scale with ♭ 5th and ♯ 2nd, or
Arabic_scale
Musical Scale
could also be known as the "Phrygian harmonic minor" or "Phrygian melodic minor." The scale therefore shares with the Phrygian mode the property of having
Neapolitan_scale
Fourth mode of the melodic minor scale
the acoustic scale, overtone scale, Lydian dominant scale (Lydian ♭7 scale), or the Mixolydian ♯4 scale is a seven-note synthetic scale. It is the fourth
Acoustic_scale
Musical mode or scale
In music theory, the flamenco mode (also Major-Phrygian) is a harmonized mode or scale abstracted from its use in flamenco music. In other words, it is
Flamenco_mode
Ascending form of the melodic minor scale
scale, for example the Phrygian ♮6, the second mode of the melodic minor, is named so because it is the same as the Phrygian mode of the major scale with
Jazz_minor_scale
British guitarist
legato and staccato licks, exotic scale runs, making extensive use of the harmonic minor and Phrygian dominant scale, extreme use of his whammy bar, quick
Herman_Li
Topics referred to by the same term
types used in weekly prayer services of Sephardic Jewish culture Phrygian dominant scale, sometimes called the hijaz maqam Rast (maqam) Maqam (shrine),
Maqam
Music scale used in Middle Eastern compositions
D♭, E, F, G♭, A♭, B, C This scale contains the following modes: It is most closely related to the Phrygian dominant scale as their bottom tetrachords
Persian_scale
Set of musical alterations
uses scales other than diatonic major or minor, such as Phrygian dominant scale. Because of the limitations of the Great Highland Bagpipe scale, key signatures
Key_signature
1979 single by the Swedish group ABBA
to be recorded outside of Sweden, additionally the use of the Phrygian dominant scale marks it as unusual as a pop song and gives it a unique sound.[citation
Voulez-Vous_(song)
Mode in Arabic music
Nahfat (نهفت), Huseini Ushayran (حسيني عشيران), Hijaz – Also The Phrygian Dominant Scale Hijaz (حجاز), Hijaz Kar (حجاز كار), Shad ‘Araban (شد عربان), Shahnaz
Arabic_maqam
Seven-tone musical scale
modes such as the phrygian, Lydian, or locrian actually maintain a harmony rigorously fixed on them. What usually happens is that the scale is harmonized
Lydian_mode
Type of musical scale and characteristic behaviors
triad: Dm Tonic seventh chord: Dm7 Dominant triad: Am Seventh chord on the dominant: Am7 (a minor seventh chord) The Phrygian mode is the third mode. The example
Mode_(music)
1997 promotional single by Tool
Most of the song is written in D Phrygian dominant scale, also known as the fifth mode of the G harmonic minor scale. In March 2023, Rolling Stone ranked
Forty_Six_&_2
musical scales and modes. Degrees are relative to the major scale. Bebop scale Chord-scale system Flamenco mode Heptatonic scale Hexany Jazz scale List of
List of musical scales and modes
List_of_musical_scales_and_modes
Chord progression
the Phrygian mode of a Major parent scale and the Phrygian Dominant mode of a Harmonic Minor scale, e.g. E, F, G (phrygian) or G ♯ (phrygian dominant),
Andalusian_cadence
Musical terminology
Neapolitan chord – Major chord in music theory Phrygian dominant scale – Fifth mode of the harmonic minor scale Erickson, Robert (1957). The Structure of Music:
Altered_chord
End of a musical phrase with resolution
words, the Phrygian half cadence begins with the first chord built on scale degree , while the Lydian half cadence is built on the scale degree ♯.[citation
Cadence
2023 single by Kylie Minogue
The song is written in 4 4 time and is based on a phrygian dominant scale of C (a Mixolydian scale with lowered 9th (2nd) and lowered 13th (6th), which
Padam_Padam_(song)
1977 song by Al Di Meola
piece comes from the C-sharp Phrygian dominant scale, which is composed from the fifth degree of an F-sharp harmonic minor scale. When Di Meola performs it
Egyptian_Danza
1976 song by Rainbow
all involved." Blackmore's solo, after the second verse, is in B Phrygian dominant scale, and is cited as "one of his best". The song has been called a
Stargazer_(Rainbow_song)
Heptatonic music scale
The Hungarian major scale or the Lydian Dominant ♯2 scale is a heptatonic scale subset of the octatonic scale with an omitted ♭2 degree. It has the following
Hungarian_major_scale
Class of music scales with seven notes
Dorian, Phrygian, and Aeolian. To these may be added the seventh diatonic scale, with a diminished fifth above the reference note, the Locrian scale. These
Diatonic_scale
Traditional styles of Kurdish maqam
بەیات) Hijaz – Also The Phrygian Dominant Scale Ĥîjaz (Kurdish: حیجاز), Hijazkar (Kurdish: حیجازکار) Kurd – Also the Phrygian Scale Kurd (Kurdish: مەقامی
Kurdish_maqam
American jazz fusion guitarist (born 1954)
"Egyptian Danza" – the opening track from Casino – is based on a Phrygian dominant scale. Right around that time, he said he was also keen on applying "elements"
Al_Di_Meola
Macedonian rock band
in the use of odd meters (5/4, 7/8) and non-traditional scales (e.g. the Phrygian dominant scale). While all the musicians were fairly accomplished, Vlatko
Leb_i_sol
2003 promotional single by System of a Down
this structure enables protestors to quickly join in. It uses a Phrygian dominant scale common in heavy metal, but also often used to create a non-Western
Boom!_(System_of_a_Down_song)
Béla Bartók suite of six piano pieces (1915)
'Romanian minor' scale on key centre B Bucsumí tánc / Buciumeana Moderato, = 100 35 seconds A major Binary with 2 tunes Phrygian dominant scale on key centre
Romanian_Folk_Dances
Miles Davis' 1958 composition
harmonically and melodically of the Phrygian dominant scale and the minor Gypsy scale (technically known as the double harmonic scale), and it is set in thirty-two-bar
Nardis_(composition)
Musical scale
harmonic major scale is major scale with a lowered sixth. Its upper tetrachord is the same as that of the harmonic minor scale. Harmonic major scales are commonly
Harmonic_major_scale
2022 single by Sam Smith and Kim Petras
synth-pop song with choral and hyperpop influences. It uses the Phrygian dominant scale and its lyrics are about a family man who cheats on his wife at
Unholy (Sam Smith and Kim Petras song)
Unholy_(Sam_Smith_and_Kim_Petras_song)
1967 song by Pink Floyd
unusually for Western music, Wright provides an organ solo in the F# Phrygian dominant scale with a natural sixth instead of its typical flatted counterpart
Matilda_Mother
1874 piano suite by Modest Mussorgsky
augmented second intervals approximates Jewish modes such as the Phrygian dominant scale. The movement is in ternary form A – B – A+B: Andante, grave energico
Pictures_at_an_Exhibition
Style of Jewish music
traditional Klezmer context. Freygish, Ahavo Rabboh, or Phrygian dominant scale resembles the Phrygian mode, having a flat second but also a permanent raised
Klezmer
Major chord in music theory
lowered (flat) second (supertonic) scale degree. In Schenkerian analysis, it is known as a Phrygian II, since in minor scales the chord is built on the notes
Neapolitan_chord
Topics referred to by the same term
Hindustani classical music Hijaz-Nahawand maqam, also known as Phrygian dominant scale 1910 Hedjaz meteorite fall This disambiguation page lists articles
Hejaz_(disambiguation)
Use of Roman Numeral symbols in the musical analysis of chords
uses the tonic (I), subdominant (IV), and dominant (V) chords built upon the first, fourth and fifth scale degrees respectively. Roman numeral analysis
Roman_numeral_analysis
Topics referred to by the same term
version of Gypsy (Shakira song) Spanish gypsy scale, a musical scale more commonly known as Phrygian dominant scale. This disambiguation page lists articles
Spanish Gypsy (disambiguation)
Spanish_Gypsy_(disambiguation)
2025 single by Tate McRae
single of the era. The song is composed in a key of A, using the Phrygian dominant scale. In an interview, McRae revealed that "Sports Car" was "such a
Sports_Car_(song)
2003 single by Rachel Stevens
composed in a key of A, utilizing the Phrygian mode, while the underlying chords imply the Phrygian dominant scale. "Sweet Dreams My L.A. Ex" received mixed
Sweet_Dreams_My_L.A._Ex
Greek music genre
classical music. Some of them include rast, uşşâk, hijaz (or "phrygian dominant scale"), saba(h) and nahawand. The makam system of modes serves as the
Rebetiko
Position of a musical note on a scale relative to the tonic
music theory, the scale degree is the position of a particular note on a scale relative to the tonic—the first and main note of the scale from which each
Degree_(music)
2000 studio album by Lou Reed
between the F and E major chords commonly associated with the E Phrygian dominant scale, used regularly in flamenco. "Modern Dance", described by Christgau
Ecstasy_(Lou_Reed_album)
Major scale based on F-flat
enharmonic E for F-flat, but its coda employs F-flat directly, with a Phrygian cadence through F-flat onto the tonic. An example of F-flat major being
F-flat_major
(starogradska muzika), and is recognizable by the heavy use of the Phrygian dominant scale, includes: lyric songs, epic songs, labour songs, ritual songs
Music_of_North_Macedonia
Form of contemporary Jewish religious music
his Jewish heritage through music, incorporating klezmer and the Phrygian dominant scale into his established style. This resulted in several projects,
Jewish_rock
Macedonian musician
occasional use of odd meters (5/4, 7/8) and non-traditional scales (e.g. the Phrygian dominant scale). He played the guitar solo in the song "Za Milion Godina"
Vlatko_Stefanovski
2013 single by Jason Derulo featuring 2 Chainz
"Somewhereinamerica" by Jay-Z. The song is in the F♯ minor with a Phrygian dominant scale. In mainstream pop radio, 2 Chainz's rap verse is not heard over
Talk Dirty (Jason Derulo song)
Talk_Dirty_(Jason_Derulo_song)
Musical scale
The Romanian major scale also known as the Lydian Dominant ♭2 scale is a heptatonic scale subset of the octatonic scale with an omitted ♭3 degree. It is
Romanian_major_scale
Fourteenth raga in the Melakarta
Vakulabharanam (pronounced vakuḷābharaṇam) is a rāgam in Carnatic music (musical scale of South Indian classical music). It is the 14th melakarta rāgam in the
Vakulabharanam
Jewish songs with Arabic melodies
Western major scale, is the thematic maqam that contains many holiday melodies. Maqam hijaz, which corresponds to the Phrygian dominant scale, is the thematic
Pizmonim
Method of pairing compatible chords and scales
minor scale, the diminished scales, the whole-tone scale, and pentatonic and bebop scales. In the example below featuring C7♯11 and C lydian dominant every
Chord-scale_system
Musical scale containing no semitones
commonly classifies scales as either hemitonic or anhemitonic. Hemitonic scales contain one or more semitones, while anhemitonic scales do not contain semitones
Anhemitonic_scale
Oldest surviving complete piece of music
notation signs above the words. A Hellenistic Ionic song, it is either in the Phrygian octave species or Ionian (Iastian) tonos. The melody of the song is recorded
Seikilos_epitaph
System of pitch organization in Gregorian chant
correspond to the modern modal scales starting on re (Dorian), mi (Phrygian), fa (Lydian), and sol (Mixolydian). The tenor, or dominant (corresponding to the "reciting
Gregorian_mode
Series of four notes separated by three intervals
the first note of the scale. Diatonic: E–D–C–B | A–G–F–E Chromatic: E–D♭–C–B | A–G♭–F–E Enharmonic: E–D–C–B │ A–G–F–E Phrygian scale The second note of the
Tetrachord
Third mode of the melodic minor scale
In music, the Lydian augmented scale (Lydian ♯5 scale) is the third mode of the ascending melodic minor scale. Starting on C, the notes would be as follows:
Lydian_augmented_scale
Type of chord in music theory
also chord tones of B♭9 { B♭ D F A♭ C }. This scale, sometimes called the Phrygian dominant, is the only scale that keeps all the chord tones on the beat
Half-diminished_seventh_chord
Degree of a musical scale
similar usage of a tone one whole step below the mode final in the Dorian, Phrygian, and Mixolydian modes. The triad built on the subtonic note is called the
Subtonic
any scales and came to realise that superimposing a Phrygian and a Lydian scale with the same tonic resulted in what looked like a chromatic scale. Bartók's
Polymodal_chromaticism
Jewish musical style
a variant of the Magein Avot scale that flattens the second scale degree. This scale resembles the Western Phrygian scale or the Arabic maqam Kurd. The
Nusach_(Jewish_music)
Musical mode
well as to mode 3 (Phrygian)—as it is to Glarean's Aeolian. In modern usage, the Aeolian mode is the sixth mode of the major scale and has the following
Aeolian_mode
Geographical area associated with a specific cultural orientation
shared small intervals in scales, melodies, and polyphony. would usually use the harmonic minor scale and the Phrygian scale. American Indian, East Asia
Cultural_area
The symmetric diminished scale, also known as "half-whole", goes as follows: 1 ♭2 ♯2 3 ♯4 5 6 ♭7 It can be applied to a dominant chord, the root of which
Synthetic_mode
Harmonic music theory as it applies to Jazz
V7(sus4) chord as a dominant and non-dominant functioning chord, major/minor interchange, blues harmony, secondary dominants, extended dominants, deceptive resolution
Jazz_harmony
Approach in music theory
we consider all scales to have the B root - so we would say that the progression is B Aeolian, B Dorian, B Lydian, and B Phrygian. A more complex example
Pitch_axis_theory
Bassline ostinato
tonic to dominant, with each step harmonized. The diatonic version is the upper tetrachord from the natural minor scale, known as the Phrygian tetrachord
Lament_bass
chord Philosophy of music Phonograph Phorminx Phrase (music) Phrygian dominant scale Phrygian mode Piano Piano ballade Piano concerto Piano duet Piano extended
Index_of_music_articles
Musical form and style of flamenco
major mode (tonic, subdominant, dominant), resolving in the corresponding Phrygian mode of the same scale. The Phrygian mode is used for the short interludes
Malagueñas_(flamenco_style)
Symphony by Johannes Brahms
Featuring a theme in E Phrygian, heard at the beginning unaccompanied and at the end with a lush orchestral accompaniment in the dominant scale, this movement
Symphony_No._4_(Brahms)
analysed all "sonorities" available within the resources of the tempered scale portrayed in staff notation and including adjacency intervals, generated
List_of_set_classes
Spontaneous composition in jazz
pianist on an altered dominant chord on G might include (at the discretion of the performer) a flatted ninth A♭ (a ninth scale degree flattened by one
Jazz_improvisation
Swedish guitarist and record producer
exotic scales such as harmonic minor, phrygian dominant, and diminished minor. His extended theory knowledge enables him to mix these scales with others
Andy_LaRocque
Guitar, Amazon Digital Services, Inc., ASIN: B008FRWNIW. List of musical intervals List of pitch intervals List of musical scales and modes Cadence (music)
List_of_chord_progressions
2003 single by Muse
Guitar Tracks. The main riff is based around the Phrygian Dominant mode of the harmonic minor scale. The verses follow a chromatic chord progression.
Stockholm Syndrome (Muse song)
Stockholm_Syndrome_(Muse_song)
1930 symphony by Igor Stravinsky
measures 15–16, the piano plays in the E Phrygian mode), it was not a conscious decision: I was not aware of "Phrygian modes," "Gregorian chants," "Byzantinisms
Symphony_of_Psalms
Iron(III) oxide-hydroxide named in honor to the poet Goethe
that the legend of King Midas' golden touch might have originated from Phrygian royalty wearing clothes made from such golden-colored textiles. Iridescent
Goethite
Developmental approach to music education
and Phrygian mode, i-ii shifting drones and triads. Part Two: Tonic and Leading Note triads, i-IV and decoration of the third. Vol III Major Dominant and
Orff_Schulwerk
Unaccompanied cello sonata
dorian scale, while the second pair has tonal implications, emphasizing the dominant and establishing the feeling of D as tonic. A melody in D phrygian begins
Sonata for Solo Cello (Ligeti)
Sonata_for_Solo_Cello_(Ligeti)
region rapidly from the 7th century onward. The Arabic scale is strongly melodic, often Phrygian Dominant and based on various maqamat (sing. maqam) or modes
Middle_Eastern_music
Whitish marble from Docimium, Turkey
had pavonazzo floor tiles in the cella. Pavonazzetto statues of kneeling Phrygian barbarians existed in the Basilica Aemilia and Horti Sallustiani. Giant
Pavonazzo_marble
Ethnogenesis
Herodotus in the 5th century BC claiming a kinship between Armenians and Phrygians. However, the results of a 2020 study on Armenian genetics "strongly reject"
Origin_of_the_Armenians
Decision-making consideration when arranging voices in musical composition
derived from two basic ingredients: voice leading and the progression of scale degrees [i.e. of harmonic roots]. Of the two, voice leading is the earlier
Voice_leading
Genre of Spanish music and dance
Phrygian: in E the sequence is Am–G–F–E (Manuel 2006, 96). According to Manolo Sanlúcar E is here the tonic, F has the harmonic function of dominant while
Flamenco
Concept in diatonic set theory
one also has the following strictly proper scale: C D♭ E F♭ G A♭ B♭ (which is Phrygian Dominant ♭4 scale). The diatonic, ascending minor, harmonic minor
Rothenberg_propriety
Western music created during the Middle Ages
material for melodic writing. The eight church modes are: Dorian, Hypodorian, Phrygian, Hypophrygian, Lydian, Hypolydian, Mixolydian, and Hypomixolydian. Much
Medieval_music
Migrations out of the Proto-Indo-European homeland
they came with the Phrygians from the west, and took over from the non-Indo-European speaking Urartians, who were previously dominant in this area. Another
Indo-European_migrations
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PHRYGIAN DOMINANT-SCALE
PHRYGIAN DOMINANT-SCALE
PHRYGIAN DOMINANT-SCALE
PHRYGIAN DOMINANT-SCALE
PHRYGIAN DOMINANT-SCALE
PHRYGIAN DOMINANT-SCALE
PHRYGIAN DOMINANT-SCALE
PHRYGIAN DOMINANT-SCALE
PHRYGIAN DOMINANT-SCALE
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